Tag Archives: reading

In the deep with Moby-Dick.

If I had opened Moby-Dick even ten years ago, I wouldn’t have been able to appreciate it. Many of my peers read it in college, and I always knew that many people considered it a Must Read, the Great American Novel, etc. No one ever personally recommended it to me, though. This spring I read online two book-lovers’ brief comments on it, ideas I’d never heard before: first, that it was often funny, but also, that it was a joy to read such prose.

Possibly such prose as this:

[Speaking of the whale Moby-Dick] “He is both ponderous and profound. And I am convinced that from the heads of all ponderous profound beings, such as Plato, Pyrrho, the Devil, Jupiter, Dante, and so on, there always goes up a certain semi-visible steam, while in the act of thinking deep thoughts. While composing a little treatise on Eternity, I had the curiosity to place a mirror before me; and ere long saw reflected there, a curious involved worming and undulation in the atmosphere over my head. The invariable moisture of my hair, while plunged in deep thought, after six cups of hot tea in my thin shingled attic, of an August noon; this seems an additional argument for the above supposition.

“And how nobly it raises our conceit of the mighty, misty monster, to behold him solemnly sailing through a calm tropical sea; his vast, mild head overhung by a canopy of vapor, engendered by his incommunicable contemplations, and that vapor—as you will sometimes see it—glorified by a rainbow, as if Heaven itself had put its seal upon his thoughts.” 

Now that I think on it, it’s not surprising that I never heard such reports from my college roommates — None of them was an English major, for one thing, but I don’t recall discussing any books we were reading back then. At nineteen, most of us educated in public schools probably did not have enough exposure to great literature to have developed a literary sensibility. And we certainly had little enough life experience to enable us to catch all the subtle humor.

Is Moby-Dick wasted on the young? Did any of you my readers read it when you were young, in school (that would be Americans, mostly), and did you ever read it again? I won’t say any book is wasted on the young, because everything we read widens our literary experience and makes us more likely to deepen our understanding of the next books we come to.

I read both a hard copy and via the audio version, though listening to this particular book on Audible often felt like skimming; I could hear those beautiful sentences passing by, but couldn’t attend to them individually or deeply. The last several chapters in the Norton Critical Edition I completed during a surprisingly leisurely evening when I was also pleased not to be mentally exhausted, and after The End, I sat in my favorite chair for a long while and leafed back through the pages, not wanting to leave the story well-told.

I marvel at the scope of Melville’s “mental furniture,” and the way he weaves his vast knowledge into the philosophizing of Captain Ahab, and the musings of several characters. What a way he has with words — If I had read the whole thing in print the first time through, I’m afraid I’d never have finished, because I would pause at least once in every paragraph to wonder How does he do this? or to analyze the author’s worldview.

Moby-Dick is an American epic, and Harold Bloom says it may be a perfect novel. It is huge in so many ways. The length of a whaling voyage was at least three years! The character of Captain Ahab is as vast and as unknowable as any human. The Big Questions raised by him and others are supersized. The whale is gigantic. And then, there is the Ocean. The descriptions of life lived for such a protracted time in the middle of the sea made me realize that I am a landlubber for sure.

How could one bear a thousand days of being surrounded by the wide expanse, nothing but water and sky all around, and the deepest waters below? Not to mention, frequently getting thrown out of the smaller boats and being constantly at the risk of drowning in those deeps. But the whaler’s life is not without benefits:

“In the serene weather of the tropics it is exceedingly pleasant the mast-head; nay, to a dreamy meditative man it is delightful. There you stand, a hundred feet above the silent decks, striding along the deep, as if the masts were gigantic stilts, while beneath you and between your legs, as it were, swim the hugest monsters of the sea, even as ships once sailed between the boots of the famous Colossus at old Rhodes. There you stand, lost in the infinite series of the sea, with nothing ruffled but the waves. The tranced ship indolently rolls; the drowsy trade winds blow; everything resolves you into languor. For the most part, in this tropic whaling life, a sublime uneventfulness invests you; you hear no news; read no gazettes; extras with startling accounts of commonplaces never delude you into unnecessary excitements; you hear of no domestic afflictions; bankrupt securities; fall of stocks; are never troubled with the thought of what you shall have for dinner—for all your meals for three years and more are snugly stowed in casks, and your bill of fare is immutable.”

And the great ocean — Melville makes me love “my own” Pacific ocean in a new way:

“To any meditative Magian rover, this serene Pacific, once beheld, must ever after be the sea of his adoption. It rolls the midmost waters of the world, the Indian ocean and Atlantic being but its arms. The same waves wash the moles of the new-built Californian towns, but yesterday planted by the recentest race of men, and lave the faded but still gorgeous skirts of Asiatic lands, older than Abraham; while all between float milky-ways of coral isles, and low-lying, endless, unknown Archipelagoes, and impenetrable Japans. Thus this mysterious, divine Pacific zones the world’s whole bulk about; makes all coasts one bay to it; seems the tide-beating heart of earth. Lifted by those eternal swells, you needs must own the seductive god, bowing your head to Pan.”

Since I’m an American, I’m glad to have read this novel that reveals a fascinating period in American history, and the kind of energy that has formed our nation. Melville knew his Bible very well, but he still seems to have missed the point, and his perspective on all those Big Questions is not really a Christian one. Moby-Dick is not important enough to me personally that I want to spend much more time and effort on it, but if I keep it by my chair, I can see dipping in again in the future just to savor the sentences. And I do hope I might run into some people who would enjoy talking about the book at least a little bit. At the end of the novel, Moby-Dick still lives.

The pages turn you.

