As though they wished to stay.

WE HAVE NOT LONG TO LOVE

We have not long to love.
Light does not stay.
The tender things are those
we fold away.
Coarse fabrics are the ones
for common wear.
In silence I have watched you
comb your hair.
Intimate the silence,
dim and warm.
I could but did not, reach
to touch your arm.
I could, but do not, break
that which is still.
(Almost the faintest whisper
would be shrill.)
So moments pass as though
they wished to stay.
We have not long to love.
A night. A day….

-Tennessee Williams

Edgar Degas, Woman Combing Her Hair

The catch in the world’s breath.

THE BODY IS MINE AND THE SOUL IS MINE

‘The body is mine and the soul is mine’
says the machine. ‘I am at the dark source
where the good is indistinguishable
from evil. I fill my tanks up
and there is war. I empty them
and there is not peace. I am the sound,
not of the world breathing, but
of the catch rather in the world’s breath.’
Is there a contraceptive
for the machine, that we may enjoy
intercourse with it without being overrun
by vocabulary? We go up
into the temple of ourselves
and give thanks that we are not
as the machine is. But it waits
for us outside, knowing that when
we emerge it is into the noise
of its hand beating on the breast’s
iron as Pharisaically as ourselves.

– R.S. Thomas

 

 

The History of Honey

A thousand bees are drinking nectar and collecting pollen in my garden this week, so it’s time I posted this poem I’ve been tasting for a while. Twice this week I went out to photograph the buzzers, but most of the time with little luck. They are too busy to pose for me!

THE HISTORY OF HONEY

“The History of Honey” — by an aged mandarin,
And I bought it for the pictures of the burnished bees therein.

For the dainty revelations, masquerading up and down,
For the odor of the sandalwood that talked of China-town.

According to the mandarin, the Oriental bees
Were the first to hoard their honey in the mountain cavities.

In the ages of antiquity, each summer afternoon,
They flew in golden convoys to the mountains of the moon.

And there, in caves by cataracts, where nothing could annoy,
Poured gallons in the caverns when Confucius was a boy.

Many mountains bulged with honey stored before the days of Ming,
From each crevice dripped the essence of a very precious thing.

Imprisoned in this honey, aging as the aeons wane,
Are the souls of all the flowers, waiting to be born again:

Every lotus, every poppy, every tulip, every rose.
And those who sip the honey slip beyond all human woes,

Dream again of youth’s digressions, index misty ways of joy,
Turn unto the pagan pastimes of Confucius — as a boy.

Doubtless there are yet secreted some divine distilleries
Overflowing with the wonder worth a dozen dynasties.

But the mandarin, he made no map, contented in old age
To draw the clinging love scenes of the bees on every page.

There he found an inspiration antedating all the Mings,
And he got the ancient essence of the very sweetest things.

-Nathalia Crane

In the deep with Moby-Dick.

If I had opened Moby-Dick even ten years ago, I wouldn’t have been able to appreciate it. Many of my peers read it in college, and I always knew that many people considered it a Must Read, the Great American Novel, etc. No one ever personally recommended it to me, though. This spring I read online two book-lovers’ brief comments on it, ideas I’d never heard before: first, that it was often funny, but also, that it was a joy to read such prose.

Possibly such prose as this:

[Speaking of the whale Moby-Dick] “He is both ponderous and profound. And I am convinced that from the heads of all ponderous profound beings, such as Plato, Pyrrho, the Devil, Jupiter, Dante, and so on, there always goes up a certain semi-visible steam, while in the act of thinking deep thoughts. While composing a little treatise on Eternity, I had the curiosity to place a mirror before me; and ere long saw reflected there, a curious involved worming and undulation in the atmosphere over my head. The invariable moisture of my hair, while plunged in deep thought, after six cups of hot tea in my thin shingled attic, of an August noon; this seems an additional argument for the above supposition.

“And how nobly it raises our conceit of the mighty, misty monster, to behold him solemnly sailing through a calm tropical sea; his vast, mild head overhung by a canopy of vapor, engendered by his incommunicable contemplations, and that vapor—as you will sometimes see it—glorified by a rainbow, as if Heaven itself had put its seal upon his thoughts.” 

