Back in the day when I lived with my family in farm country, in the midst of miles and miles of citrus orchards, my siblings and I would ramble through the groves, ours and our neighbors’, and along the private dirt roads dividing the properties from each another. All the kids did this, and no one ever suggested we were trespassing.
Once we came upon a small and shabby house with its doors and windows open, and obviously abandoned. We dared to go in, and walked through the rooms, which still contained furniture such as a kitchen table with dried up food on plates, other unwashed dishes in the sink, and personal belongings lying about. We didn’t stay long, it was too creepy, but my imagination was stirred from then until now, wondering what story lay behind the disorder. What would prompt the residents to leave without finishing dinner, and never come back? Why had no one bothered to come and clean up the mess, and make the place livable again?
That house didn’t show signs of having been beautiful at any time, but under different circumstances, it might have been. It remains for me a disturbing memory, for all the sad stories it might have been hinting at, but also because of the physical ugliness that stood as a witness to chaos. In all likelihood it has been leveled to the ground long since, and orange trees planted in its spot. I wonder if anyone else remembers it.
The poem below tells of a much richer and more nuanced experience and story. The poet Frederick Goddard Tuckerman was stricken when his wife died after the birth of their third child, and felt that as the father of the child he was somewhat guilty. Most of his poems after her death express these feelings of loss, loss of home and of the woman as the center of family life. One commentator suggests that the description of the mother, twice using the word “sat,” indicates her being frozen in time as a memory.
SONNET XVI (“Under the mountain”)
Under the mountain, as when first I knew
Its low black roof, and chimney creeper-twined,
The red house stands; and yet my footsteps find
Vague in the walks, waste balm and feverfew.
But they are gone; no soft-eyed sisters trip
Across the porch or lintels; where, behind,
The mother sat, — sat knitting with pursed lip.
The house stands vacant in its green recess,
Absent of beauty as a broken heart;
The wild rain enters; and the sunset wind
Sighs in the chambers of their loveliness,
Or shakes the pane; and in the silent noons,
The glass falls from the window, part by part,
And ringeth in the grassy stones.
-Frederick Goddard Tuckerman
Thanks to Sally Thomas for sharing this poem on her Substack page last month.
Gladsome Lights 