Downhill I came, hungry, and yet not starved; Cold, yet had heat within me that was proof Against the North wind; tired, yet so that rest Had seemed the sweetest thing under a roof.
Then at the inn I had food, fire, and rest, Knowing how hungry, cold, and tired was I. All of the night was quite barred out except An owl’s cry, a most melancholy cry
Shaken out long and clear upon the hill, No merry note, nor cause of merriment, But one telling me plain what I escaped And others could not, that night, as in I went.
And salted was my food, and my repose, Salted and sobered, too, by the bird’s voice Speaking for all who lay under the stars, Soldiers and poor, unable to rejoice.
Malcolm Guite included this passage from “The Ballad of the White Horse” in his anthology of Advent and Christmas poems, Waiting on the Word. King Alfred the Great narrates:
And well may God with the serving-folk Cast in His dreadful lot; Is not He too a servant, And is not He forgot? For was not God my gardener And silent like a slave; That opened oaks on the uplands Or thicket in graveyard gave? And was not God my armourer, All patient and unpaid, That sealed my skull as a helmet, And ribs for hauberk made? Did not a great grey servant Of all my sires and me, Build this pavilion of the pines, And herd the fowls and fill the vines, And labour and pass and leave no signs Save mercy and mystery? For God is a great servant, And rose before the day, From some primordial slumber torn; But all we living later born Sleep on, and rise after the morn, And the Lord has gone away. On things half sprung from sleeping, All sleeping suns have shone, They stretch stiff arms, the yawning trees, The beasts blink upon hands and knees, Man is awake and does and sees- But Heaven has done and gone. For who shall guess the good riddle Or speak of the Holiest, Save in faint figures and failing words, Who loves, yet laughs among the swords, Labours, and is at rest? But some see God like Guthrum, Crowned, with a great beard curled, But I see God like a good giant, That, laboring, lifts the world.
-G.K. Chesterton, excerpt from “The Ballad of the White Horse.”
I like to listen to Fr. Guite read poems on his site. You can read and listen here, too: “The Good Riddle.”
One without looks in to-night …Through the curtain-chink From the sheet of glistening white, One without looks in to-night …As we sit and think …By the fender-brink.
We do not discern those eyes …Watching in the snow, Lit by lamps of rosy dyes We do not discern those eyes …Wondering, aglow, …Fourfooted, tiptoe.
The last lines of this poem rescue it for me, out of a feeling of chaos and loss. The moon is a real thing, unlike the many insubstantial facts that we might forget. In this case it’s also an experience in the moment, of heartfelt beauty, good for centering the soul.
FORGETFULNESS
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of,
as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones.
Long ago you kissed the names of the nine muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember, it is not poised on the tip of your tongue or even lurking in some obscure corner of your spleen.
It has floated away down a dark mythological river whose name begins with an L as far as you can recall
well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.