A few weeks ago I tagged these two poems from the Japanese, to read again. Just now I notice that the poets were contemporaries of each other, and that in both poems there is the needed attention to the poet’s experience, but also reference to political or historic settings. Even though I probably miss many poetic allusions and metaphors because of my unfamiliarity with the realm of Japanese literature, I find these more interesting and thought-provoking than the more minimalist haiku.
The writers who create and give us their creations are also fascinating to me. It’s nice to be able to read a bit of biography, but you know that they are telling the most important things in their poetry. Both here are considered haiku poets. Takami was arrested for Marxist writings and communist activities while at university, but later recanted, and years later became director of the Japanese Literature Patriotic Association. In addition to his poetry he published various memoirs including 3000 pages of wartime diaries.
The minor planet Kusatao was named for Kusatao Nakamura in 1994.
AT THE BOUNDARY of LIFE and DEATH
At the boundary of life and death
what exists I wonder?
For instance, concerning the boundary of county and country,
during the war, on the border of Thailand and Burma,
although I saw it when I crossed through the jungle,
nothing unusual was found in that place.
There was nothing like a boundary line drawn.
Also at sea when passing directly over the equator
nothing special like a beacon mark was visible.
No, at that place was the wonderful dark blue sea.
On the Thailand-Burma border was a wonderful sky.
On the life-death boundary too might there not be something hung like a wonderful rainbow,
even though my surroundings
and also my self
were a devastated jungle?
-Jun Takami (1907-1965)
Sailing in autumn,
one huge and deep blue disk.
In the baby carriage,
onto the joggled apple
continuing to hold.
The Meiji period, far
away it has gone.
and inside it my own child’s
teeth starting to grow out.
-Kusatao Nakamura (1901-1983)
(The ocean painting is detail from a print by Hiroshige, “The Whirlpools of Awa.”)