Tag Archives: Malcolm Guite

Grandchildren enjoy gnomes and goats.

art, books, food and cooking, grandchildren, , , , ,

A couple of grandchildren, Ivy and Jamie, were with me for ten days, which we all agreed felt luxurious. We walked a lot! To the grocery store twice, to the bridge over the creek almost every evening, to the fairy houses and to the library more than once.

We made four visits to two library branches in the first five days, during which the children stocked up on their favorite authors and titles that are not available in their more rural area of northern California. Armloads were brought into the house to read in bed early and late, and at various other times throughout the day. Space Boy graphic novels, The Ranger’s Apprentice series, Nathan Hale’s Hazardous Tales, and a Godzilla encyclopedia were among the stacks.

We also read together: from The Little Bookroom by Eleanor Farjeon — it seems we always must do that one; Malcolm Guite’s new Galahad and the Grail; and we listened to all of Johnny Tremain while doing jigzaw puzzles or riding in the car.

I have to say a little about Galahad, which I had been waiting to read until I had someone to read with, as it’s a long poem best read aloud. The children were happy to join me; they are very familiar with the Arthur stories and liked hearing this telling of it. Here’s one random stave’s opening page:

It is gorgeous to look at, to feel, and to hear. It is bound in such a way that when I laid it down face up for a few minutes,  the pages were relaxed and I didn’t lose my place. We read three or four staves, which was a good start for me. I will continue to read aloud now, though no one but me will listen.

One day the children and I got an informal tour of a farm animal sanctuary that a friend of mine operates. The guide had to leave us alone in the “Kiddergarten” for a while, which was the highlight of our visit there. The kids were darling and so friendly. That day was a joy for every one of us.

Another day we drove out to the coast and soaked up the sun for several hours.  We brought home quite a bit of sand, and some of this bright green kelp, which I washed six times and then cooked into soup.

Both of the children slurped that up eagerly, and I finished the last of it today.

I wanted to check out the stretch along the creek where we discovered installations of fairy houses, gnomes and mushrooms several years ago, and to see if anything had survived the intervening winter storms and high water. So we took the bike path farther than usual, and found one of my near neighbors whom I never see, adding a few new items that very minute.

After the neighbor departed, Ivy found a place she could get across the creek to do various repair work and rearranging of gnomes and houses that had fallen over. Most of the fairies were pretty weather worn, but several new and bright mushrooms and gnomes had been added to the landscape.

Ivy was frustrated by not being able to do more. We tried to imagine how some of the fairies had been hung high above the creek; a ladder must have been involved, and dedicated, visionary artists. I wished for some pruning shears to open up the space for better viewing, and Ivy resolved to make a sign for the area; she accomplished that last night after sawing an old board from the garage to size. Today we went back and she very cleverly hung the sign.

It reads, “Welcome to the Fairie Village of Feather Tree.” Feather Tree refers to a couple of trees nearby into whose bark dozens of bird feathers had been inserted, which I failed to take a picture of.

When we got home I looked for my own garden gnome and found him in the playhouse. He is also weatherbeaten and faded, so Ivy took him home to give him a fresh coat of paint.

Yesterday was our last full day together. Jamie was already at his other grandma’s house, when Ivy and I decided to make cookies. We baked and assembled the Lemon-Poppyseed Sandwich Cookies I have made at Christmastime more than once. With two of us working at it, they were so easy. We finished just after dinnertime and took plates of them next door and across the street to four of my neighbors.

It has been a great week! I kept thinking I would post about our doings midway, but evidently there was not enough mental focus for that. Now the house is back to normal, with only one person reading early and late. I’ll be re-grouping and organizing my mental resources, and getting ready for the next visit from family, in only about three weeks. The summer has surely begun on a note of happiness.

It gets worse and worse.

poetry, quotes, , , , ,

Malcolm Guite answers a question about writing poetry.

“You bring up depression. Many of your poems are helpful companions during dark times. When your poems touch on difficulty, they do so as one who has experienced it and yet you’re such a jolly man. How is that?” 

