Pippin sent me this picture and quote that looks like she found it on Facebook. The picture reminds me of one I took of my other daughter, Pearl, once when I was walking with her in the autumn. I cropped off the quote and copied it here:
Above all, do not lose your desire to walk. Every day, I walk myself into a state of well-being and walk away from every illness. I have walked myself into my best thoughts, and I know of no thought so burdensome that one cannot walk away from it. But by sitting still, and the more one sits still, the closer one comes to feeling ill. Thus if one just keeps on walking, everything will be all right.
-Søren Kierkegaard
It was last fall when I last revived my walking habit. The days are so gorgeous, it seems the only proper thing to do with them — although garden work serves nearly as well, as long as one doesn’t rush, and takes plenty of moments to breathe deeply and look at the sky.
This morning I switched my walking route to the less-frequented, unpaved path by the creek, and I was alone down there. But for a minute I could hear above me on the paved path, behind the trees, a woman talking on her mobile phone. She had it set on speaker, and I could hear both sides of the conversation. The woman near me said, “How is your diet? Are you eating the right things?” and I caught the Woman-on-Speaker saying, “I just can’t eat salad,” after which Woman No. 1 said, “I know people think Special K tastes like cardboard, but I eat a bowl of it every night before bed. It helps me sleep good!” And then they were out of range….
Bristly Oxtongue
That conversation is slightly connected, by being about things we do or do not eat, to the title I almost gave to this post, something about “Bristly Oxtongue” — but it was a little too rough. Now that I think about it, I do see why the plant was given that name, though when I have cooked beef (ox) tongue, I never thought of the bumps as bristly. And the botanical one I saw on the path was in its glory, such as that is, with prolific flowers on a 4-ft high plant. I have identified it in the past, but lately don’t tend to pay attention to the various thistly and bristly plants out there.
Another plant that is not my favorite, and which I wish I could keep far away from my garden, is Bermuda Grass. When I was growing up, the birds brought its seeds to the lawn my father had planted around our new house, and from then on it was a Bermuda Grass lawn, which has a lot to say for it in the dry and hot Central Valley of California. It needed watering less than weekly. It was a scratchy and coarse kind of grass to play on, and in the winter it goes dormant and brown, but it’s very hardy in every way. This plant has been encroaching from my neighbor’s back yard to mine for as long as I’ve lived here, and I am forever fighting its advance.
Today I realized that one reason this stretch of path is surprisingly green, is that it has a healthy crop of Bermuda Grass growing on the sides.
I saw quite a few other plants along the way. Curly dock reminds me of the rural bus stop of my childhood, where that plant was always growing.
Back in the home garden, my cultivated species are filling my cup of contentment. I have strawflowers for the first time, which the skippers love. If I didn’t have the ability to put a big digital photo here, I wouldn’t be able to see the long but miniature tongue the skipper is dipping down into that flower. Drink up, little skipper! Be my guest!
African Blue Basil
The plant you have been waiting for is the African Blue Basil — at least, that’s what the tag on the little pot said, that I brought home from the nursery. I just read about it online, and it says that the leaves are purple when they first sprout, and mine aren’t… It also is supposedly a perennial, which would be nice. It’s magnificent, and I saw two species of honeybees among the dozen or more were working it. It’s the latest dish that the pollinators are tasting on the smorgasbord in the Glad Garden.
The poem below is part of a collection of “Himalaya Poems” on the “Asymptote” website, where that magazine’s name is explained like this:
“Asymptote is the premier site for world literature in translation. We take our name from the dotted line on a graph that a mathematical function may tend toward, but never reach. Similarly, a translated text may never fully replicate the effect of the original; it is its own creative act.”
I originally read the poem on a blog that didn’t tell what century the poet was writing in, so I had to hunt around to find out that he is a contemporary Korean. On his own website he writes something that I can relate to: “I long not to finish my life as a poet. In other words, I wish I could be a poem at the end of the poet.”
If Ko Un does manage to set off and “walk on and on until the sun sets,” and not just write about that kind of activity, then I think he stands a good chance of turning into a poem. Especially if he gets drenched! Lately I have done a lot of walking in the rain myself, and I have begun to look forward to those wet outings. I keep wondering why that is…
One friend said something about “the ions,” and online I found numerous articles about the “health benefits” of walking in the rain. Every article counted a different number of benefits, ranging from four to nine, one number per article, and that coordinated numbering was the most interesting thing about them.
