Tag Archives: music

Earth, sky, and symphony.

It’s a wonder, all the fascinating things I get to discuss and learn about, inspired by reading books to boys who range in age from two to six years old. Before they’d even shed their pajamas this morning they brought me a book found on the shelf here at the temporary house, a worn 1966 school discard by Isaac Asimov titled The Moon.

What instantly got my attention was the picture on the first page, a closeup of the moon showing its topography, with many names of craters, valleys and mountains. Where did these names come from? When were they given? Who is Piccolomini? Astronomy has never exactly sparked my interest; maybe because of my inability to grasp the spatial arrangement of bodies and trajectories in the Universe. But show me a map, and names that carry historic or literary or philosophical meanings as these seem to, and I’m intrigued.

Mr. Asimov doesn’t get into all that. He goes right to theories of ages and descriptions of orbits. Liam was happy to stay with me a while on the names — remember, we both love words — and pointed out that Piccolomini has two words in it: piccolo and mini. This name is significant to our other “studies” as I will come back to later.

Before we could turn the page of this book, we had to sit down and eat the breakfast I’d made, and then the rest of the household who weren’t at work went to visit another new friend, and as I was simultaneously working on some oatmeal muffins for lunch I read about lunar topography. The man who came up with the first nomenclature for the moon, much of which is still used, was a Jesuit priest of the early 17th century, Giovanni Battista Riccioli. Riccioli considered himself first a theologian, but spent the vast majority of his long life researching and teaching about astronomy, as well as logic and physics, especially pendulums. What a learned and productive human, who lived in a challenging time for a natural philosopher. People debate about his possible secret beliefs, based on how he chose and arranged names of lunar features.

“He said that once the enthusiasm for astronomy arose within him he could never extinguish it, and so he became more committed to astronomy than theology. Eventually his superiors in the Jesuit order officially assigned him to the task of astronomical research. However, he also continued to write on theology…”

Will I integrate these evocative moon names into the tangled web of my mind’s musings? Perhaps the only thing I will have gained is another name for what’s in my head: “Sea of Vapors.” That name is from this newer map, featuring the waters of the moon, which I will leave at closing of this subject. Oh, and Piccolomini was an Italian poet and astronomer.

Soldier and Joy did bring along a big bag of their own books for the children, including several titles I wasn’t familiar with before, like this one about orchestral instruments. It made me think of the song I used to sing with my children, “Nous Sommes à la Musicale.” (“We are at the musical,” in French.) I couldn’t remember much of it, but Pippin came to my rescue and sent me a cute video of herself singing it. It’s ultra simple and catchy — there are no other French lines other than the names of the instruments — and you can hear a clip of it on this Folkways recording. Perhaps I borrowed the LP from the library once in the distant past.

More singing: here is Liam sweeping while singing “I love the mountains, I love the rolling hills,” etc.

I wanted the children to be able to hear the sounds of all the instruments pictured in the book above, and  I found quite a few good videos on YouTube, including a half-hour performance without any lecturing, from Benjamin Britten’s Young People’s Guide to the Orchestra. I loved it because it showed nearly every instrument and closeups of the musicians playing, and the conductor was fun to watch as well. There were many shots of the piccolo player!

The boys had heard “Peter and the Wolf” many times, but never seen it played. I found a charming ensemble of seven musicians from Qatar performing to a backdrop of a sort of shadow puppet show of the story, and that was a hit.

Browsing the library shelves last week with Laddie, I came across this beautiful book, Behold the Trees, by Sue Alexander, illustrated by Leonid Gore. It is a simple telling of the story of “living, life-giving trees” in the Holy Land, from ancient times when they were plentiful, to the 20th century when Jews all over the world contributed funds for planting trees to replace those that had been over the centuries and for various reasons cut down.

 

“They grew in stands and groves and great forests. They held back the sea, cooled the air, and protected the earth for the people and animals who lived there… So it was, for hundreds and hundreds of years….”

But then, people needed cleared land for farms and doors for shops; armies “cut down trees to build fortresses and palaces, shrines to their gods, cities and towns.” Whole forests were burned to remove hiding places for enemies. Eventually “the land became salt marsh and sand,” and animals disappeared.

I love the illustrations in this book showing these events and the people planting trees. And the names of the trees listed simply, and as elegant as a poem. I wanted to know more about the history of this re-greening effort, and I learned a few things online that were fascinating and encouraging.

As recently as the 1960’s the project was begun to plant Yatir Forest on the edge of the Negev Desert. A long Wikipedia article tells much about this “living laboratory” that is the largest forest in Israel, and on another site I found a succinct explanation of one way that the trees survive the climate that they are not suited to:

“Partial results of the research by Professor Yakir and his team show that the forest’s trees have adapted themselves to arid environmental conditions by naturally smart use of the high level of carbon dioxide in the air.  Professor Yakir explains that because of the rise in the level of carbon dioxide in the air, the trees absorb all the carbon dioxide they require without needing to fully open all the stomas (apertures) in their leaves’ membranes. Partial opening of the stomas reduces the evaporation of the water on the leaves and so a tree uses less water without any damage to its development.”

