Category Archives: poetry

Where to walk, what to read…

I already own a book on architecture that is just at my level, The Architecture of Happiness. But reading on the internet tempts me to explore many different realms… further than I actually want to go, when it comes right down to it.

Something I read back in the fall made me want to see the book Cognitive Architecture, by Sussman and Hollander, and my library’s “Link” feature helped me to get it, from southern California. It came in just before Christmas, and just before I needed clear away piles of books and papers, seeds and seed catalogs, to make space for a few Christmas decorations.

So I barely glanced at it, and quickly put it…. somewhere. I was pretty sure it was upstairs, probably in my bedroom, and when I found it last week — after looking everywhere several times over the last month — it was in an odd little stack of things, with a prayer book and a Christmas card and other unrelated stuff. One reason I hadn’t seen it earlier was that it was so much smaller than I remembered it.

Paris

So small, my immediate thought was, maybe I could actually get through this book! Even though I’ve sort of moved on and my current goal is to whittle down the number of half-finished books I already have, without adding more.

So I only browsed, and it is pretty interesting, about designing buildings for the way people live and behave, the sort of “animal” that humans are. One example is, that people in cities are known to like to walk or congregate on the edges of open spaces or streets, near buildings or walls, so that the buildings “have their backs.” But not so much if the building is turned in on itself and doesn’t seem open to the people, with low windows, for example, for easy window shopping. An example of a space not conducive to this protected and friendly feeling is the Boston City Hall Plaza, which is known as an unloved space and is up for renovation:

It is known that people prefer not to climb stairs if they can avoid it. I know that doesn’t apply to toddlers. This is my neighbor Grace who was enjoying going up and down my front steps this afternoon.

I discovered that one of the authors, Ann Sussman, has co-authored a fascinating article, “The Mental Disorders that Gave Us Modern Architecture”!

Many of the other points of human-centered design were not new to me. I had learned a lot from De Botton’s book, and I also have this one that Pippin gave me, in which I can browse actual buildings and their architects, which is more appropriate for me, who am not considering a career in design.

I wonder if I have other books I could write about without having read them, and in that way get some satisfaction from my failures…? I’ve enjoyed making use of this one to organize the Architecture compartment of my mind, and I found a pleasing poem in it as well:

THINGS

What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.

We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,
and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.

Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.

-Lisel Mueller

Everywhere singing and perfume.

FIRE, and TORRENTIAL RAIN

It’s midnight, I’m alone
My house is suddenly sheathed
In a thick tent of rain
These sheaves of throbbing water
This quenching cold
This dark poured into dark
Are the pure opposite
Of fire, and yet this night
Is whispering and singing like a fire.

 

 

Fire, most beautiful of flowers,
Whose only perfume is brightness,
You have no season, and you bloom
On the highest of high altars
And under the vagrant’s pot.
Through centuries on centuries
Like Christ you are everywhere,
To kindle the half cigarettes
Which the homeless find in the gutters,
And the tall paschal candle.

-Anne Porter

How is the truth to be said?

THE MOTHER

Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.

I have heard in the voices of the wind the voices of my dim killed children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches, and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?—
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.

Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.

-Gwendolyn Brooks, 1945

Gwendolyn Brooks

 

 

 

 

 

 

 

 

 

I found this poem in the collection
Poems That Make Grown Men Cry.