…only a rich relational life – not an obsessively self-analytical one – will make us fully human. Furthermore, self-sacrifice is so important for our soul’s well-being that we can even say that we are meant to be priests, nothing more and nothing less. And finally, as persons and as a society we are meant to glorify God and to become beautiful.
“No frail human morality can ever hope to contain the overflowing fullness of life with which Christ desires to rejuvenate the faithful.
“The world will not be saved by optimistic humanism that believes human progress and morality will eventually save the world. For Dostoevsky and the church fathers, man’s deepest problems are not moral, nor even psychological, but ultimately existential and ontological. It’s not about following the rules or feeling balanced. It is a matter of choice and it is a matter of human nature being touched by the hand of God Himself.
“Only by daring to leap towards God in spite of the good and evil that exist in the heart can the believer hope to get beyond the contradiction of the human condition. In order to avoid descending into nihilism, Dostoevsky offers his readers another path: the acceptance of suffering and affliction in the context of a relationship with God. It is only in this context that man is able to recognize a path out of his fallen condition. It is only this Love that is able to transform suffering into salvific joy.”
-Father Alexis Trader (Now Bishop Alexis of the Diocese of Sitka)
Today in the Orthodox Church we remember The Expulsion of Adam and Eve from Paradise. “The knowledge of Good and Evil, no matter how systematically or thoroughly consumed, will by no means make us gods. Rather, modern ethics, modern psychotherapy, and modern political ideologies all tend to produce not superhumans but pitiable slaves to the rationalizations generated by our distorted human desires. In order to gain control over the world, we have been too willing to renounce essential aspects of our own freedom.”
― Timothy G. Patitsas, The Ethics of Beauty
Will I finish reading The Ethics of Beauty during Lent? Maybe not, but I will at least keep plugging away at it. It’s full of insights about the order of Creation, including the humans, of course — and is infused with much wisdom and hope.
Some years ago Donald Sheehan’s widow Xenia shared on social media an excerpt from his book The Grace of Incorruption, a passage in which he links Robert Frost with St. Dionysius. She published it on the saint’s feast day in October, along with his icon below, but for re-posting Sheehan’s thoughts I have chosen today’s date, on which Robert Frost breathed his last, an appropriately wintry day in 1963. Xenia Sheehan:
This day the Orthodox Church celebrates St. Dionysius the Areopagite, 1st (or possibly 5th)-century poet of “Mystical Theology,” whom Donald Sheehan uniquely compares to American poet Robert Frost in his “deliberate turning out of all the lights of false knowing . . . in order to behold — in Dionysius’ astonishing words — ‘that darkness concealed from all the light among beings.'”
Don writes in The Grace of Incorruption that,
“…in order to know the personhood of another, we must unknow both the persona and the personality: we must let these lights go out. Again and again, in his finest poems, Robert Frost accomplishes precisely this unknowing, the deliberate extinguishing of all the false light, and a welcoming-in of the darkness in which true personhood can shine forth. And true personhood is, always, genuinely beautiful.
“I think what moves us so deeply about the poem ‘An Old Man’s Winter Night’ is Frost’s evocation of genuine personhood in the old man. The old man in Frost’s poem is not a persona nor a personality; he is, genuinely, a person. And as the lights go out in the poem, the more beautifully and movingly his personhood emerges. One vivid detail: when the log in the stove shifts with a jolt, we, too, are jolted into a deeper intimacy with the old man, an intimacy that gains in power because of the darkness.”
-Donald Sheehan
Text and icon from Donald’s widow Xenia Sheehan in 2018
AN OLD MAN’S WINTER NIGHT
All out-of-doors looked darkly in at him Through the thin frost, almost in separate stars, That gathers on the pane in empty rooms. What kept his eyes from giving back the gaze Was the lamp tilted near them in his hand. What kept him from remembering what it was That brought him to that creaking room was age. He stood with barrels round him—at a loss. And having scared the cellar under him In clomping there, he scared it once again In clomping off;—and scared the outer night, Which has its sounds, familiar, like the roar Of trees and crack of branches, common things, But nothing so like beating on a box. A light he was to no one but himself Where now he sat, concerned with he knew what, A quiet light, and then not even that. He consigned to the moon,—such as she was, So late-arising,—to the broken moon As better than the sun in any case For such a charge, his snow upon the roof, His icicles along the wall to keep; And slept. The log that shifted with a jolt Once in the stove, disturbed him and he shifted, And eased his heavy breathing, but still slept. One aged man—one man—can’t fill a house, A farm, a countryside, or if he can, It’s thus he does it of a winter night.