Category Archives: poetry

Hiding under their feathers.

THE BIRDS OF PASSAGE

You are the one who made us
You silver all the minnows in all rivers
You wait in the deep woods
To find the newborn fox cubs
And unseal their eyes
You shower the sky with stars

You walk alone
In the wild royal darkness
Of the heavens above the heavens
Where no one else can go.

When the fragile swallows assemble
For their pilgrimages
When the hummingbirds
Who are scarcely more
Than a glittering breath
Set out for the rain forest
To drink from the scarlet flowers
On the other side of the world
With only now and then
The mast of a passing ship
For a resting place and an inn

When the Canada geese
Are coming down from the north
When the storks of Europe
Stretch out their necks toward Egypt
From their nests on the chimney tops
When shaking their big wings open
And trailing their long legs after them
They rise up heavily
To begin their autumn flight

You who speak without words
To your creatures who live without words
Are hiding under their feathers

To give them a delicate certainty
On the long dangerous night journey.

-Anne Porter

Since we are poor, a warmth.

FINAL SOLILOQUY OF THE INTERIOR PARAMOUR

Light the first light of evening, as in a room
In which we rest and, for small reason, think
The world imagined is the ultimate good.

This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves,
Out of all the indifferences, into one thing:

Within a single thing, a single shawl
Wrapped tightly round us, since we are poor, a warmth,
A light, a power, the miraculous influence.

Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole,
A knowledge, that which arranged the rendezvous.

Within its vital boundary, in the mind.
We say God and the imagination are one…
How high that highest candle lights the dark.

Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.

-Wallace Stevens

I discovered this poem on the blog Kingdom Poets, where the poet-blogger D.S. Martin wonders if Stevens ought even to be “mentioned in a blog about Christian poetry.” Martin also quotes a few speculative lines from a biographer of Stevens, as to the lifelong skeptic’s motives for receiving Christian baptism on his deathbed. I’d like to read more of what he wrote later in life, but the images and evocations of this poem are familiar enough to me to make me think that Wallace Stevens had truly tasted of the Kingdom of God, that Holy Spirit-quickened heart where Christ dwells, of which He spoke when He said, “The Kingdom of God is within you.”

St. Porphyrios said provocatively, “Whoever wants to become a Christian must first become a poet.” Father Stephen Freeman has quoted the saint when he writes about “what can drive us both to poetry as well as theology”:

“The reduction of the world and its ‘history’ are the tools of those who lack the imagination and patience to find the truth. The Fathers tell us to ‘pay attention.’ This is true with regard to the heart, but it is also true with regard to the world around us. Attention does not solve the mystery, but it at least acknowledges its presence and gives rise to enough wonder to make understanding possible at some point.”

“Evil is never creative. It is destructive and occasionally diverse in its activities. But creativity requires energy and commitment. Evil’s own entropy always reduces it to banality and boredom. It prefers prose: poetry is too much work.”

Fr. Stephen also quotes a poem from e.e. cummings, including the lines, “i do not know what it is about you… only something in me understands…”

The type of somethings that e.e. cummings refers to can’t be known intellectually, but they are the testimony of our own experience that “mystery is not only an aspect of the divine, but part of the nature of all reality. Everything is far more than it appears.”

I am eternally grateful to writers like Wallace Stevens who commit their strength of mind and length of days to sharing their glimpses of the mysterious reality behind the obvious,

…since we are poor, a warmth,
A light, a power, the miraculous influence.

Edwina’s September poem.

I only discovered this poem a few years ago. Being short and packed with autumnal images, it is perfect for a busy time of year, when you don’t want to let the equinox pass unnoticed, but you are canning tomatoes or drying figs or just taking all the walks you can in the crisp air. If you don’t pay attention to the calendar or the TV, you might miss the day.

For months and years I’ve been trying off and on to confirm that its author is Edwina Hume Fallis. New things show up on Internet searches all the time, and today I have seen enough sites that are confident about attributing it to her that I will accept it. Two months ago I couldn’t find two postings of the poem where her name was even spelled right. Most places it is shared as by “Anonymous.”

In the city of Denver, Colorado, Edwina Hume Fallis is especially famous, for her teaching and writing, a toy shop she owned, and her book When Denver and I Were Young. (I did recently contact the Denver public library to see if they had a copy of the poem below in their collection about her; they did not.) She and her sister made toys to use as props in telling stories to kindergarten students, and she did write over 100 poems; maybe this one was in an anthology that is now out of print. Many women bloggers seem to have memorized it in elementary school.

I wonder if any of my readers in the Southern Hemisphere knows of a similar poem that applies to the opposite seasons down there?

SEPTEMBER

A road like brown ribbon,
A sky that is blue
A forest of green with that sky peeping through.
Asters deep purple,
A grasshopper’s call –
Today, it is Summer
Tomorrow is Fall!

-Edwina Hume Fallis

At Pippin’s in 2017, waiting for the aspens to turn.

A place for the genuine.

POETRY

I too, dislike it: there are things that are important beyond
      all this fiddle.
   Reading it, however, with a perfect contempt for it, one
      discovers that there is in
   it after all, a place for the genuine.
      Hands that can grasp, eyes
      that can dilate, hair that can rise
         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because
      they are
   useful; when they become so derivative as to become
      unintelligible, the
   same thing may be said for all of us—that we
      do not admire what
      we cannot understand. The bat,
         holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless
      wolf under
   a tree, the immovable critic twinkling his skin like a horse
      that feels a flea, the base-
   ball fan, the statistician—case after case
      could be cited did
      one wish it; nor is it valid
         to discriminate against “business documents and

school-books”; all these phenomena are important. One must
      make a distinction
   however: when dragged into prominence by half poets,
      the result is not poetry,
   nor till the autocrats among us can be
     “literalists of
      the imagination”—above
         insolence and triviality and can present

for inspection, imaginary gardens with real toads in them,
      shall we have
   it. In the meantime, if you demand on the one hand, in defiance of their opinion—
   the raw material of poetry in
      all its rawness, and
      that which is on the other hand,
         genuine, then you are interested in poetry.