September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.
She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,
It’s time for tea now; but the child
is watching the teakettle’s small hard tears
dance like mad on the hot black stove,
the way the rain must dance on the house.
Tidying up, the old grandmother
hangs up the clever almanac
on its string. Birdlike, the almanac
hovers half open above the child,
hovers above the old grandmother
and her teacup full of dark brown tears.
She shivers and says she thinks the house
feels chilly, and puts more wood in the stove.
It was to be, says the Marvel Stove.
I know what I know, says the almanac.
With crayons the child draws a rigid house
and a winding pathway. Then the child
puts in a man with buttons like tears
and shows it proudly to the grandmother.
But secretly, while the grandmother
busies herself about the stove,
the little moons fall down like tears
from between the pages of the almanac
into the flower bed the child
has carefully placed in the front of the house.
Time to plant tears, says the almanac.
The grandmother sings to the marvelous stove
and the child draws another inscrutable house.
FOR A SLEEPLESS CHILD
If your room is ever too dark,
small one, look out through your window
up at the moon, that little bulb
left on for you in the sky’s black wall.
It will still be there come morning,
burning in a bright room of blue.
And if your room, restless one,
is much too still, listen to the clatter
of the freight, rattling past trestles
on the cool night breeze. Then follow
the moon to the side of the tracks,
where the train is a long, slow dream
you can jump on. An open car
is waiting for you — one step up —
you’re on! Now watch the dark towns, the lights
deep in the porches, and lie down
in the soft straw, and sleep till morning,
when the train chugs into station,
noisy with birds and wires overhead.
~ Peter Schmitt
Painting: Late Moon Train by Steve Coffey
THE FREEDOM OF THE MOON
I’ve tried the new moon tilted in the air
Above a hazy tree-and-farmhouse cluster
As you might try a jewel in your hair.
I’ve tried it fine with little breadth of luster,
Alone, or in one ornament combining
With one first-water star almost as shining.
I put it shining anywhere I please.
By walking slowly on some evening later
I’ve pulled it from a crate of crooked trees,
And brought it over glossy water, greater,
And dropped it in, and seen the image wallow,
The color run, all sorts of wonder follow.
~ Robert Frost
This poem surprised me by not having any mention of green leaves or grass. It describes a morning moment so succinctly, I think I might remember it, especially if I were watching the moon at dawn… Otherwise, maybe not! Because it may never happen that I have the opportunity to know this scene as more than a poem, I thought it best not to wait to share it.
The dawn was apple-green,
The sky was green wine held up in the sun,
The moon was a golden petal between.
She opened her eyes, and green
They shone, clear like flowers undone
For the first time, now for the first time seen.