There is such loneliness in that gold. The moon of the nights is not the moon Whom the first Adam saw. The long centuries Of human vigil have filled her With ancient lament. Look at her. She is your mirror.
One night as Dick lay half asleep, Into his drowsy eyes A great still light began to creep From out the silent skies. It was the lovely moon’s, for when He raised his dreamy head, Her surge of silver filled the pane And streamed across his bed. So, for a while, each gazed at each — Dick and the solemn moon — Till, climbing slowly on her way, She vanished, and was gone.
-Walter de la Mare
Ivan Marchuk, The Houses Are Illuminated by the Moonlight
The first full moon in November is traditionally called the Beaver Moon in North America, and marks the season when we might be busy as beavers getting everything shored up against winter.
Lately I’ve been refreshing my memory of the hymn that I memorized soon after my husband’s passing, a version of St. Patrick’s Breastplate from Charles Villiers Stanford. He used two old Irish tunes to compose a majestic setting for Cecil Frances Alexander’s poetry. The YouTube version I learned from is still up: “St. Patrick’s Breastplate.”
On the occasion of the full moon I am sharing only the portion of the hymn that draws our spiritual eyes to the natural world.
I bind unto myself today the virtues of the starlit heaven, the glorious sun’s life-giving ray, the whiteness of the moon at even;
the flashing of the lightning free, the whirling wind’s tempestuous shocks, the stable earth, the deep salt sea, among the old eternal rocks.
Another version of this ancient hymn is “The Deer’s Cry,” and my favorite rendition of that one is sung by Lisa Kelly here: “The Deer’s Cry.”
What could I add to this prayer? The blessing is in the singing of it.