Category Archives: beauty

Of scent and song the daughter.

beauty, poetry, trees, ,

THE MAGNOLIA

Deep in the wood, of scent and song the daughter,
Perfect and bright is the magnolia born;
White as a flake of foam upon still water,
White as soft fleece upon rough brambles torn.
Hers is a cup a workman might have fashioned
Of Grecian marble in an age remote.
Hers is a beauty perfect and impassioned,
As when a woman bares her rounded throat.
There is a tale of how the moon, her lover,
Holds her enchanted by some magic spell;
Something about a dove that broods above her,
Or dies within her breast—I cannot tell.
I cannot say where I have heard the story,
Upon what poet’s lips; but this I know:
Her heart is like a pearl’s, or like the glory
Of moonbeams frozen on the spotless snow.

-José Santos Chocano  (1875 – 1934) Peru
Translated by John Pierrepont Rice

Magnolia, by Cuno Amiet

 

What Tess did write about.

beauty, poetry, winter, ,

WINTER SOLSTICE

I will not write about Christmas lights garlanding the tree,
how steadily red blends to sapphire  emerald  gold,
how strong the little bulbs must be to throw their dancing hearts
upon the café wall, how children try to catch them.
I will not say there is tinsel draped about the branches
like seaweed over pebbles, nor paint the cloths swaddling our skins
apricot, indigo, violet, teal. I will not speak of glazed
pastries on the counter, how they shine so much
they could be varnished, there for the hell-of-it, for the sheer
beauty of their glistening berries. I’ll turn away from buses heaving
down the rush-hour road, ignore how in all this rain
the headlamps could be tumbling garnets, polished amber,
as if a picture-book box of pirate treasure had spilt its pearls
and precious stones across a tarmacked page.

I will not describe how the sun becomes the sea, I will not delight
in words to name its colours – cerise, crimson, indigo,
scarlet, madder, rose. I will not try to find a way
to show your smile across the table, how it slips like warm charcoal
into the fabric of my heart. I will not suggest I light a candle
as the year prepares to wane, that you hold a second wick to mine
then another and another, that together we whisper a prayer
for each growing flame. I will not talk about the light
that is everywhere, how far you have to travel for the sky
to be completely black (and even then there are stars, there is the moon’s
borrowed brightness). I will not question why fire burns more fiercely  
before sputtering out, or how – when we know we’re dying –
we can be so fully alive. I will not say these things because this
is a poem about darkness. I am writing about the darkness.

-Tess Jolly

Pippin photo

Poetry’s argument with doubt.

beauty, poetry, quotes, , ,

“Doubt is more intelligent than poetry, insofar as it tells malicious tales about the world, things we’ve long known but struggled to hide from ourselves. But poetry surpasses doubt, pointing to what we cannot know. Doubt is narcissistic; we look at everything critically, including ourselves, and perhaps that comforts us. Poetry, on the other hand, trusts the world, and rips us from the deep-sea diving suits of our ‘I’; it believes in the possibility of beauty and its tragedy.

“Poetry’s argument with doubt has nothing in common with the facile quarrel of optimism and pessimism. The twentieth century’s great drama means that we now deal with two kinds of intellect: the resigned and the seeking, the questing. Doubt is poetry for the resigned. Whereas poetry is searching, endless wandering. Doubt is a tunnel, poetry is a spiral. Doubt prefers to shut, while poetry opens. Poetry laughs and cries, doubt ironizes. Doubt is death’s plenipotentiary, its longest and wittiest shadow; poetry runs toward an unknown goal. Why does one choose poetry while another chooses doubt? We don’t know and we’ll never find out. We don’t know why one is Cioran and the other is Milosz.”

-Adam Zagajewski, 1945-2021
A Defense of Ardor: Essays

Krakow 2011 –  Adam Zagajewski

Never look straight up at the sun.

art, beauty, poetry, , , , ,

I traveled north several hours to my daughter’s for Thanksgiving last week, and home again three days later. Through rural areas mostly, my favorite views were of the forests and orchards, oaks and maples and almonds, many of the trees with their leaves glowing yellow and red as the light caught them just right, against a dark green conifer background. The sun was, as this poem says, the artist.

THE SUN

All colors come from the sun. And it does not have
Any particular color, for it contains them all.
And the whole Earth is like a poem
While the sun above represents the artist.

Whoever wants to paint the variegated world
Let him never look straight up at the sun
Or he will lose the memory of things he has seen.
Only burning tears will stay in his eyes.

Let him kneel down, lower his face to the grass,
And look at the light reflected by the ground.
There he will find everything we have lost:
The stars and the roses, the dusks and the dawns.

Warsaw, 1943

―Czesław Miłosz

Fern Coppedge, Autumn