Tag Archives: Dana Gioia

All the airy words we summon.

Following on the theme of language, I’m re-posting this poem from Dana Gioia. As my situation is different from seven years ago when I first put it up here, so is my response to the poem. Then, I was often with my late husband, and we would tell each other the names of things, and amplify our knowledge and appreciation of the world together. Or, we would simply be together in silence, in those moments of happy existence in the world that does not need words.

Nowadays, I still have the impulse to tell all these things, or attempt to bring my readers into the wordless experiences I have — by means of words! Of course, I can’t even attempt to describe more than a fraction of the moments, the stones and sunlight and shadows. So I am learning — a little — to just sit with the things, “no less real for lying uncatalogued and uncounted.” There is Someone with me, after all, who doesn’t tell me the names of things, but Who is the Reality from which they came into being. He also needs no praise, so we praise Him always.

WORDS

The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.

And one word transforms it into something less or other –
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.

Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper –
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.

The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always –
greater than ourselves and all the airy words we summon.

— Dana Gioia

 

Himself at last.

I would like to read more of Søren Kierkegaard’s writings. My intent is on display in the form of four titles by him that I have had sitting on the mobile bookshelf here in my kitchen/family room, for a year at least. I guess if I could decide which to read that would be a good start. A biography of him I am not likely to get to, but who knows…? In the meantime, I am reading this homage by Dana Gioia in the form of a poem. Seems like after this I owe it to Kierkegaard to read at least one more of his own works, though not in hopes of explaining any “riddles.” Only God can do that, and we know that He will — all of them, all of us.

HOMAGE TO SOREN KIERKEGAARD

Work out your own salvation
with fear and trembling.
—St. Paul

I was already an old man when I was born.
Small with a curved back, he dragged his leg when walking
the streets of Copenhagen. “Little Kierkegaard,”
they called him. Some meant it kindly. The more one suffers
the more one acquires a sense of the comic.
His hair rose in waves six inches above his head.
Save me, O God, from ever becoming sure.
What good is faith if it is not irrational?

Christianity requires a conviction of sin.
As a boy tending sheep on the frozen heath,
his starving father cursed God for his cruelty.
His fortunes changed. He grew rich and married well.
His father knew these blessings were God’s punishment.
All would be stripped away. His beautiful wife died,
then five of his children. Crippled Soren survived.
The self-consuming sickness unto death is despair.

What the age needs is not a genius but a martyr.
Soren fell in love, proposed, then broke the engagement.
No one, he thought, could bear his presence daily.
My sorrow is my castle. His books were read
but ridiculed. Cartoons mocked his deformities.
His private journals fill seven thousand pages.
You could read them all, he claimed, and still not know him.
He who explains this riddle explains my life.

When everyone is Christian, Christianity
does not exist. The crowd is untruth. Remember
we stand alone before God in fear and trembling.
At forty-two he collapsed on his daily walk.
Dying he seemed radiant. His skin had become
almost transparent. He refused communion
from the established church. His grave has no headstone.
Now with God’s help I shall at last become myself.

-Dana Gioia, 99 Poems

Down to the lake to be alone.

THE COUNTRY WIFE

She makes her way through the dark trees
Down to the lake to be alone.
Following their voices on the breeze,
She makes her way. Through the dark trees
The distant stars are all she sees.
They cannot light the way she’s gone.
She makes her way through the dark trees
Down to the lake to be alone.

The night reflected on the lake,
The fire of stars changed into water.
She cannot see the winds that break
The night reflected on the lake
But knows they motion for her sake.
These are the choices they have brought her:
The night reflected on the lake,
The fire of stars changed into water.

-Dana Gioia

I spent quite a while looking for a nice piece of art, or one of my photos, to accompany the story of this woman’s walk. The trying had the effect of making me love the poem even more; I began to think that only Gioia himself might be capable of creating a visual graphic that wouldn’t actually detract from what he’s already given us in words. There are voices and movement and one thing changing to another….

All the pictures I looked at were still pictures, of course. And none of them could carry half of the feeling of even one material element as expressed by these lines, such as the woods in the dark, or the stars, the water. When there is a stop in the middle of the fourth line, I see her pausing to push aside fir branches. The whole is an elegant interplay of the forces of beings.

Those beings are not only material. For example, the heart and mind of the woman any of us might imagine. It’s a wondrous thing to be able to go with her down to the lake, and yet, not invade her privacy. To have the vicarious experience of being her.  I follow the music, arrive at the lake, and find a solitude as full as the universe.

All seemed to drift.

THE ROAD

He sometimes felt that he had missed his life
By being far too busy looking for it.
Searching the distance, he often turned to find
That he had passed some milestone unaware,
And someone else was walking next to him,
First friends, then lovers, now children and a wife.
They were good company—generous, kind,
But equally bewildered to be there.

He noticed then that no one chose the way—
All seemed to drift by some collective will.
The path grew easier with each passing day,
Since it was worn and mostly sloped downhill.
The road ahead seemed hazy in the gloom.
Where was it he had meant to go, and with whom?

—Dana Gioia