The last of the recent book discoveries was one I found at a used bookstore just yesterday. I was headed straight toward Target, but when my eyes saw a sign declaring “BOOKS,” my feet veered that way. When I finally escaped I had bought several used books for me and for the children. The illustrations in Once There Was a Tree are rich, and do justice to the beauty of the forest, where the main character is a tree stump, and the questions are philosophical.

It might have been titled “Whose Tree is It?” or “Who owns the earth?” The fundamental message is gently told, of how countless numbers of us creatures benefit from as humble a piece of earth as nurtures a stump in the woods, and we should share. I intend to write on the end page Psalm 24:1: “The earth is the Lord’s, and the fulness thereof; the world, and they that dwell therein.”

Because truly He is the beginning and end, the source of all the wealth of gifts and resources that surround us, and of which I have been partaking by means of the sharing of so many of His creatures, from tree-planters to musicians, from a scientist-priest to a children’s book illustrator.

The world — my world — His world — is full of delights.
And I’m looking forward to tomorrow’s offering.

His house smells heavenly, too.

In the Orthodox Church, near the end of Divine Liturgy, there is a prayer to God to “Sanctify those that love the beauty of Thy House.”  Especially in my first months and years in the Orthodox Church I clung to that prayer, thinking, “Lord, there is a lot I don’t understand, and there are many ways in which I fail to live for You, fail to enter fully into the services; but one thing I know is that I do love the beauty of Your House.”

One aspect of that beauty that contributes to the worship I offer is incense. It is one of those elements that is left out whenever I post a picture taken in a church service. In those visual images you get, of course, only the visual.

When I shoot the photograph, it is in the midst of a lavish sensual experience: hymns and prayers being sung almost constantly, deacons and priests frequently censing everything and everyone in the temple, the smell of beeswax candles, and the touch of fellow worshipers as we bump past one another or when we arrange ourselves on the floor to hear the homily. Later when I look at the picture in my home, it so noticeably does not convey half of the sensations that were pressing upon my mind at the time. It is literally flat, and as a testimony of what went on, very lacking.

We believe that the heavenly Kingdom comes to us in the liturgy, so I can’t hope to give an inkling of what that is like to someone who has never been present, or whose heart is not ready to receive the Lord in these material ways. You really have to be there.

But I will include yet another image in this post, just to add visual interest, conceding to the limitations of this medium. This pic shows the people singing. Someone has said that the liturgy is like one continuous song.

I’ll let Wikipedia tell more about the tradition of censing: “As part of the legacy handed down from its Judaic roots, incense is used during all services in the Orthodox Church as an offering of worship to God as it was done in the Jewish First and Second Temples in Jerusalem (Exodus chapter 30). Traditionally, the base of the incense used is the resin of Boswellia thurifera, also known as frankincense, but the resin of fir trees has been used as well. It is usually mixed with various floral essential oils giving it a sweet smell. Incense represents the sweetness of the prayers of the saints rising up to God.”

From The Lament of Eve by Johanna Manley:

The fragrance of love! When we burn incense, we think of the fragrant heavenly aroma of love. The Holy Spirit, like a heavenly fire, brings the warmth of love into the human heart, and like a fresh wind, chases away the stench of sin and spreads the aroma of Christ to the world. That savor all the saints have borne within themselves. People have sensed it in living saints and in their relics. The Apostle speaks of this: “We are unto God a sweet savour of Christ,” the sweet perfume of recognition of the truth and the sweetness of love (cf. 2 Cor. 2:14-16).

Gleanings – The Vocabulary of Artists

Fr Patrick pantocrator domeTo convey to our imagination an abiding sense of the world’s goodness and givenness, artists require a vocabulary capable of such representation. Many of the conventional aesthetic resources of the contemporary arts are well suited to expressing anxiety, alienation, chaos and violence, but are not as capable of evoking innocence, simple purity, or quiet delight. (I’m more and more convinced that the omnipresence of relentless rhythm sections, even in love songs, is an expression of the mechanistic and brutish presuppositions of a culture convinced that all life forms are the end-result of a mindlessly competitive process of mere survival.)

–Ken Myers

“From Heavenly Harmony” in Touchstone Nov/Dec 2014

The Huron Carol

My favorite “Poem A Day” blog that was written by Maria is not currently active, but its archives remain online, a treasure store of poetry and art. This Christmas post that I read in her collection is titled Jesus! Ahatonhia! It’s a heartwarming telling of the Christmas story.

In that entry Maria shared “The Huron Carol,” which was composed in 1643 by a Jesuit missionary who lived and worked with the Indians in what is now Ontario, Canada. He was French, and though he wrote the lyrics in the Huron language, he set them to a 16th-century French melody, “Une Jeunne Pucelle.”

You can listen to the song on YouTube; the version I put here has singing in French and English as well as what I take to be Huron. The story is about an angel who appeared in the Northern Lights to tell the Indians about the Christ Child. A series of three stamps commemorating the carol were issued in Canada in 1977.

My favorite stanza:

The earliest moon of winter is not so round and fair
As was the ring of glory on the helpless infant there.
And chiefs from far before Him knelt with gifts of fox and beaver pelt:
Jesus, your King, is born;
Jesus is born,
In excelsis gloria!

Amen! And Merry Christmas to you all!