Tag Archives: solidarity

Beauty meets death.

LAZARUS SATURDAY

“’It stinketh,’ say the Jews trying to prevent Jesus from approaching the corpse, and this awful warning applies to the whole world, to all life. God is Life and the Giver of Life. He called man into the Divine reality of Life and behold ‘it stinketh’…The world was created to reflect and proclaim the glory of God and ‘it stinketh.’

“At the grave of Lazarus God encounters Death, the reality of anti-life, of destruction and despair. He meets His Enemy, who has taken away from Him His World and become its prince. And we who follow Jesus, as He approaches the grave, enter with Him into that hour of His, which He announced so often as the climax and the fulfillment of his whole work. The Cross, its necessity and universal meaning are announced in the shortest verse of the Gospel: ‘and Jesus wept’ …We understand now that it is because He wept, i.e., loved His friend Lazarus, that Jesus had the power of calling him back to life.

“The power of Resurrection is not a Divine ‘power in itself,’ but power of love, or rather love as power. God is Love and Love is Life, Love creates Life…It is Love that weeps at the grave and it is Love that restores life. This is the meaning of the Divine tears of Jesus. In them love is at work again—recreating, redeeming, restoring the darkened life of man: ‘Lazarus, come forth!…’ And this is why Lazarus Saturday is the beginning of both: the Cross, as the Supreme sacrifice of love, the Resurrection, as the ultimate triumph of love.”

-Fr. Alexander Schmemann

It is the end of Lent in the Orthodox Church. We enter Holy Week with Lazarus Saturday, and though we do fast until Pascha, it’s not technically Lent anymore for us. We now stop thinking about whether we succeeded or failed at Lent, because we need to focus on what God has done and be fully present for these last days of the remembering of the death and resurrection of the Lord.

Matins of Lazarus Saturday is a time to remember the whole story of how Lazarus had been dead four days when Jesus came into town and his friends said, “If only you had been here, he wouldn’t have died.” And Jesus wept. Then He showed his power over death, and raised Lazarus. And then followed the events that sent Him to His own death, which He also overcame for our sakes. His powerful beauty is still filling this world.

“Despite the effects of the Fall and despite our deep sinfulness, the world continues to be God’s creation. It has not ceased to be ‘altogether beautiful.’ Despite human alienation and suffering, the Divine Beauty is still present in our midst and still remains ever active, incessantly performing its work of healing and transfiguration. Even now beauty is saving the world, and it will always continue to do so. But it is the beauty of a God who is totally involved in the pain of the world that He has made, of a God who died on the Cross and on the third day rose victorious from the dead.”

–Metropolitan Kallistos

christ passion

 

(Old material from the archives, but Life ever new.)

The opposite of not getting in trouble.

My Christmas tree is still standing in my entryway, at the bottom of the stairwell. It’s handy to have an artificial tree so that it never starts looking worn out and dried up. I didn’t get it out of its box and trimmed until very late, and then all the days this month that I was mostly in bed because of my viruses, I couldn’t even see it much. I missed many services of Nativity and Theophany in which I might have been reminded by poetry and theology of the significance of “Immanuel: God with us.”

So bear with me if I continue on the theme of the Incarnation. After all it is, as was pointed out to me not long ago, the second most important point of Christian doctrine, after the Holy Trinity. If we truly live, we live it every day. And it’s worth giving extra attention to at least once a year. 🙂

One of the days I was in bed I started listening to The Fountain Overflows by Rebecca West. I would love to hear if any of  my readers has read this book or others in the Aubrey Trilogy of which it is first. This makes the third time I will have read this novel in the last ten years, and I could count on one hand the novels I’ve read three times in my whole life. I read the other two in the series as well, This Real Night and Cousin Rosamund, and a totally different novel of hers, The Birds Fall Down.

They have all made me ask what sort of woman could create these fascinating characters and dramas, portrayed by means of the most revealing dialogue and natural prose. After I started sitting up in the recliner I began to read The Extraordinary Life of Rebecca West by Lorna Gibb. It appears that there is a lot of autobiographical material in The Fountain Overflows, set in England in the Edwardian period. I don’t know if I will ever be able to write a good review of this book or any of West’s; they seem too vast and rich — and mysterious — for me to grasp, and that makes me wonder, Why am I so taken with her as a writer? and How does she accomplish this enchantment? I have some ideas — maybe they will lead to something!

The only reason I have for saying anything just now is, I ran across this passage about a Christmas Day the Aubrey Family celebrated. It contains one of the thought-provoking pearls of wisdom and understanding that are found liberally scattered throughout, not ever as little sermons, but as insights that come to the narrator Rose, or a phrase spoken by the mother as she’s trying to answer one of her children’s questions.

The father of the family wastes and loses money in various ways, so that they are always on the brink of disaster. In the passage below, the young Rose calls him “unlucky,” but the reader knows that it’s a case of children wanting to think the best of their father. His indiscretions or outright shameful behavior are the reason he and his family are always needing rescuing.

On Christmas Day the mother stays home with the maid to prepare Christmas dinner, and the father walks to church with the four children. The girls, having been musically trained to listen carefully and critically to every piece of music they hear, are often unable to enjoy anything slightly imperfect. The italics are mine:

“In church we were so contented that we did not think of the choir as music and did not approve or disapprove, but gratefully took it that it was giving tongue to what was in our hearts. ‘How bright,’ Mary whispered in my ear, ‘the silver dishes on the altar are.’ We liked the holly round the pulpit, the white chrysanthemums on the altar. Of late Mary and I had doubts about religion, we wished God had worked miracles that would have enabled Mamma to keep Aunt Clara’s furniture and saved Papa from his disappointment over the deal in Manchester, but now faith was restored to us. We saw that it was good of God to send His Son to earth because man had sinned, it was the opposite of keeping out of trouble, which was mean, it was the opposite of what Papa’s relatives were doing in not wanting to see him just because he had been unlucky. We liked the way Richard Quinn stood on the seat of the pew and, though he had been told he must be good and sit as still as a mouse in this holy place, nuzzled against Papa’s shoulder and sometimes put up his face for a kiss, certain that showing love for Papa must be part of being good.”

The picture of the family in church is sweet, but it’s the way the love of God and His willingness to come to our aid are put in a child’s very personal terms that strikes me. They paraphrase a word I really appreciate in regard to His taking on human flesh and frailty, human sin and soul-sickness and chains of death: solidarity. Glory to God in the highest!