Category Archives: art

Summer whites and lesser colors.

gl 6 chamomilegerman.jpg 6-16I got confused about my chamomile. All I could remember was that one is perennial and the other annual. When I noticed that they are both starting to bloom now, I had to try to figure out which was which again. This is what I’ve found.

<< The annual German or Hungarian chamomile is the taller of the two, to 24″. From what I read it often self-sows, and I hope it will do that in my yard.

German: Chamomilla recutita syn Matricaria chamomilla 

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It’s growing near the red California poppy that I planted from a nursery pot, and whose flowers just opened this week. The white variety of this plant that I put in at the same time bloomed a couple of months ago, much less enthusiastically.

That makes me think about something I read in the Summer book I mentioned last week, a quote from Chesterton, from “A Piece of Chalk,” in which he gives an account of how he reluctantly tore himself away “from the task of doing nothing in particular,” and set off into “the great downs” of England with his brown paper and his brightly colored chalks, all on a summer’s day.

To his dismay he had neglected to bring any white chalk — and he begins to hold forth on how the color white, in art and in morals, is essential:

One of the wise and awful truths which this brown-paper art reveals is this, that white is a colour….a shining and affirmative thing, as fierce as red, as definite as black. When, so to speak, your pencil grows red-hot, it draws roses; when it grows white-hot, it draws stars….Virtue is not the absence of vices or the avoidance of moral dangers; virtue is a vivid and separate thing, like pain or a particular smell. Mercy does not mean not being cruel or sparing people revenge or punishment; it means a plain and positive thing like the sun, which one has either seen or not seen.

Perhaps my spindly white wildflowers, just starting out and blooming faintly without any other color around them to contrast with (even their foliage was already faded when the buds opened), do not provide a fitting metaphor to match this principle, but it did seem like a good place to tuck in that quote about something I do believe in.

93e53-yellowcapoppy4-11So far I haven’t sown any seed for the standard orange color of our state flower because I am a little afraid of them taking over. The other colors are not as vigorous, but some of them are really special in their rarity and subtlety, and when I have had one re-seed itself or, more often, go dormant and hidden for the winter only to surprise me the next spring, I am thrilled. This pale yellow one did just that for several years in my old garden, but could not be saved.                                                                                                           >>

The red ones are my first variety that are both rare and bright. I hope they self-sow — but much of the garden is experimental. I’ll see over the next months what likes growing in this environment, and not fuss over the things that aren’t thriving.

Back to the chamomile… Just in case the Germans don’t bear children next year, I planted a perennial type, the Roman or Nobile. It grows half as tall and is sometimes used as a walkable ground cover, or part of an herbal lawn mix.

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<< Roman: Chamaemelum nobile syn Anthemis nobilis

An hour after I took this picture, I strolled past again and noticed that ten more buds had swelled enough to be noticeable. History in the making!

I had a house guest for two nights and a day – we spent a nourishing and relaxing time, even though we did no artwork or gardening or poetry-reading. We did eat and shop and update our family birthday lists. But now I have lots of garden work that needs to be done, before I go to see brand-new Baby Brodie next week. Here’s a yarrow bloom for you to look at while I am out tending to my beds.

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Elegant Surprises

Over the years I’ve had happy surprises in the garden, and disappointing surprises. Today I have a composite. My initial puzzlement began when I saw this view from my kitchen window; back in the corner by the fence I could see two whitish flower stalks:

gl P1040703 foxglove view

I was confused, because they were of a kind I had not planted, so I went out to get a closer look, and it didn’t take many steps in that direction before I saw that yes, thegl P1040708 foxglove behind ribes 6-16y were lovely foxgloves!

I haven’t grown foxgloves for a good while, I did not save any foxgloves plants from my old garden, and in the past when I did grow them it was far from this area of the garden. However, close to this spot I had planted one of the Indigo Woodland Sage plants that I had carefully saved for months in an old watertrough. It was there a couple of months ago, and now it is  nowhere. Did a bit of foxglove come with the mulch, as I assume was the case with my surprise horsetail grass on the other side of the garden?

You may also be confused, seeing a decidedly not-foxglove leaf form here.  That’s because the foxglove is emerging from behind a currant bush and hiding all its own leaves back there.

I’m sadly surprised that the salvia didn’t make it. It was a vigorous grower under what I considered less favorable conditions in the past; perhaps it didn’t like the shade from the snowball bush, nor the pushy calla lilies. But I know where to get another one if I want to try it somewhere else in the garden.

gl P1040717 3 sagesIn the meantime, across the way I have three salvias growing in a sort of triangle: Indigo Spires is huge, the Clary Sage is growing very close to the ground so far, and a little culinary sage plant lives modestly.

Today is windy and cool. I was wearing my flannel nightgown last night and I was still cold. The morning was overcast, though, and not so windy, and that’s perfect for picture-taking. I got a good photo of my acanthus.

gl acanthus 6-2015
acanthus mollis

 

 

 

“My acanthus” sounds odd, because I haven’t wanted to take ownership of that element of my new landscape that was suggested by the designer. When I had met acanthus in the past I always thought it scraggly and too like a thistle; one I particularly remember by someone’s front door was huge and full of spiderwebs and litter besides. But a year ago I greatly lacked confidence and creativity, so I didn’t know what to suggest otherwise. I let several plants go in and thought without energy about what I might replace them with next fall.

My attitude began to change when a friend told me that acanthus leaves as a decorative form were common in ancient Roman architecture. Before that I was trying think of the plant as a representative of a Scottish thistle, which is also not beautiful to me, but it is meaningful historically, in several ways. Soldier and Joy featured purple thistle flowers as boutineers at their wedding. But honestly, that wasn’t doing it for me.

