Category Archives: quotes

We were each other looking out.

“Late one winter afternoon as I was walking to a class that I had to teach, I noticed the beginnings of what promised to be one of the great local sunsets. There was just the right kind of clouds and the sky was starting to burn and the bare trees were black as soot against it. When I got to the classroom, the lights were all on, of course, and the students were chattering, and I was just about to start things off when I thought of the sunset going on out there in the winter dusk, and on impulse, without warning, I snapped off the classroom lights.

“I am not sure that I ever had a happier impulse. The room faced west so as soon as it went dark, everything disappeared except what we could see through the windows, and there it was—the entire sky on fire by then, like the end of the world or the beginning of the world.

“You might think that somebody would have said something. Teachers do not usually plunge their students into that kind of darkness, and you might have expected a wisecrack or two or at least the creaking of chairs as people turned around to see if the old bird had finally lost his mind. But the astonishing thing was that the silence was as complete as you can get it in a room full of people, and we all sat there unmoving for as long as it took the extraordinary spectacle to fade slowly away.

“For over twenty minutes nobody spoke a word. Nobody did anything. We just sat there in the near-dark and watched one day of our lives come to an end, and it is no immodesty to say that it was a great class because my only contribution was to snap off the lights and then hold my tongue. And I am not being sentimental about sunsets when I say that it was a great class because in a way the sunset was the least of it.

“What was great was the unbusy-ness of it. It was taking unlabeled, unallotted time just to look with maybe more than our eyes at what was wonderfully there to be looked at without any obligation to think any constructive thoughts about it or turn it to any useful purpose later, without any weapon at hand in the dark to kill the time it took. It was the sense too that we were not just ourselves individually looking our at the winter sky but that we were in some way also each other looking out at it. We were bound together there simply by the fact of our being human, by our splendid insignificance in face of what was going on out there through the window, and by our curious significance in face of what was going on in there in that classroom.

“The way this world works, people are very apt to use the words they speak not so much as a way of revealing but, rather, as a way of concealing who they really are and what they really think, and that is why more than a few moments of silence with people we do not know well are apt to make us so tense and uneasy. Stripped of our verbal camouflage, we feel unarmed against the world and vulnerable, so we start babbling about anything just to keep the silence at bay. But if we can bear to let it be, silence, of course, can be communion at a very deep level indeed, and that half hour of silence was precisely that, and perhaps that was the greatest part of it all.”

— Frederick Buechner

Jan Schmuckal, Sunset on the Pass

First read on Bologna.

It gets worse and worse.

Malcolm Guite answers a question about writing poetry.

“You bring up depression. Many of your poems are helpful companions during dark times. When your poems touch on difficulty, they do so as one who has experienced it and yet you’re such a jolly man. How is that?” 

“Ah, yes, well, a couple of things about that.” He laughs. “As you know, these are things we all share in common. One of the things I consciously resist and rebel against is the idea of poetry as just personal self-expression. The idea of the lonely, romantic genius in his weird, peculiar place, who everyone has to make allowances for leads to this kind of confessional poetry which gets worse and worse and more and more obscure. What does it amount to? Another strange adventure in the little world of me. I don’t buy that at all. No, I want to be the bard of a tribe, to tell the great, collective stories that bind us together, but, of course, I tell them as they’ve happened to me. Whatever is personal of mine, is most emphatically not in the poems as purely self-expression.

“Confessional poetry becomes very tedious after a while. The poetry I want to write and that I enjoy reading articulates the joys and sorrows of life. As to the jollity, I suppose I would say that anyone with lighter emotions who hasn’t experienced any pain is in danger of sentiment. I trust them about as much as I trust a Thomas Kincaid painting. You know, there’s a term Tolkien coined, eucatastrophe. Eu, meaning good, so a good catastrophe, but it still has the word catastrophe in it. In some sense, the eucatastrophe at the end of the Lord of the Rings is trustworthy because we’ve been with these characters to the very edge of the crack of doom. That’s why I trust the resurrection because the church doesn’t backpedal on Good Friday.”

From the Rabbit Room

The Great Other answers all.

“Propaganda is not primarily the art of lying; it is the art of psychological manipulation. It is primarily the art of directing attention. Propaganda ensures that you notice certain aspects of reality and not others. And what is more suited to that than a search engine? Google is nowadays the Great Other that answers all your questions.”

-Mattias Desmet

Beachy Head, England, 2005

 

St. Hilary of Poitiers

 

 

 

 

 

 

 

A SONG OF DAWN

From  heaven has fled the starry night,
And startled sleep has taken flight;
The rosy morn, uprising, spills
Her crystal light o’er vales and hills.

Soon as the earliest ray we see,
Our souls are lifted, Lord, to thee;
Dear God, to thee, our prayers we bring;
To thee rejoicing hymns we sing.

Lord, be our hearts and hopes renewed
In light and love and gratitude,
So may our deeds, illumed by thee,
Worthy thy love and glory be.

We praise thee, Lord, forevermore;
Thee, with the Son our souls adore,
And with the Spirit, three in one,
Reigning while endless ages run.

-St. Hilary of Poitiers (310 – c. 367)
Translated by Daniel Joseph Donahoe

St. Hilary, Bishop of Poitiers in France, is known by some as the Athanasius of the West, for his defense of Nicene theology. This was before St. Ambrose became Bishop of Milan and rose to similar prominence and more fame. He wrote on many topics, including theosis, as below:

We shall be promoted to a glory conformable to that of Him Who became Man for us, being renewed unto the knowledge of God, and created again in the image of the Creator, as the Apostle says, Having put off the old man with his doings, and put on the new man, which is being renewed unto the knowledge of God, after the image of Him that created him. (Col. 3:9-10) Thus is man made the perfect image of God. For, being conformed to the glory of the body of God, he is exalted to the image of the Creator, after the pattern assigned to the first man. Leaving sin and the old man behind, he is made a new man unto the knowledge of God, and arrives at the perfection of his constitution, since through the knowledge of his God he becomes the perfect image of God. Through godliness he is promoted to immortality, through immortality he shall live forever as the image of his Creator. (On the Trinity 11.49)

You can read more about St. Hilary here.
He is remembered in the East and in the West on January 13.