Category Archives: poetry

We plough the fields and scatter,

music, poetry, , , ,

I have always loved this hymn since singing it in the Presbyterian church of my childhood. I included it in a booklet of Thanksgiving hymns I put together some years ago, for our family to sing when we gathered for the feast. Here is John Rutter conducting a choir singing it: We Plough the Fields and Scatter. The lyrics have undergone some adaptation over the decades, which you can read about on Wikipedia where the hymn has its own entry.

Matthias Claudius published this poem in Germany, where it was set to music attributed to Johann A. P. Schulz, in 1800. I also like this bold instrumental version: We Plough the Fields and Scatter.

WE PLOUGH THE FIELDS AND SCATTER

We plough the fields and scatter
the good seed on the land,
but it is fed and watered
by God’s almighty hand;
he sends the snow in winter,
the warmth to swell the grain,
the breezes and the sunshine,
and soft refreshing rain.

He only is the Maker
of all things near and far;
he paints the wayside flower,
he lights the evening star;
the wind and waves obey him,
by him the birds are fed;
much more to us, his children,
he gives our daily bread.

We thank thee, then, O Father,
for all things bright and good,
the seed-time and the harvest,
our life, our health, our food.
Accept the gifts we offer
for all your love imparts,
with what we know you long for:
our humble, thankful hearts.

All good gifts around us
are sent from heaven above;
then thank the Lord, O thank the Lord
for all his love.

-Matthias Claudius (1740 – 1815) Germany

 

 

 

 

 

 

 

 

Such absences!

nature, poetry,

ABSENCES

Rain patters on a sea that tilts and sighs.
Fast-running floors, collapsing into hollows,
Tower suddenly, spray-haired. Contrariwise,
A wave drops like a wall: another follows,
Wilting and scrambling, tirelessly at play
Where there are no ships and no shallows.

Above the sea, the yet more shoreless day,
Riddled by wind, trails lit-up galleries:
They shift to giant ribbing, sift away.

Such attics cleared of me! Such absences!

-Philip Larkin

Andrew Swarbrick of the Philip Larkin Society tells us:

“Larkin claimed a special affection for ‘Absences’, perhaps because he knew that in matter and manner it works in ways which might take his readers, and himself, slightly by surprise: ‘I fancy it sounds like a different, better poet than myself,’ he wrote of it. ‘Absences’ was one of the poems from The Less Deceived that we O level schoolboys of the early 1970s didn’t much bother with; not when there were so many other poems which seeemed to say so much more. Now, the poem’s not-saying, the absorption in emptiness, the thrill of self-forgetting seem more fundamental to Larkin’s imagination as a kind of half-submerged, almost-secret longing.”