Saint Demetrios entered the story of my trip to Greece almost at the beginning, and before I end my telling I want to bring him back into it more fully. As I write, I’m still in Greece, but in Athens and on my way home.
The Church that houses the saint’s relics was built on the site of a Roman bath house, believed to have been the place of his imprisonment and death. Emperor Maximian Galerius — yes, the same one who built the Arch and the Rotonda — had appointed young Demetrios proconsul of Thessalonica district, not knowing that he was a Christian.
One of his duties was to put to death Christians, but instead he preached the faith, and was said by some to be a “second Apostle Paul,” for Thessalonica.
When Galerius found out, he ordered his imprisonment, and eventually his death, on October 26, 306. This article tells the story of his life in detail, including subplots concerning his friend Nestor’s martyrdom at the same time, how Demetrios became so beloved of the Slavs, and how he never would allow his relics to be moved to Constantinople.
St. Demetrios mosaic Kiev, 12th century
During the reign of St. Constantine the first church was built on the site, and in later centuries the Christians began using the old bath house structures.
It was during the Ottoman rule when it was a mosque that the underground part became cryptic or “secret,” because whether by their intent or neglect, it was filled with earth and forgotten, until the fire of 1917 that destroyed much of the city; during restoration work on the church the crypt was revealed.
In recent years Orthodox services are often held in the space. I walked up to the church last Friday for Divine Liturgy that was served down there, where so much history is embedded in the stonework and the venerable marble floors.
The day before, the priest at the Church of the Panagia Acheiropoietos had reminded me, over coffee in his office, that there is nowhere on earth that God’s blessing is not present. You might think that He is here in Greece in a way that He is not to be found at the North Pole, for example, but it’s not true.
I have been thinking about that a lot. We Orthodox pray daily to the God Who “is everywhere present, and fills all things.” Also, we experience the eschaton at every Divine Liturgy, when Christ descends to commune with us.
The presence of God has been my experience in Greece, and He will be as immanent as ever back home when I return to the “same old” everlasting mercies of God new every morning. As I embark on my long, long day of travel, I hope I can keep in mind this constancy of grace.
Given the dailiness of our earthly pilgrimage, I can’t be too sad to leave Greece, and at the same time I’m extremely thankful for the short and rich time I’ve had here. Glory to God for all things.
You can’t walk very far in Thessaloniki without encountering antiquity as more than an idea; the present city layout incorporates reminders of previous communities and cultures, the oldest of which had been buried for thousands of years.
The Church of Panagia Archeiropoietos prompted me to think about this when I visited over the last week.
One has to descend a flight of steps in order to travel back in time to when Byzantine Christians first worshiped here.
One afternoon my guide Maria and I found a university student at work behind the church, in a gated area where she had never been. The priest had given him two tasks: gardening, and also sorting and organizing stone and marble chunks of the church that had broken during earthquakes. He couldn’t have been more pleased.
“Would you like a piece of antiquity?” he asked me. “We have buckets of it!” And he handed me a few small souvenirs of my favorite type.
Inside the church, Maria pointed out to me distinctive features of this basilica style temple built in the 5th century.
It was the first church in Thessaloniki to be turned into a mosque when the Ottomans conquered the city in 1430, and Sultan Murad II inscribed his name and the date on a pillar.
Murad II’s insignia
Historians say that the blue-veined marble in the floors and columns of this church was sourced from the island of Proconnesos in the Sea of Marmara. Before the custom of sitting on chairs in church was introduced in the last century, the pattern on the floor imitating rivers would have been more obvious. Near the altar the lines are wavier. The floor is still the most captivating feature of the space for me. How many people have stood, processed, knelt and prostrated on these smooth and cool floors over the centuries?
I joined the ranks of that company this morning, not just to stand but to kneel, because it is Pentecost Sunday, when Orthodox Christians around the world join in three long prayers, in the service of Kneeling Vespers.
The Byzantine Christians built this temple on top of a Roman bath complex. At places in the church see-through panels (easily ignored and walkable for regular parishioners) reveal below, farther down and further back, three previous layers of Roman floor mosaics from that earlier era.
Yesterday I walked a half hour to the northwest corner of what would have been the old walled city. That’s where the Church of the Twelve Apostles is, which I hadn’t seen yet. But I had forgotten some of the things Maria told me about the best time to go, in order to find it open during or just following a service, and it was closed.
