Category Archives: nature

A sleeping place is blessed.

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When our rector went to a nearby cemetery to bless a section designated for new gravesites, I was eager to go along and be among those praying and singing. A small group of us gathered at noon after a morning of rain. The light changed often as the clouds came between us and the thin autumn sunshine. The trees cast shadows in the middle of the day, and I never took off my fleece jacket.

Not long into the service three words, “quickly flowing life,” pressed on my mind, referring to our earthly existence. It seemed the perfect time of year for this opportunity to turn our minds to death and corruption; I could see the vineyard across the street all in gold, and apples had fallen from trees all around the awning that had been set up for us.

Strangely enough, my husband was in another town not far away, attending the funeral of a Christian man. His body was put into the grave at about the time we were hearing the Gospel reading, about how Joseph of Arimathea took Christ’s dead body and cared for it. Here is the account from the Gospel of John:

After these things Joseph of Arimathea, who was a disciple of Jesus, but secretly for fear of the Jews, asked Pilate that he might take away the body of Jesus, and Pilate gave him permission. So he came and took away his body. Nicodemus also, who earlier had come to Jesus by night, came bringing a mixture of myrrh and aloes, about seventy-five pounds in weight. So they took the body of Jesus and bound it in linen cloths with the spices, as is the burial custom of the Jews. Now in the place where he was crucified there was a garden, and in the garden a new tomb in which no one had yet been laid. So because of the Jewish day of Preparation, since the tomb was close at hand, they laid Jesus there.

Our bodies are temples of the Holy Spirit, and when at death our souls are separated from our bodies it is right that they be laid in the earth to await the resurrection. Fr. Alexander Schmemann (in an article that is worth reading in its entirety) makes clear what is Christian faith as regards this event:

…it is with faith or unbelief, not simply in the “immortality of the soul,” but precisely in the Resurrection of Christ and in our “universal resurrection” at the end of time that all of Christianity “stands or falls,” as they say. If Christ did not rise, then the Gospel is the most horrible fraud of all. But if Christ did rise, then not only do all our pre-Christian representations and beliefs in the “immortality of the soul” change radically, but they simply fall away.

…..

He alone arose from the dead, but He has destroyed our death, destroying its dominion, its despair, its finality. Christ does not promise us Nirvana or some sort of misty life beyond the grave, but the resurrection of life, a new heaven and a new earth, the joy of the universal resurrection. “The dead shall arise, and those in the tombs will sing for joy…” Christ is risen, and life abides, life lives… That is the meaning; that is the unending joy of this truly central and fundamental confirmation of the Symbol of Faith: “And the third day, He rose again according to the Scriptures.”

The soul won’t be separated from the body forever, but for a time the body will be as asleep, while we anticipate our rising, when we will sing with joy at the final defeat of death. Until then, this spot on the earth would be as good as any for waiting.

When the service was over, we were invited to pick as many apples as we wanted from the trees, which I think were Golden Delicious. It didn’t take me long to finish my apple. The service was less than an hour. In a couple of months there won’t be any leaves left on the vines or the apple trees, and the years of each of us are quickly flowing.

Lord, teach us to number our days, that we may apply our hearts to wisdom.

[We had no idea of it at the time, but not three years after I wrote this post, my husband joined the ranks of those waiting here for that rising.]

What is is change.

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Change is a measure of time and, in the autumn, time seems speeded up. What was is not and never again will be; what is is change.  -Edwin Teale

I went out into the misty autumn morning to find fine threads laced in and out among flower petals and fence rails.

The only sun was in the form of letters labeling the Sunsugar tomato.
Unless you count the few remaining mini-globes of golden fruit.

But in the midst of leaves turning brown, under skies cast over with grey, the last flowers were even more obvious in their brilliance. So I gave them the attention they wanted.

A few Cécile Brunner roses had come out, a few miniature roses….

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But the salvia blooms are in the thousands. The party they seem to be celebrating has clearly just begun.