I try not to take an umbrella on my walks, because of the way an umbrella usually takes my attention from the wind and water assaulting me, and forces me to give my all to one more instance of wrestling with technology, especially if it’s the pop-up type. (However, umbrellas seem to add cheer to dark and rainy paintings.) If the day is very wet, I do merely a loop around a block or two, and change into dry clothes afterward. That’s not a pilgrimage, but it makes me feel that I am walking in a (short) poem.
YOUR PILGRIMAGE
A slower pace, a somewhat slower pace will do. Of a sudden, should it start to rain, let yourself get soaked. An old friend, the rain.
One thing alone is beautiful: setting off. The world’s too vast to live in a single place, or three or four.
Walk on and on until the sun sets, with your old accomplice, shadow, late as ever. If the day clouds over, go on anyway regardless.
At Vespers last night, the lighting was unusual, in that electric lights had been turned on in the dome; typically we do without those, and in the winter it means that we see the icon of the Pantocrator only dimly. Because the amount of light, and the angle at which it enters through the cathedral windows, is always in flux, every service at every time of day is differently illumined — but the effect is always sublime.
Over the last two days, at church and on my neighborhood path, I was warmed by the beauty of physical lights, not separate from their symbolic role: They represent and mysteriously convey the presence of Christ Who is, as the Evangelist said, “The true Light, which lighteth every man that cometh into the world.”
Today was the Leavetaking of Theophany, and I was the chanter of the Third and Sixth Hour prayers before the service. On Sundays we always have hymns of the Resurrection, and usually hymns of that Sunday’s feast or saints as well. It was the Kontakion of Theophany that got my attention this morning:
On this day Thou hast appeared unto the whole world, And Thy light, O Sovereign Lord, is signed on us who sing Thy praise, and chant with knowledge: Thou hast now come, Thou hast appeared, O Light Unapproachable.
As soon as I returned after church, I (shock!!!) changed my clothes and went for a walk. We had been surprised by the sun coming out in the afternoon, so it was delightful out there. Even though the creek was muddy from rain, the light shining on it made it lovely.
And I practiced Psalm 89 some more. Reading the same lines and stanzas over and over, thinking of links to help me transition from one thought to another, has been the most rewarding kind of meditation; the theology and the poetry fill my heart, certainly in much the same way as one line states:
We were filled in the morning with Thy mercy, O Lord, And we rejoiced and were glad.
But this line is in the latter half of the psalm, when the mood has turned upward. A few stanzas before, the psalmist is considering how in the evening man “shall fall and grow withered and dry.” “We have fainted away,”“our days are faded away… our years like a spider have spun out their tale,” and “Return, O Lord, how long?”
Withered and dry, but still handsome.
I have looked at two other translations of the Psalm, one of them a different version of the Septuagint, and compared with the one I am using (see sidebar note), to me they both are clunky and harder to read, though they do have many of the same vivid images that help me to learn this poem.
I stopped a couple of times on my walk to sit on a bench and think about these things. And when I got home again I looked at the notes in the Orthodox Study Bible, which points out that this is “a morning prayer designed to keep one focused on the Lord rather than on this temporal life and its hopelessness. For He exists outside time, and is therefore our only refuge…. It is read daily at the First Hour.”
There are many references to morning and evening, days and years, and our lifespan being “in the light of Thy countenance.” But one reason I have wanted to learn the whole prayer poem is the last verse, whose first line brings me back to “Thy light is signed on us” in the hymn we read and sang this morning:
And let the brightness of the Lord our God be upon us, and the works of our hands do Thou guide aright upon us, Yea, the work of our hands do Thou guide aright.
so I had to hunt around to find out that he is a contemporary Korean. On his own website he writes something that I can relate to: “I long not to finish my life as a poet. In other words, I wish I could be a poem at the end of the poet.” 
One friend said something about “the ions,” and online I found numerous articles about the “health benefits” of walking in the rain. Every article counted a different number of benefits, ranging from four to nine, one number per article, and that coordinated numbering was the most interesting thing about them.
Gladsome Lights 