Monthly Archives: September 2023

The huge summer has gone by.

AUTUMN DAY

Lord: it is time. The huge summer has gone by.
Now overlap the sundials with your shadows,
and on the meadows let the wind go free.

Command the fruits to swell on tree and vine;
grant them a few more warm transparent days,
urge them on to fulfillment then, and press
the final sweetness into the heavy wine.

Whoever has no house now, will never have one.
Whoever is alone will stay alone,
will sit, read, write long letters through the evening,
and wander on the boulevards, up and down,
restlessly, while the dry leaves are blowing.

-Rainer Maria Rilke

Sundial Calendar – Mesopotamia

Patience comes to the bones.

PATIENCE

What is the good life now? Why,
look here, consider
the moon’s white crescent

rounding, slowly, over
the half month to still another
perfect circle–

the shining eye
that lightens the hills,
that lays down the shadows

of the branches of the trees,
that summons the flowers
to open their sleepy faces and look up

into the heavens.
I used to hurry everywhere,
and leaped over the running creeks.

There wasn’t
time enough for all the wonderful things
I could think of to do

in a single day. Patience
comes to the bones
before it takes root in the heart

as another good idea.
I say this
as I stand in the woods

and study the patterns
of the moon shadows,
or stroll down into the waters

that now, late summer, have also
caught the fever, and hardly move
from one eternity to another.

-Mary Oliver

 

The living enchantment of September.

In addition to several poems that he shares in his recent post about September, including those of Derek Mahon, Howard Nemerov, and Bashō, Stephen Pentz offers this thought:

“I have a vague notion of what occurs when ‘the ecliptic and equator cross.’ Something to do with the movement of spheres, I suspect. But I’m reminded of my oft-repeated first principle of poetry: Explanation and explication are the death of poetry. Here is a wider principle I have adopted at this moment: Explanation and explication are the death of enchantment. The enchantment of the World, of course. Mind you, I accept the existence of the ecliptic and the equator. This is not an anti-scientific manifesto. I simply prefer, for instance, a single butterfly or a single leaf, with no explanations attached.”

-Stephen Pentz on his blog, First Known When Lost

Here is one of the poems:

THRESHOLD

When in still air and still in summertime
A leaf has had enough of this, it seems
To make up its mind to go; fine as a sage
Its drifting in detachment down the road.

-Howard Nemerov

I hope you will visit his blog and read the whole loving tribute, including evocative works of art, to the month that is soon to be gone for another year.

Where everything is music.

WHERE EVERYTHING IS MUSIC

Don’t worry about saving these songs!
And if one of our instruments breaks,
it doesn’t matter.

We have fallen into the place
where everything is music.

The strumming and the flute notes
rise into the atmosphere,
and even if the whole world’s harp
should burn up, there will still be
hidden instruments playing.

So the candle flickers and goes out.
We have a piece of flint, and a spark.

This singing art is sea foam.
The graceful movements come from a pearl
somewhere on the ocean floor.

Poems reach up like spindrift and the edge
of driftwood along the beach, wanting!

They derive
from a slow and powerful root
that we can’t see.

Stop the words now.
Open the window in the center of your chest,
and let the spirits fly in and out.

-Rumi