Rosemary and The Bee

my garden, nature

Like the bees, Mr. Glad and I have been using the last warm days of autumn to finish up some outdoor projects. I wanted to have a pot of flowers by the front door, and he had got us started on a new long triangle of lawn-replacement landscaping. Today we finished up the latter, and I took some pictures of various things in the front yard.

I have several pots now that I can rotate in and out sitting on the upended log by the door. The roses were blooming in the back yard so brought them out front to the place of honor without bothering to pull out the weeds.

This pic shows where the patch of lawn was replaced with some little shrubs and perennials that don’t need much water. They are small now but will spread out before long. Parts of the front yard still need sprucing up for winter, but I wanted to take this picture before the flowers faded from the new plants.

Wouldn’t you know it, the bees have not run out of flowers from which to gather nectar. They were working alongside us, in the rosemary bushes that are in full bloom. Now I think I’ve posted pictures of bees in five or six different flowers. I’ll have to do some research on that and consider doing a bee album!

Trees live all over the world.

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The oaks were of noble bearing: they did not trail their branches on the ground like willows, nor did their leaves have the dishevelled appearance of certain poplars, which can look from close-up as though they have been awoken in the middle of the night and not had time to fix their hair. Instead they gathered their lower branches tightly under themselves while their upper branches grew in small orderly steps, producing a rich green foliage in an almost perfect circle — like an archetypal tree drawn by a child.

It’s surprising how often the subject of trees comes up in Alain de Botton’s The Art of Travel. The description above is from his visit to the Lake District in England, but while he is France he also notices trees with the help of Van Gogh’s paintings. I like the word pictures the artist himself painted when he was working on a series of sketches of cypresses, words that tell us about the trees and about Van Gogh, too:

They are constantly occupying my thoughts….it astonishes me that they have not yet been done as I see them. The cypress is as beautiful of line and proportion as an Egyptian obelisk. And the green has a quality of such distinction. It is a splash of black in a sunny landscape, but it is one of the most interesting black notes, and the most difficult to hit off exactly.

Van Gogh was with his cypresses for quite a while, getting to know them. I have felt close to some particular trees over the course of my life, starting with a pear tree outside my back door, which for some reason made enough of an impression on my five-year-old  mind that it remained the only thing I remember from that house’s yard.

We moved to another place with a significant tree, a huge oak that grew even bigger till it threatened the house in which I spent the remainder of my youth. So I can’t help loving oaks, and I do think trees in general worth a whole post from this book on travel, even if they aren’t that big a part of the book.

But, see here, Van Gogh couldn’t leave out the trees when he wrote about his house:

My house here is painted the yellow colour of fresh butter on the outside with glaringly green shutters, and it stands in the full sunlight in a square which has a green garden with plane trees, oleanders and acacias. And it is completely whitewashed inside, and the floor is made of red bricks. And over it is the intensely blue sky. In this I can live and breathe, meditate and paint.

De Botton notices some trees by a stream on another occasion in the Lake District, while he sits on a bench enjoying a chocolate bar, “a scene so utterly suited to a human sense of beauty and proportion.” But he didn’t pay attention to them for very long, and seemed to forget them entirely when his trip was over. But one day he was in a traffic jam and mentally stressed by the cares of everyday life, and

…the trees came back to me, pushing aside a raft of meetings and unanswered correspondence, and asserting themselves in consciousness. I was carried away from the traffic and the crowds and returned to trees whose names I didn’t know, but which I could see as clearly as if they stood before me. These trees provided a ledge against which I could rest my thoughts, they protected me from the eddies of anxiety and, in a small way that afternoon, contributed a reason to be alive.

I’m sad to realize that in my travels I’ve not spent enough time alone in one place to take proper note of foreign trees, but I do love them. And when we visited the Bristlecone Pines a year ago, I suppose it was the fact that they were the focal point of the place that enabled me to concentrate on them more than is typical for me. But instead of drawing them, I philosophized about them.

John Ruskin tells us, “Your art is to be the praise of something that you love.” Perhaps my first adult drawing effort will be of a tree.