Tag Archives: childhood

Touring a house of endless rooms.

BOOKS

From the heart of this dark, evacuated campus
I can hear the library humming in the night;
a choir of authors murmuring inside their books
along the unlit, alphabetical shelves,
Giovanni Pontano next to Pope, Dumas next to his son,
each one stitched into his own private coat,
together forming a low, gigantic chord of language.

I picture a figure in the act of reading,
shoes on a desk, head tilted into the wind of a book,
a man in two worlds, holding the rope of his tie
as the suicide of lovers saturates a page,
or lighting a cigarette in the middle of a theorem.
He moves from paragraph to paragraph
as if touring a house of endless, paneled rooms.

I hear the voice of my mother reading to me
from a chair facing the bed, books about horses and dogs,
and inside her voice lie other distant sounds,
the horrors of a stable ablaze in the night,
a bark that is moving toward the brink of speech.

I watch myself building bookshelves in college,
walls within walls, as rain soaks New England,
or standing in a bookstore in a trench coat.

I see all of us reading ourselves away from ourselves,
straining in circles of light to find more light
until the line of words becomes a trail of crumbs
that we follow across a page of fresh snow;
when evening is shadowing the forest
and small birds flutter down to consume the crumbs,
we have to listen hard to hear the voices
of the boys and his sister receding into the words.

-Billy Collins

Johan van Hell – Boekenstalletje

This poem was the perfect one for me to find right now, because I myself have been acting out all the verbs: following, straining, hearing and touring… and listening hard, to the humming of a choir. This choir of authors aren’t all consciously “singing” in harmony, or even intending to write about the same things, but their voices, the sounds, the crumbs I am following “across a page of fresh snow” all seem to be parts of a whole. The rooms I am touring are all in one house; it must be the place where the human soul lives.

My “circles of light” sometimes seem like a 60’s light show, beautiful and confusing, when I am waiting rather for illumination and clarity. So many authors have shined their little lights out into the world, but how many reveal the reality of things?

Over the last several months I have been reading a lot, with no resulting book reviews and few even small illuminations of the sort I might write about here. The Eucharist was very focused and wonderful and I do want to say some things about it eventually, but instead of stopping for that I kept working my way through Irrational Man, which is such a tour de force that it’s hard to know what to say about — everything.  It mostly makes me want to read more books that William Barrett reminds me of.

Like Flight From Woman by Karl Stern, which I read some years ago and thought brilliant; but at the time I knew I needed to read it a second time to digest it. Barrett explains the duality of selves in Sartre’s philosophy, how he considers not the “fruitful, excessive, fruitful blooming nature” to be the true self, but only that of the radically free and active man who has projects. Now I want to go back and read Stern on this topic.

But I am determined to finish a couple more books first. The Rise and Triumph of the Modern Self is like another long chapter, maybe the closing chapter, of Western Philosophy, so it will be good if I can move right on to finishing it after Barrett.

On my recent road trip I listened to Come on Shore and We Will Kill and Eat You All: A New Zealand Story, by Christina Thompson, a title so embarrassing on several fronts that I considered leaving this accomplishment unrecorded. But even this book, which was about as deep as I could go on all that freeway driving, provided a few revealing glimpses of how ideas from the other books I mentioned play out in real life, especially the central one: What is the self?

About halfway through The Cross of Loneliness I began to have a difficult time knowing what these two men were talking about, but I will finish that book, too, before long. My really easy, small book to read under the covers right now is The Bookshop by Penelope Fitzgerald, which I found in the little free library up at the lake.

And then, the sweetest, which will be easy to finish, as it’s like swimming slowly through a small and refreshing pond to the other side: The Scent of Water, which our book club is reading together. It is coming to an end way too fast.

Oh, yes, there are a dozen more sitting nearby, that I plan to continue with eventually, but they are not at the moment as current as these, these rooms full of delicious crumbs that I trust are leading me always to brighter places.

In regard to my own life and reading, I don’t relate to the progression of Collins’s poem, in its hearkening back to the experiences of childhood and youth, and the mood of evening and shadow descending. I am just very thankful for all the good writers I have at my disposal, and for the lovely song that they are trying to learn and to sing.

I wished one could live slowly.

This Real Night“The day was so delightful that I wished one could live slowly as one can play music slowly…. It was warm as high summer, and bars of sunshine lay honey-coloured across the floor, the air above them shimmering with motes; and bees droned about a purple branch of viburnum in a vase on the mantelpiece. We four girls were bathed in a sense of leisure we had never enjoyed before and were never to enjoy again, for we were going to leave school at the end of term, and we had passed all the examinations which were to give us the run of the adult world. We were as happy as escaped prisoners, for we had all hated being children.”

-Rebecca West, from the first page of This Real Night

Slipping from the tedious plane.

I was telling Mr. Greenjeans about how An American Childhood by Annie Dillard encouraged me in my writing. He comes from the author’s hometown of Pittsburgh, Pennsylvania, which is the backdrop for her growing-up adventures told from her vividly revealing point of view. I took the book off the shelf to put aside for him, and turned the pages a while, seeing passages I’d marked long ago.

Hers is a unique point of view, of course, as each of us is an unrepeatable individual looking out on our world. Whether it is her perspective that is unusual as well, or only her ability to convey it in words, I don’t know. I do know that few children today have the liberty of youth that Dillard describes as regularly offering periods of time so deep and distraction-free that you can “lose yourself.” In a chapter on her love of books and reading, she tells how she felt:

The actual world is a kind of tedious plane where dwells, and goes to school, the body, the boring body which houses the eyes to read the books and houses the heart the books enflame. The very boring body seems to require an inordinately big, very boring world to keep it up, a world where you have to spend far too much time, have to do time like a prisoner, always looking for a chance to slip away, to escape back home to books, or to escape back home to any concentration–fanciful, mental, or physical–where you can lose your self at last. Although I was hungry all the time, I could not bear to hold still and eat; it was too dull a thing to do, and had no appeal either to courage or to imagination. The blinding sway of their inner lives makes children immoral. They find things good insofar as they are thrilling, insofar as they render them ever more feverish and breathless, ever more limp and senseless on the bed.

-Annie Dillard, in An American Childhood