Category Archives: poetry

Not long ago and not whimsical

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When I am confined to bed with a malady that makes my head feel like an overgrown cabbage, why not read the novel about Poland that has been waiting on my TBR list for at least a year? It’s a book that won several minor awards, including the Hemingway Foundation/PEN prize in 2010.

A Long, Long Time Ago & Essentially True exceeded my expectations; I don’t remember what I read on someone’s blog that got me interested, but when the book arrived and I saw the fanciful flowery cover with notes using the words “whimsical” and “romance” on the same page, I’m afraid I unconsciously relegated it to a genre of Light Reading.

But a story of Poland from the 1930’s to about 1990 is painfully full of war, tyrants, secret police, lies and alcoholism. Wives and mothers can’t even mention their men who went missing years ago; their grandchildren grapple with the generational ripples of all the wounds and deaths and separations both social and physical. I had to look up the word whimsical just now to make sure of my understanding, and no, the author Brigid Pasulka never gave the impression that she was trying to be “playful, erratic or fantastical” with her subject.

The opening chapter that tells about an upright young man named Pigeon might make you think it’s all light and charming, and perhaps to some reviewers the idea of such a hero with old-fashioned morals seems like a fairy tale. He is a shining example of the classic Pole who has Golden Hands that can make or fix anything. And he loves Anielica, a sweet girl who will soon suffer much with and for him, including the long postponement of their wedding — but that turns out to be the least of their sorrows.

The novel alternates chapters about teenagers growing up during the war years with those about their granddaughter in the late 20th century. Her life, also, is nearly wrecked by many of the same old misfortunes as well as some newer ones, like drug-dealing boyfriends. Funny moments and comic aspects pepper her story, as they did her grandparents’. Being able to appreciate the comedy is one way to deal with the heartache; that doesn’t make the story a piece of humor.

The book was just serious enough and just long enough to keep me turning the pages and to distract me from my painful head, and I did not predict the ending that lifted me out of the general bleakness that was trying to smother the characters all the way through. The Polish people had several years of trying to survive and even fight against the Nazis, and then could barely catch their breath before the Soviets took over and they had to quickly shift gears and learn how to cope with a slightly different oppression, the effects of which stretched long into the future.

Through it all the protagonists in this story, the grandparents and the parents and grandchildren, fight to stay together and to protect one another. Bribes and lies and dreadful compromises at times appear to be daily necessities, but the characters’ love and perseverance keep them from the despair that lurks around the corners of their houses like a traitorous neighbor. The moral quandaries that they experience are neither explored in depth nor treated flippantly.

The author, I read on the cover, spent a year in Poland learning the language and the culture of her ancestors. She uses often untranslated Polish words lavishly throughout the story, and they aren’t always easily deciphered versions of English words, so I was frequently left wondering what I was missing, not having a Polish dictionary handy. Nor did I want to look up the many references to obscure events in Polish history which the characters mentioned. But those are my only complaints.

In the middle of meditating on the history and people of Poland (and after rising from my sickbed) I read this poem that Maria posted last week, by a Pole who would have grown up during the Soviet era. The images the writer conjures up, of a field mouse, a tree, “A grass blade trampled by a stampede of incomprehensible events,” lined up very well with the impression I got from this debut novel, of a brave people surviving by means of the virtues of their humanity, which is the grace of God.

W’y rain’s my choice.

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Street lights shine down throughout my neighborhood, but I was wishing I’d brought a flashlight nonetheless when I went out earlier this evening with my umbrella to deliver a package that had been delivered to the wrong house. In this town we have confusing arrangements of names and streets. Today’s error resulted from something like this: One address is 5211 Fred St and the other is 5211 Frank St, with Fred and Frank being short loops off of Fritz St.

Our mixed-up houses are only two blocks from each other, so it didn’t make sense to drive over there. I would get wetter climbing in and out of the car than if I just took a short walk. I had to strain to see the house numbers, even the ones that have a light behind them. Until I got my bearings I took a few steps up two or three driveways in order to read the addresses.

Rivers of water flowed across the sidewalks, in many places pooling into lakes before they reached the gutter. But that’s not a problem if you have sturdy galoshes like mine. I found that my mind was singing the first stanza of a poem that I learned from Goldilocks when she came for her sewing lesson yesterday, barefoot because her boots had gotten soaked at recess.

This very night her school is having a fundraiser and all the students are reciting together:

It hain’t no use to grumble and complane;
It’s jest as cheap and easy to rejoice.—
When God sorts out the weather and sends rain,
W’y rain’s my choice.