YOU TURN THE PAGE

André Derain

“Whenever I see someone reading a book . . . I feel civilization has become a little safer.” Matt Haig, How to Stop Time

You turn the page because you have to know—
because the youthful wizard is in trouble,
because the wife’s about to pack and go,
because you just like living in this bubble
of graceful prose and other people’s ills
and joys, because turning the pages makes
you see things from a new perspective, fills
your mind with more than you, and maybe breaks
your heart or your routine, or breaks apart
what’s rusted shut, or else draws a connection
where you thought there was none. And once you start,
the pages lead you to the intersection
of art and life and your own empathy;
the pages turn you toward humanity.

-Jean L. Kreiling

Jean Kreiling expresses so many of the reasons that we love to read — Did she leave anything out? I do like very much — often, but not constantly! — living in this bubble of graceful prose, even when the bubble doesn’t contain other peoples’ ills and joys. I hope my reading is doing all the positive things the poet sees. I read this poem Sunday afternoon to eleven fellow readers, when our parish women’s book group met on my patio and enjoyed our usual lively discussion of such pleasures. I’m also keeping it tucked in my purse to share with any friend or stranger I might meet, anytime our conversation turns to our latest favorite books.

Peter Kauflin, Once Upon a Time

Reading a Wife

READING A WIFE

A wife is not composed of words, so
Unlike a novel that takes till dawn
To devour she cannot be read
through in a night

Repeating the uneasy lines of a poem
Over and over, rereading again and again
would be different, too (though it probably looks the same)

Yesterday, while driving the car
In a break in the din
I heard for a moment the beat of a bird’s wings
Ah, I thought

That ‘Ah’ was just for one moment, but
It would need an eternity to comprehend, never mind
My wife, who is before me sleeping or awake

Is it arrogant to even want to read a person?
Not her expressions or gestures
But to want to read that person, my wife
Unable to be satisfied with just living together?

My wife speaking to me from across the table
My wife wordlessly tossing and turning in bed
The one there that seems like
Loyal ladies-in-waiting serving a wife I can’t see

In the breath inscribed in each sentence
Punctuated by daily reality
Its draft turns the pages of my wife

I wish to grasp not the look but the way of the words
In a quiet place far from both my wife and myself
And like a twig that smells the approach of snow in the air
I want to read my wife

-Yotsumoto Yasuhiro

Bedouin Woman by César Gemayel

Apples and apples and a book.

From the book Apples, by Roger Yepsen.

My kitchen and both refrigerators are overflowing with apples right now, as I recently made my annual visit to the apple farm I am so fond of. I’ve made jars and jars of applesauce to put in the freezer, at this point mostly from unpeeled Jonathans, which after it has cooked down and been put into pint jars, makes as pretty and pink a picture as I have ever had a hand in painting. It’s a good time to revisit as well this passage from a favorite novel, which I first shared ten years ago:

             – – – – – – – – – – – – – – – – – – – – – –

Willa Cather’s novel My Ántonia held a special place in the hearts of both my late husband and me, perhaps in our conjugal heart ? by reason of our sharing the story together more than once, and reading it on our own as well. When I’ve read it aloud it’s not uncommon for me to start sobbing at places in the narrative where the pathos hits home.

I was surprised to see recently a review in which the reader did not enjoy Cather’s writing, saying it was dry and lacking emotion. Those qualities might be why I appreciate her skill at capturing the story and drawing us in. Cather gives us the perspective of Jim, and we experience with him as narrator the various levels on which he is in love with our heroine and all that she represents, and he makes us fall in love with her, too.

Our differing response from the reviewer above probably has something to do with what we bring to the story. Though we haven’t lived in Nebraska or known any Bohemians, perhaps we are like Jim (and Willa Cather) in our grieving for the past, for the lifestyle of the pioneers and their farm life, for the good hardworking people we have lost; as I understand it, that was a theme that reappears in many of her works, but she accomplishes it without what might be called “emotional” prose. Mr. Glad and I both have farming in our roots, and our love for nature and the outdoors (and for people) is only encouraged and expanded by reading books like this.

I thought to transcribe some passages from the book on my blog, representative snatches for my own enjoyment and yours, as a way to savor again some moments from my reading experience, and perhaps introduce people who haven’t yet made friends with these characters and their world.

In the novel, there is no question but that Jim must leave the country life and go away to school and to city life. The passage below is from the last part of the book when he returns many years later for a visit, and I appreciate the way it conveys something of Ántonia’s character and also the mood of this season of the year.

At some distance behind the house were an ash grove and two orchards: a cherry orchard, with gooseberry and currant bushes between the rows, and an apple orchard, sheltered by a high hedge from the hot winds. The older children turned back when we reached the hedge, but Jan and Nina and Lucie crept through it by a hole known only to themselves and hid under the low-branching mulberry bushes.

“As we walked through the apple orchard, grown up in tall bluegrass, Ántonia kept stopping to tell me about one tree and another. ‘I love them as if they were people,’ she said, rubbing her hand over the bark. ‘There wasn’t a tree here when we first came. We planted every one, and used to carry water for them, too — after we’d been working in the fields all day. Anton, he was a city man, and he used to get discouraged. But I couldn’t feel so tired that I wouldn’t fret about these trees when there was a dry time. They were on my mind like children. Many a night after he was asleep I’ve got up and come out and carried water to the poor things. And now, you see, we have the good of them. My man worked in the orange groves in Florida, and he knows all about grafting. There ain’t one of our neighbors has an orchard that bears like ours.’

“…The afternoon sun poured down on us through the drying grape leaves. The orchard seemed full of sun, like a cup, and we could smell the ripe apples on the trees. The crabs hung on the branches as thick as beads on a string, purple-red, with a thin silvery glaze over them. Some hens and ducks had crept through the hedge and were pecking at the fallen apples.”

–Willa Cather

Orchardside by Richard Thorn