When the acanthus began to send up its elegant flower stalks, I softened. This morning after I took the picture, I looked on Wikipedia and found that the leaf form is ubiquitous in ancient architecture and popular in more modern art such as William Morris’s wallpaper designs.

And not only the Romans, but Byzantines and Greeks liked to use it.  Here is an example from the Hagia Sophia:

by Gryffindor, on Wikipedia Commons

gl Iceland poppy June 14 2016

 

So, I am surprised that I have changed my mind about acanthus. I’m glad I wasn’t in too big of a hurry to switch it out. I’m very pleased with my whole garden, actually, and I no longer feel that it belongs to someone else.

It doesn’t seem that most of it is taking three years to “leap,” and it really is full of delights every day. Those Iceland Poppies are certainly a wonder, how they keep blooming here in the middle of June! It’s strange to have the poppies right alongside echinacea; those two normally aren’t normally seen together.

gl P1040713 erigeron fleabane
erigeron

gl P1040712 bindweed on ribes

 

To my consternation, the bindweed is more prolific than ever. I seem to be constantly pulling it out, but it sneaked past me and climbed to the top of a currant branch before I noticed. Very inelegant behavior, that.

 

 

 

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The hydrangea I was gifted has nothing in common with this succulent except that they are both in pots on the patio.

gl P1040714 yarrow fields

There are yarrow fields, a variety of achillea called “terracotta.” Beyond it you can see that I have finally got the olives into their pots, and if one is not level it’s actually the one in the foreground — I guess that means the photo is not level. Anyway, the garden is in pretty good order now, and when you come for a tour you may be surprised to find, no thanks to me, patches of elegance.

doodle-ee-doo

In one of my doodle 7 may 16peaceful hours of the last week I talked a long time on the phone with Kate. I had a notepad handy to write down important upcoming dates in her life, and I used my pen to create one of the abstract messes that decorate my phone notebooks.

After we hung up, I realized it had turned into a heart, and was fun to look at. When I aimed my camera at it and tilted it this way and that, the autofocus could not decide what to do, and made the lines all shimmery.

 

 

Again I attempt Ukrainian art.

gl P1040397 pysanky in house 16Under the Soviet regime the making of pysanky was forbidden as a religious practice, but as this art form had pre-Christian beginnings and had spread well beyond Ukraine by the 20th century, it by no means was repressed for long.

In my world there is no connection of Ukrainian pysanky eggs to the realities of Christian faith and practice, though over the centuries people have come to use eggs as symbols of many truths or events. Many artists in my parish have through the years given informal instruction in this wax-resist method of dyeing eggshells, and this spring between Holy Week services I was able to take advantage of a class in which I was the only student.

gl pysanky crp
About 15 years ago…

Twice before, about 30 years ago and again 15 years ago, I took part in homeschool group efforts to try this art — the more recent occasion I actually organized the class! — and both times I’d enjoyed the process much more than the quality of my own results. A few of the pysanky in the top picture are from those attempts, but the only one I am certain I created myself is the one I did last week; the bowl of eggs is a combination of my collection and housemate Kit’s.

Pysanky2011
From the Internet

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You use the same method that is called batik: you dye the egg and then apply a design in beeswax over that color in the places you want it to appear in the final product. As someone said, you have to think in reverse.

I’m not good at remembering a strategy with a sequence of steps to be taken in the future, or in reverse either, so without a lot of planning and notes to myself, which I didn’t want to take the time for, the results I get are pretty random and surprising.

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At least, following my teacher’s example, I did draw a design with pencil on my eggshell. Several hours stretched ahead of me, but I knew I could easily get bogged down in the design phase — my weak area — and never get an egg made, so I sketched something like I often doodle when talking on the phone, and even that wasn’t quick. Then I dipped my egg in the lightest color, yellow.

Because I had drawn those crosses and dots on the plain white egg, using the hot wax pen called a kistka, the wax would keep the successive layers of dye from infusing the egg shell and those areas would remain white in the finished design.P1040314

As I continued applying wax, whatever lines went on the now-yellow egg would remain yellow. And so on through whatever dippings I made.

My teacher Tatiana had told me at the outset, “It takes about two hours to make a pysanka.” I think hers each took less time than that. It seemed that by the time I had dipped my egg in two colors, she had finished hers. It had been a light brown egg to begin with, so the undyed triangles are creamy.

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She applied some metallic color with a pen to make her design even more brilliant.

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I dipped my egg in the red dye, and she began her second design:

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Meanwhile, when she learned that I would like a purple color, Tatiana suggested a series of immersions in colors that she thought might bring about that result, as she lacked a straight purple dye in her collection of jars. I tried it and we were both very pleased with this deep and glowing shade which, when I took the picture below, I was in process of covering with wax as much as possible in hopes of retaining a good amount of it in my finished design.

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My teacher was removing the wax from her second egg, and soon I had done my final dip of black and held my egg to the candle as well.

P1040327crp

P1040336crp

 

At this point it’s back and forth between melting patches of wax with the candle heat and rubbing it off with a paper towel, until you have worked your way all around the egg and only the dyed eggshell remains. I was warned not to hold the egg too long near the candle, because I might burn it.

Here is Tatiana’s second egg, with some silver metallic embellishments…

 

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And here is mine… It had taken me nearly four hours!

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I don’t like it very much, I’m sorry to say. I would not use that green color again in such a prominent part of the design. And I know, I should try some curved lines next time. I hope my next time is sooner than another 15 years from now — I’m sure my hand will be even less steady by then. And once again, even though I am not thrilled with the end product, the whole process is like magic to me, the design hidden more deeply step by step until finally the waxy black cloak is taken away and the final picture is revealed in its uniqueness. Let’s do this some more!