Tag Archives: Howard Pyle

I like rain and roasted onions.

Rain… rain… rain… It’s been raining All. Day. It’s night now and still raining. I’ve been exulting in it, because I didn’t have any responsibilities that required my going out. I could tend the fire, chat with my daughters online about their weather, roast onions, read, and even accomplish one housecleaning task that has been hanging over my head for months: cleaning the ceiling exhaust fan in a bathroom. Yippee!

The nodding violet that I brought indoors last week before freezing weather arrived looked so lovely with the rainy light behind it, I had to take its picture.

Sir Gawain by Howard Pyle

On the table by the violet are a few of the books I bought to go with an online course I am taking this fall: “Christian Wonder Tales.” It is taught by Martin Shaw, the mythologist and storyteller whom I met at the Symbolic World Summit last winter. Tolkien’s Sir Gawain and the Green Knight didn’t get in the picture, but is another title he recommended, and I have it upstairs.

Who knows if I will read any of these books to the end — I haven’t even finished The King of Ireland’s Son, by Padraic Colum, which is quite delightful. Also perfect for listening to, because the narrator Gerard Doyle’s Irish brogue, telling the stories-within-stories as is the custom with Irish stories, has me journeying entranced from the Irish cottage to the castle and back again, meeting mysterious characters and challenging assignments around every bend in the road.

Now to the topic of food: Back when my friend Susan was also my housemate, sometimes I would walk in the front door to another sort of captivating story, the aroma of which was the essential part. What are you cooking?? I would ask, drawn immediately into the kitchen, and it took a few repetitions of this encounter before my nose remembered what she had told me: “It’s only roasted onions!” I eventually had to start making them myself.

(Above, onions in my kitchen as it was 28 years ago. Notice bread rising in pans at left. The only thing that is the same now is cast iron pans always on the stove top.)

To keep up with my appetite for them, I’d need to roast a batch of onions once a week, but it ends up being more like twice a year. As soon as they are out of the oven I always serve myself a little bowl of them, which seems to be about one onion’s worth… or two — so I usually double the recipe below. Do you roast onions? You can find many recipes online; here is my version:

ROASTED ONIONS

3 large onions, yellow or red
2 tablespoons olive or other oil
1 tablespoon balsamic or other vinegar
1/2 teaspoon kosher salt
fresh ground black pepper to taste
(1 tablespoon chopped fresh thyme) – I never add this

Cut the onions vertically into quarters or sixths, and then slice those wedges crosswise as thick as you want; I make mine 1/8 to 1/3 inch thick. Toss them in a bowl with the other ingredients and roast in a sheet pan at 375 to 400 degrees for 45 minutes to an hour, stirring occasionally, until they are as brown as looks good to you. I think sometimes, in an effort to get them crispier, I have overcooked them and made them a little tough.

This evening I didn’t use balsamic vinegar, because recently I was given an extra special bottle of “plain” red wine vinegar with a noble heritage. Just as bakers like to pass their sourdough starter around to friends, so chefs and winemakers often share a vinegar mother (also called a vinegar scoby). My vinegar was fermented with a mother whose mother belonged to Alice Waters, and whose grandmother grew in Julia Child’s kitchen. Does that make my onions taste better? You know, I think they might just be the best I’ve ever made!

Mael Mhedha of the dark brows.

Just now I read a newsletter from a Touchstone Magazine editor, on the subject of marriage. He included this quite old poem which conveys the feelings that a person might have, after the death of one’s spouse. Having lived that way of existence, the state of being one flesh with one’s spouse, as the Bible describes it, and then losing it… The poet graphically describes, in the most evocative metaphors, what the loss means, from his crown to his feet. He’s lost his grip on his own body.

ELEGY ON MAEL MHEDHA, HIS WIFE

My soul parted from me last night.
In the grave, a pure dear body.
A kind, refined soul was taken
from me, a linen shroud about her….

Mael Mhedha of the dark brows,
my cask of mead at my side;
my heart, my shadow split from me,
flowers’ crown, planted, now bowed down.

My body’s gone from my grip
and has fallen to her share,
my body’s splintered in two,
since she’s gone, soft, fine and fair.

One of my feet she was, one side—
like the whitethorn was her face—
our goods were never ‘hers’ and ‘mine’—
one of my hands, one of my eyes.

Half my body, that young candle—
it’s harsh, what I’ve been dealt, Lord.
I’m weary speaking of it:
she was half my very soul.

My first love, her great soft eye,
ivory-white and curved her breast,
neither her fair flesh nor her side
lay near another man but me.

We were twenty years together.
Our speech grew sweeter each year.
She bore me eleven children,
the tall young long-fingered tree.

Though I am, I do not thrive
since my proud hazel-nut fell,
Since my great love parted from me,
the dark world’s empty and bare.

Dear the soft hand which was here,
King of the churches and bells.
Och! that hand never swore false oath.
Sore, that it’s not under my head.

—Muireadhach Albanach O Dalaigh, c. 1224
Translated from Gaelic in The Triumph Tree 

Howard Pyle, The Wonder Clock