“Ah, yes, well, a couple of things about that.” He laughs. “As you know, these are things we all share in common. One of the things I consciously resist and rebel against is the idea of poetry as just personal self-expression. The idea of the lonely, romantic genius in his weird, peculiar place, who everyone has to make allowances for leads to this kind of confessional poetry which gets worse and worse and more and more obscure. What does it amount to? Another strange adventure in the little world of me. I don’t buy that at all. No, I want to be the bard of a tribe, to tell the great, collective stories that bind us together, but, of course, I tell them as they’ve happened to me. Whatever is personal of mine, is most emphatically not in the poems as purely self-expression.

“Confessional poetry becomes very tedious after a while. The poetry I want to write and that I enjoy reading articulates the joys and sorrows of life. As to the jollity, I suppose I would say that anyone with lighter emotions who hasn’t experienced any pain is in danger of sentiment. I trust them about as much as I trust a Thomas Kincaid painting. You know, there’s a term Tolkien coined, eucatastrophe. Eu, meaning good, so a good catastrophe, but it still has the word catastrophe in it. In some sense, the eucatastrophe at the end of the Lord of the Rings is trustworthy because we’ve been with these characters to the very edge of the crack of doom. That’s why I trust the resurrection because the church doesn’t backpedal on Good Friday.”

From the Rabbit Room

Born into this world.

Christmas, poetry, ,

“What Herod did then, is still being done by so many present day Herods. This scarred and wounded world is the world into which Jesus was born, the world he came to save, and amongst those brought by his blood through the grave and gate of death and into the bliss of Heaven are those children of Bethlehem who died for his name without ever knowing him.”

So Malcolm Guite introduces his poem on the occasion of the commemoration of the Holy Innocents, the Hebrew children of whom Herod ordered the massacre, in an attempt to do away with a perceived challenger to his power. This poem is found in Guite’s anthology, Waiting on the Word.

REFUGEE

We think of him as safe beneath the steeple,
Or cosy in a crib beside the font,
But he is with a million displaced people
On the long road of weariness and want.
For even as we sing our final carol
His family is up and on that road,
Fleeing the wrath of someone else’s quarrel,
Glancing behind and shouldering their load.
Whilst Herod rages still from his dark tower
Christ clings to Mary, fingers tightly curled,
The lambs are slaughtered by the men of power,
And death squads spread their curse across the world.
But every Herod dies, and comes alone
To stand before the Lamb upon the throne.

-Malcolm Guite

You can read the whole post and hear Fr. Guite reading his poem here: “The Holy Innocents (Refugee)”

The good giant lifts the world.

Christmas, poetry, , , ,

Malcolm Guite included this passage from “The Ballad of the White Horse” in his anthology of Advent and Christmas poems, Waiting on the Word. King Alfred the Great narrates:

And well may God with the serving-folk
Cast in His dreadful lot;
Is not He too a servant,
And is not He forgot?
For was not God my gardener
And silent like a slave;
That opened oaks on the uplands
Or thicket in graveyard gave?
And was not God my armourer,
All patient and unpaid,
That sealed my skull as a helmet,
And ribs for hauberk made?
Did not a great grey servant
Of all my sires and me,
Build this pavilion of the pines,
And herd the fowls and fill the vines,
And labour and pass and leave no signs
Save mercy and mystery?
For God is a great servant,
And rose before the day,
From some primordial slumber torn;
But all we living later born
Sleep on, and rise after the morn,
And the Lord has gone away.
On things half sprung from sleeping,
All sleeping suns have shone,
They stretch stiff arms, the yawning trees,
The beasts blink upon hands and knees,
Man is awake and does and sees-
But Heaven has done and gone.
For who shall guess the good riddle
Or speak of the Holiest,
Save in faint figures and failing words,
Who loves, yet laughs among the swords,
Labours, and is at rest?
But some see God like Guthrum,
Crowned, with a great beard curled,
But I see God like a good giant,
That, laboring, lifts the world.

-G.K. Chesterton, excerpt from “The Ballad of the White Horse.”

I like to listen to Fr. Guite read poems on his site. You can read and listen here, too: “The Good Riddle.”

Caspar David Friedrich, Cross in the Forest