Category Archives: poetry

Unlatching the last doorway.

feasts, poetry,

Malcolm Guite writes for this day:

In our poetic journey through the sacred seasons of the year we have come to midsummer! The traditional Church festival for this beautiful, long-lit solstice season is the Feast of St. John the Baptist, which falls on June 24th, which was midsummer day in the old Roman Calendar. Luke tells us that John the Baptist was born about 6 months before Jesus, so this feast falls half way through the year, 6 months before Christmas!

The tradition of keeping St. John’s Eve with the lighting of Bonfires and Beacons is very ancient, almost certainly pre-Christian, but in my view it is very fitting that it has become part of a Christian festivity. Christ keeps and fulfills all that was best in the old pagan forshadowings of his coming and this Midsummer festival of light is no exception. John was sent as a witness to the light that was coming into the world, and John wanted to point to that light, not stand in its way, hence his beautiful saying ‘He must increase and I must diminish’, a good watchword for all of those who are, as the prayer book calls us, the ‘ministers and stewards of his mysteries’.

St. John the Baptist: 1 St. John’s Eve

Midsummer night, and bonfires on the hill
Burn for the man who makes way for the Light:
‘He must increase and I diminish still,
Until his sun illuminates my night.’
So John the Baptist pioneers our path,
Unfolds the essence of the life of prayer,
Unlatches the last doorway into faith,
And makes one inner space an everywhere.
Least of the new and greatest of the old,
Orpheus on the threshold with his lyre,
He sets himself aside, and cries “Behold
The One who stands amongst you comes with fire!”
So keep his fires burning through this night,
Beacons and gateways for the child of light.

-Malcolm Guite

The cabbage white lurches honestly.

creativity, nature, poetry, ,

FLYING CROOKED

The butterfly, the cabbage white,
(His honest idiocy of flight)
Will never now, it is too late,
Master the art of flying straight,
Yet has — who knows so well as I? —
A just sense of how not to fly:
He lurches here and here by guess
And God and hope and hopelessness.
Even the aerobatic swift
Has not his flying-crooked gift.

-Robert Graves

First I laughed out loud, and I know I was laughing at myself, because the poet had already communicated to me in the poem what he is quoted as saying at the bottom of the page of Poem A Day Volume 3: “Robert Graves discussed this poem in an unposted letter of 1933; he lamented that scientists ‘fail to understand that the cabbage-white’s seemingly erratic flight provides a metaphor for all original and constructive thought.’”

This particular cabbage white of whom I found a photo seems to be resting on a flower very similar to the one my recent honeybee was drinking from.

He died in a golden springtime.

poetry, , ,

GOLD LEAVES

Lo! I am come to autumn,
When all the leaves are gold;
Grey hairs and golden leaves cry out
The year and I are old.

In youth I sought the prince of men,
Captain in cosmic wars,
Our Titan, even the weeds would show
Defiant, to the stars.

But now a great thing in the street
Seems any human nod,
Where shift in strange democracy
The million masks of God.

In youth I sought the golden flower
Hidden in wood or wold,
But I am come to autumn,
When all the leaves are gold.

-G.K. Chesterton

Gilbert Keith Chesterton died on June 14, 1936. This poem about the autumn of his life perhaps spanned several seasons in his consciousness before he died in springtime. I haven’t found out when it was written.

Pippin and I visited Chesterton’s humble grave when we were in England in 2005.

Moles fly, and sparrows sweep the sky.

art, nature, poetry, writing, , , , , ,

IMG_3260Preface:  I drafted this post yesterday, not expecting to publish it this soon, but today, the occasion of a statewide election day, I was pained to see public pleas and even poems put forth drawing attention to the needs of “art” and “artists” for money and support. I am all for supporting artists whom I admire, but I am also realizing that in the minds of some professional artists, art has become just another “spiritual practice” to support and be supported by that new religion of modernity, politics. So I decided to share this poem, and my short response, on behalf of all you creative people out there, who may or may not know that you are. Art will never not be, and that is a gift.

PRAISE in SUMMER

Obscurely yet most surely called to praise,
As sometimes summer calls us all, I said
The hills are heavens full of branching ways
Where star-nosed moles fly overhead the dead;
I said the trees are mines in air, I said
See how the sparrow burrows in the sky!
And then I wondered why this mad instead
Perverts our praise to uncreation, why
Such savor’s in this wrenching things awry.
Does sense so stale that it must needs derange
The world to know it? To a praiseful eye
Should it not be enough of fresh and strange
That trees grow green, and moles can course in clay,
And sparrows sweep the ceiling of our day?

-Richard Wilbur

This poem was part of Wilbur’s first collection published when he was 26, just returned from World War II. I read it in Poem A Day Volume 3, where it is accompanied by comments from Wilbur himself:

“Aristototle once said, ‘The making of metaphor is the peculiar gift of the poet, the mark of poetic genius.’ This early poem of mine — a Spenserian sonnet, by the way — begins as an impatient attack on metaphor, but by the close has capitulated and become helplessly metaphorical. That’s as it should be, because the likening of all things, the implication that all things are connatural, is of poetry’s essence.”

I like that in the poem, he refers to “uncreation,” i.e., the One who has made “all things visible and invisible,” and from which Source they also come by their likeness one to another. God is the supreme metaphorical Poet from whom we all receive this gift of making metaphors, and most of us think and speak in metaphors all day long. When in the poem we read, “summer calls,” is that not likening summer to a being that can beckon with a hand or voice? To think of our senses as “stale” links them in our mind to flat beer or dry bread. It’s part of the gift of imagination which has the same Source, and another way that we are made in the image of God. Glory to the Father, and to the Son, and to the Holy Spirit!