Category Archives: nature

Like bread, or the sea.

After I left my car at the mechanic’s shop for its routine service, I set off walking down the road to the bus stop. After only a few steps I stopped to admire plants along my way; I did that a few times. The California Buckeye startled me as it always does, looking like the dead of winter in early fall. The large conker peeking out redeemed the scene.

It was fun, walking for ten minutes through a sort of industrial park, where all the people arriving for work gave their energy to the atmosphere, and lots of pickup trucks lined the road, bare of sidewalks most of the way. The air was crisp but not harsh.

On a bench at the bus stop, I looked briefly across the frontage road at the seedy mobile home park whose sign was missing some letters and read “Taylo.” A mockingbird’s song came to me from somewhere, surprisingly not drowned out by the heavy traffic noise. And then my gaze rose, hungry, to the sky.

I recognized the remains of a jet stream (or chem trail?) as one element of that picture above, but there was so much else going on up there! I began to think about what Emerson said, that “The sky is the daily bread for the eyes.” I mused on how sometimes we are given all sorts of fancy bread, but at other times the sky is plain blue, or white, or gray….

After a short ride on the bus, I got off and started walking the rest of the way home, along a boulevard where I had plenty more of those big spaces to wonder at. I was struck by the realization that I was the only human on earth to whom each particular picture was given, because I was the only one at that GPS location, at that moment in the constantly changing arrangement of images.

If one lives in the big city, with skyscrapers hogging the sky, usually a little bit at least will peek through; I like to get my bearings occasionally by looking at whatever patches are available for viewing. Being in prison, though… now that would be hard. I guess they do often let at least some of the prisoners outside sometimes, but they might not feel safe and relaxed enough to feast on their daily bread in that setting.

Twice now I’ve started reading The Marvelous Clouds, and shared some quotes here. I reread some of Albert’s comments that I included in one post about the book ; he passed on some excerpts from an article about it, which is about media. One thing the author said was that “Clouds illustrate media ontology. [They] exist by disappearing.” 

I gave that book away a while back. It’s very thought-provoking, to be sure, but I think if I had continued reading it I would have just been page by page arguing with the author over various things. I don’t like that he uses clouds for anything. I’d rather receive the gift of clouds as bread for my eyes. This arrangement of clouds below looked like it was pretending to be mountains in the distance:

The author of that book, John Durham Peters, also said that clouds are the original white noise. If you want to follow that thought, read the article linked in that more recent post of mine. But I think it’s more profitable for the soul to go out and look at the sky, whether there are clouds in it or not. When there are no clouds, or they have merged into a less enthralling picture, watching them might be like staring out at the ocean. It’s always moving, but it can be boring at the same time. Sometimes we need that plain bread. Feasting all the time is not good.

While my thoughts were on the clouds, my legs carried me into neighborhoods closer to mine, but I took a less familiar route and saw this beautiful plant that I found out is called a Common Lionspaw. I got distracted from the sky and started thinking about where I could fit one of those in my garden.

My cloud show seemed to go to intermission for a few minutes, with the actors going off stage — but quickly it started up again, as the sun began to break through.

Then, I was home again. It was time to start the rest of my day, and figure out what to eat… but my eyes had already had a big breakfast.

Her Perfect Face

A few weeks ago when I ran across this poem, I scheduled it to publish this evening, when the moon is nearly full. But I didn’t know that I would be driving home from Vespers at 6:30 and along that road where it’s happened before that I found the moon rising huge and golden right in front of me; if only  could lift off at a slight angle from the pavement, I could drive right up and park on it. But instead, I admired her perfect face for a few timeless moments…. and then I was home!

THE MOON

The moon was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.
Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.
Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!
And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.
Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue.

-Emily Dickinson

Winslow Homer, Moonlight

 

Let the day grow on you upward.

Is this poem about death, about a body laid to rest in the grave? In particular the line about ants walking over the eyelids makes me think so.

EARTH

Let the day grow on you upward
through your feet,
the vegetal knuckles,

to your knees of stone,
until by evening you are a black tree;
feel, with evening,

the swifts thicken your hair,
the new moon rising out of your forehead,
and the moonlit veins of silver

running from your armpits
like rivulets under white leaves.
Sleep, as ants

cross over your eyelids.
You have never possessed anything
as deeply as this.

This is all you have owned
from the first outcry
through forever;

you can never be dispossessed.

-Derek Walcott

Threads strung across everything.

“Time marched on. Each day seemed long, each week short. It was already autumn. What is the salient characteristic of autumn? The spiders’ threads in the early morning frost. I am not thinking much of the circular networks, marvellous as these are, hung along the gate, but rather the threads that are strung across everything, so that if you bend down till your eye is level with the field you can see a white veil over the whole expanse. They are everywhere, on everything. ‘Do they drape the cannons in France?’ asked Mr Ralph Wightman, true poet, in a striking image, the other day. To look down at these things is like looking up at the stars — we are baffled by quantity.”

John Stewart Collis in The Worm Forgives the Plough

(photo credit)