That’s only the first fun verse of James Whitcomb Riley’s “Wet-weather Talk.” I bet the children are all glad that we’ve been having steady downpours for a few days, because that will help the audience get into the spirit of the poem that goes on for a few more stanzas exhorting us not to be “lockin’ horns with Providence.”

We are likely to rejoice in rain here in dry California. I was also happy to go on a little expedition, and only slightly disappointed when no one answered the door; I left the package on the step and came home again. I passed a man whose taxi was just driving away, and he laughed and said, “Another fine night for a walk!” and I answered with the other lyrics that popped into my head, “Splish splash…I’ll be takin’ a bath….”

But no, I wasn’t even very damp when I came in the door to the lovely warm fire that I’d got going a little earlier. The time to write this blog post was also here. It is certainly easy to rejoice when Providence gives me opportunities and the strength to take them.

Of course, other days rejoicing can cost more. But “sufficient to the day is the evil thereof,” as the Bible says somewhere. I don’t think I need to worry about those other days right now. A Russian proverb says, “Every day is a messenger of God.” My little delivery errand turned out to be a gift to myself, and that could only come from God.

The Crosse

church, poetry,

Friday is a day to remember The Cross. This poem by John Donne, which I first read at least 15 years ago, contributed to my own alienation from modern minimalists and anti-sacramentalists. It is long and full of theology, and by the time I get to the end I am always lifted up by joy. It must be that cup of joy He gave us by taking the cup of death. I’ve put it with the old spellings and words, to remind me of the historical context in which it was written, but it can be found in an updated form here.

I wonder if I wasn’t imbued with a love for The Cross from my earliest Sunday School classes; my teacher gave me a small plastic cross with adhesive on the back, which I stuck to the wall above my bed. I looked at it every night before I went to sleep, for years, as it was the sort of material that absorbed light and glowed for a while after the electric lights were put out.

THE CROSSE

Since Christ embrac’d the Crosse it selfe, dare I
His image, the’image of his Crosse deny?
Would I have profit by the sacrifice,
And dare the chosen Altar to despise?
It bore all other sinnes, but is it fit
That it should beare the sinne of scorning it?
Who from the picture would avert his eye,
How would he flye his paines, who there did dye?
From mee, no Pulpit, nor misgrounded law,
Nor scandall taken, shall this Crosse withdraw,
It shall not, for it cannot; for, the losse
Of this Crosse, were to mee another Crosse.
Better were worse, for no affliction,
No Crosse is so extreme, as to have none;
Who can blot out the Crosse, which the’instrument
Of God, dew’d on mee in the Sacrament?
Who can deny mee power, and liberty
To stretch mine armes, and mine owne Crosse to be?
Swimme, and at every stroake, thou art thy Crosse,
The Mast and yard make one, where seas do tosse.
Looke downe, thou spiest out Crosses in small things;
Looke up, thou seest birds rais’d on crossed wings;
All the Globes frame, and spheares, is nothing else
But the Meridians crossing Parallels.
Materiall Crosses then, good physicke bee,
And yet spirituall have chiefe dignity,
These for extracted chimique medicine serve,
And cure much better, and as well preserve;
Then are you your own physicke, or need none,
When Still’d, or purg’d by tribulation.
For when that Crosse ungrudg’d, unto you stickes,
Then are you to your selfe, a Crucifixe.
As perchance, Carvers do not faces make,
But that away, which hid them there, do take.
Let Crosses, soe, take what hid Christ in thee,
And be his image, or not his, but hee.
But, as oft Alchimists doe coyners prove,
So may a self-dispising, get selfe-love.
And then as worst surfets, of best meates bee,
Soe is pride, issued from humility,
For, ’tis no child, but monster;  therefore Crosse
Your joy in crosses, elso, ’tis double losse,
And crosse thy senses, else, both they, and thou
Must perish soone, and to destruction bowe.
For if the’eye seeke good objects, and will take
No crosse from bad, wee cannot scape a snake.
So with harsh, hard, sowre, stinking, crosse the rest,
Make them indifferent; call nothing best.
But most the eye needs crossing, that can rome,
And move;  to th’others th’objects must come home.
And crosse thy heart:  for that in man alone
Points downewards, and hath palpitation.
Crosse those dejections, when it downeward tends,
And when it to forbidden heights pretends.
And as thy braine through bony walls doth vent
By sutures, which a Crosses forme present,
So when thy braine workes, ere thou utter it,
Crosse and correct concupiscence of witt.
Be covetous of Crosses, let none fall.
Crosse no man else, but crosse thy selfe in all.
Then doth the Crosse of Christ worke fruitfully
Within our hearts, when wee love harmlesly
That Crosses pictures much, and with more care
That Crosses children, which our Crosses are.

-John Donne