Now that I think on it, it’s not surprising that I never heard such reports from my college roommates — None of them was an English major, for one thing, but I don’t recall discussing any books we were reading back then. At nineteen, most of us educated in public schools probably did not have enough exposure to great literature to have developed a literary sensibility. And we certainly had little enough life experience to enable us to catch all the subtle humor.

Is Moby-Dick wasted on the young? Did any of you my readers read it when you were young, in school (that would be Americans, mostly), and did you ever read it again? I won’t say any book is wasted on the young, because everything we read widens our literary experience and makes us more likely to deepen our understanding of the next books we come to.

I read both a hard copy and via the audio version, though listening to this particular book on Audible often felt like skimming; I could hear those beautiful sentences passing by, but couldn’t attend to them individually or deeply. The last several chapters in the Norton Critical Edition I completed during a surprisingly leisurely evening when I was also pleased not to be mentally exhausted, and after The End, I sat in my favorite chair for a long while and leafed back through the pages, not wanting to leave the story well-told.

I marvel at the scope of Melville’s “mental furniture,” and the way he weaves his vast knowledge into the philosophizing of Captain Ahab, and the musings of several characters. What a way he has with words — If I had read the whole thing in print the first time through, I’m afraid I’d never have finished, because I would pause at least once in every paragraph to wonder How does he do this? or to analyze the author’s worldview.

Moby-Dick is an American epic, and Harold Bloom says it may be a perfect novel. It is huge in so many ways. The length of a whaling voyage was at least three years! The character of Captain Ahab is as vast and as unknowable as any human. The Big Questions raised by him and others are supersized. The whale is gigantic. And then, there is the Ocean. The descriptions of life lived for such a protracted time in the middle of the sea made me realize that I am a landlubber for sure.

How could one bear a thousand days of being surrounded by the wide expanse, nothing but water and sky all around, and the deepest waters below? Not to mention, frequently getting thrown out of the smaller boats and being constantly at the risk of drowning in those deeps. But the whaler’s life is not without benefits:

“In the serene weather of the tropics it is exceedingly pleasant the mast-head; nay, to a dreamy meditative man it is delightful. There you stand, a hundred feet above the silent decks, striding along the deep, as if the masts were gigantic stilts, while beneath you and between your legs, as it were, swim the hugest monsters of the sea, even as ships once sailed between the boots of the famous Colossus at old Rhodes. There you stand, lost in the infinite series of the sea, with nothing ruffled but the waves. The tranced ship indolently rolls; the drowsy trade winds blow; everything resolves you into languor. For the most part, in this tropic whaling life, a sublime uneventfulness invests you; you hear no news; read no gazettes; extras with startling accounts of commonplaces never delude you into unnecessary excitements; you hear of no domestic afflictions; bankrupt securities; fall of stocks; are never troubled with the thought of what you shall have for dinner—for all your meals for three years and more are snugly stowed in casks, and your bill of fare is immutable.”

And the great ocean — Melville makes me love “my own” Pacific ocean in a new way:

“To any meditative Magian rover, this serene Pacific, once beheld, must ever after be the sea of his adoption. It rolls the midmost waters of the world, the Indian ocean and Atlantic being but its arms. The same waves wash the moles of the new-built Californian towns, but yesterday planted by the recentest race of men, and lave the faded but still gorgeous skirts of Asiatic lands, older than Abraham; while all between float milky-ways of coral isles, and low-lying, endless, unknown Archipelagoes, and impenetrable Japans. Thus this mysterious, divine Pacific zones the world’s whole bulk about; makes all coasts one bay to it; seems the tide-beating heart of earth. Lifted by those eternal swells, you needs must own the seductive god, bowing your head to Pan.”

Since I’m an American, I’m glad to have read this novel that reveals a fascinating period in American history, and the kind of energy that has formed our nation. Melville knew his Bible very well, but he still seems to have missed the point, and his perspective on all those Big Questions is not really a Christian one. Moby-Dick is not important enough to me personally that I want to spend much more time and effort on it, but if I keep it by my chair, I can see dipping in again in the future just to savor the sentences. And I do hope I might run into some people who would enjoy talking about the book at least a little bit. At the end of the novel, Moby-Dick still lives.