That was okay. I’m pretty much filled to the brim from all of the information and experiences of the last days, and was kind of happy just to have a walk in an area I hadn’t been yet. I came upon one wall portion…
… and as I walked around the church, noting that every gate was locked, I saw a magpie in a tree, a cat trying to stay comfortable in the heat, and the most beautiful pomegranate tree.
The temperature has risen since my arrival in Thessaloniki, and the humidity increased, so that I have needed to walk less briskly, and to return to my hotel in the hottest part of the day to rest for a while before going out in the evening.
But I enjoyed strolling back through the center of the city, where the new Metro has also been built in such a way as to highlight the ancient civilizations that lie in its lower regions.
Maria gave me a tour of it also, and from all levels of that central station we got different views of the street scenes that have been preserved. It was the vastness of the archaeological discoveries, when excavation began for the project, that demanded a thorough and extended discussion about how to respect these artifacts.
The main road of the Roman city.
Layers representing Hellenistic, Roman, Byzantine and Ottoman societies were found, and the decision was made to display the Roman city. All of the artifacts will eventually be exhibited in a museum, a foretaste of which makes a wall display in the lower levels of the Metro station.
I am amazed at the vision and scope of this project. History is alive here.
Roman artifacts
Because my time in Thessaloniki is running out, I need to tell you about the Rotonda now as well. It is the oldest of Thessaloniki’s churches.
This edifice that was built in the early 4th century by the Emperor Galerius, possibly completed by Constantine when he lived here, has walls six metersthick. As soon as I was inside, I felt the immense presence of the place. The only visitor at that time besides us was a woman sitting on a folding chair and reading, and I knew it would be a blessed place just to sit. But I didn’t want it enough to go back and pay another ten euros to enter.
Some historians think that Galerius built it as a mausoleum, as part of the complex including the Arch of Galerius and the palace. But others think it was built as a temple to a god, possibly Zeus, who was Galerius’s patron god.
Galerius was buried in Serbia in any case, and a few decades later the Emperor Theodosius (probably) was the one who ordered the Rotonda to be made into a church dedicated to St. George.
In 1590 it was converted into a mosque for a few hundred years, and a minaret was added. It’s the only minaret that was not removed when the city was liberated from the Ottomans.
Along with the serenity and hugeness of the church, the remaining ancient mosaics impressed me, with their brilliance and detail. So, so lovely, the art that has survived nearly two thousand years and doesn’t show its age. If my neck were stronger, I’d have craned it longer to feast my eyes on the colors of the birds especially.
I think services are held there on the feast of St. George. One doesn’t have to go down to go back, when the Rotonda is taking you; it sits elevated above the city. You just walk up the hill, walk inside, and there you are.
After arriving by plane in Thessaloniki last Saturday, I took a taxi into the central part of the city and my hotel. As we passed between high rise buildings in thick traffic, I was a little dismayed, after the quiet pace of island life, at how much a city it is. I said to the driver, “It’s big, isn’t it? The second largest city after Athens?” He said no, it’s small actually, and he tried to communicate to me how everything is right here and close by, it’s compact.
I am so thankful that in Thessaloniki I’ve been able to keep up with all the walking that enables me to stay literally on the ground and feeling intimate with the place, more than if I had to take a bus or taxi to visit all the places I want to see, or to meet up with friends.
Arch of Galerius
Monday when I didn’t have definite plans until the evening, I walked 15 minutes or so to St. Demetrios Church, and after spending a while there I took a different route back to my hotel, and came upon the Arch of Galerius, and a bit farther toward the sea the ruins of the palace of Galerius, who was the Roman emperor from 305-311 A.D.
I could see up the hill the tower that remains from the ancient wall that once surrounded Thessaloniki, the lower portions dating from before Christ. It was in the 3rd century B.C. that Cassander, the Macedonian king and contemporary of Alexander the Great, first fortified the city.
The map above (In French) shows the area of the city that lay within the old walls, with color coded monuments that have been preserved from different historical periods.
Except for the day we went out of the city to the monasteries, I’ve walked miles every day, back and forth, up slope and down, but only yesterday did I meet my guide Maria at the very top of the city, in the old town, to see one remnant of that old, old, many-layered wall. Byzantine era expansions re-used materials from the earliest structures; I could stare a long time imagining all the people through the ages who laid the bricks and stones, or who lived day to day with the walls framing their community.
From the high part of the city we descended in a leisurely fashion visiting Vlatadon Monastery and other churches on the way. I must tell you more about that later — it’s time now for more walking and exploration.
Gladsome Lights 