Tag Archives: writing

2021 – The Year of Dostoevsky

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Today Nun Cornelia has kindly given us a reading recommendation in her article, “Time to Read (or Reread) Dostoevsky.” Her reason for putting forth the idea at this time is partly that today is the 140th anniversary of the death of Feodor Dostoevsky. And not only that, but 2021 marks 200 years since his birth in 1821.

Even if you haven’t read his works, you are likely to recognize his name as a writer, whose skill Sister Cornelia describes: “The details of all his characters, their mannerisms, their actions, their thoughts and words, even their names, all paint individual pictures of the human condition in relation to God and the devil—pictures that don’t fade with time, and are applicable in any culture.”

In a short essay she gives details about his childhood and temperament as described by his parents (hot-headed and cheeky), and his “morose” youth, during which he spent time in military service and then began to study literature.

“His compassion for humanity led him to socialist circles, which, as he would eventually understand, were in fact seething with anti-humanity. These attempts at social reform would also end in failure for him, and he nearly lost his life in front of a firing squad. His sentence was commuted at the last minute, and he was sent to Siberia for prison and then exile. In prison he was respected by all, but at the same time considered a dangerous revolutionary and kept in shackles and manacles for his entire sentence.”

The upbringing he was given, and the era he was given to live and suffer in, certainly contributed to his great soul; and because his writing “could not be separated in any way from his own deep convictions, his books lead us in a mysterious way to those deep convictions.”

Sister Cornelia details some of the many ways that Dostoevsky suffered, and the way his wife suffered with him for his sins and weaknesses. She ends with thanks for all his works that she hopes we will read, and read again.

“But neither can we forget that an underlying quality present in him from childhood was also key to producing the literary heritage that we have today: stubbornness. Through all his failures—and apparently, he took critical failure very hard as his epileptic fits were brought on by them—he never gave up his calling and forged ahead with novels that change people’s lives.”

At the bottom of the article are links to several others on Feodor Dostoevsky. You can find it all here.

Warned by their music.

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By the end of the second novel in Rebecca West’s Aubrey Trilogy, This Real Night, the children are grown up, and our narrator Rose is often discussing with herself the meaning of world events and human behavior. The narrator’s inner dialogue is just one of the ways that I think the author expresses her own wonderings and certainties; the reader also learns from discussions between the characters, often in emphatic statements that one or another makes out loud or privately in silence, on any number of topics, from fashion to politics and philosophy, from the motives of others to the failings of herself.

The constant revelation of what goes on in her highly analytical mind, her wanting to understand the meaning of things, and her sureness that there is something numinous behind the visible world, all draw me to the stories. (She makes me love just being with the characters — I never want to leave them — which is probably a greater reason, but it deserves its own post.)

I don’t know how to describe the elements of her prose style that makes every other sentence seem worth reading a second or third time — so I keep posting samples. I can say that each page is rich in metaphors that somehow are more than metaphorical: they convey an understanding that there is something more than meets the eye; much of the truth of things is underneath, and beyond.

She is quoted as having said, “Writing has nothing to do with communication between person and person, only with communication between different parts of a person’s mind.” She didn’t complete This Real Night until almost 30 years after The Fountain Overflows, and it was published in 1984, the year after her death. Here are a couple of passages from the last chapters:

“We were not surprised when the war came, for we had heard our father prophesying it all through our childhood… We had also been warned by our music. Great music is in a sense serene; it is certain of the values it asserts. But it is also in terror, because those values are threatened, and it is not certain whether they will triumph in this world, and of course music is a missionary effort to colonise earth for imperialistic heaven. So we were not so sorely stricken by August, 1914, as many other people. Indeed we had our consolations. It was proved to us that music was not making a fuss about nothing, and that the faces of our parents had been distorted out of common placidity not by madness but by the genuine spirit of prophecy.”

Soon, however, their only brother Richard Quin enlists, and after a few months of training in England, during which his family sees him often, he ships off to the Continent, and they accompany him to Victoria Station in London.

“The space around the station had become one of those areas which, like cemeteries and the corridors of hospitals, are swinging on a turntable between the worlds… myriads of men in uniform, deformed by the weight of the kitbags on their backs, of women and children scurrying by their sides, those also deformed, by the weight of grief and stoicism… Above, a great dimly lit illuminated clock said that this was the hour. The occasion was the annulment of life, for what is life but being able to move according to the will?

“But the people who got out of the taxis and cars, all the men bent under their kitbags, were doing what their will would never want them to do, which it could never let them do, were it not in the custody of something outside them not certified to be wise or loyal. The clock said that there was not time to start that argument….”

Kinds of Poetry – Tolkien vs. Jackson

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Jackson apparently thinks the characters Tolkien gives us are too simply good to be fully believable to modern audiences, and so he feels obligated to “complicate” them, to give them internal conflicts other than the ones they actually have, in the hopes that we will better be able to relate to them.

I’m quoting from this article in the Nov/Dec 2013 Touchstone Magazine, in which Donald T. Williams explains how literature, while delighting us with its art, is more powerful than history or philosophy to nurture our moral vision, or to corrupt us with false images.

With the help of quotes from Sir Philip Sidney, who wrote Apology for Poetry in the sixteenth century, he shows how “Tolkien was very consciously and deliberately following the literary tradition that flows down to us from Sidney through Dr. Johnson and C. S. Lewis.”

Peter Jackson the filmmaker seems to be flowing in a different stream. But he is an artist, and of course will impart his own soul to his work. I wouldn’t expect him to give us The Rings, because that has already been done, and he is not J.R.R. Tolkien. But it is unfortunate that he has changed things to the degree and in the directions he has. Williams points out specific ways in which the characters who inspired us in the books disappoint us in the movies, and makes these general remarks:

By this process of negative moral transformation, in other words, we reach the place where beloved characters are unrecognizable to Tolkien’s fans, and those fans feel betrayed. And they are right to feel so, though mostly they do not understand why. It is because the difference between the books and the movies is not just one of necessary adaptation to a different medium. It is that the author consciously followed the Sidneyan tradition while the adaptor is either ignorant of it or doesn’t understand it or has rejected it.

Read the whole article here.

Mountain Air – smoke and writing

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I returned this week from a solitary trip to the mountains, where I stayed in a cabin off the grid for four nights. I could easily write a book about my five days of journeying and lodging, probably a philosophical novel. Or would it be a how-to treatise with packing lists and suggested activities and prayers?

I’m always saying, “I could write a book about ____.” And it just occurred to me that I am always writing, as I endlessly analyze events as to their significance, and organize my thoughts, composing and reworking the lines in my mind. If I have a pencil or keyboard handy and hands free I might scribble down some of it, often in a notebook or in the margin of the book I’m reading. But the process has begun long before that.

It wouldn’t be a lie exactly, when people ask me what I do, to say, “I write.” Because I’m a process-oriented type, I can’t see a book ever resulting from my work, but no pressure — no one is clamoring for a discussion of the things in my pocket or the interrelatedness of the last ten books I read.

I thought I might do some sort of scribbling during my getaway, but I didn’t make much visible progress on my “books.” Many things that are fascinating to my self-centered self consumed my hours and my thoughts, and I do want to reflect on some of that here, hopefully without rambling on and on.


Today I just want to mention one sad thing about my experience: Smoke. The brown cinders from that horrid Rim Fire, the largest wildfire on record in the Sierra Nevada, had drifted south and made the air murky around Our Lake. One day was so bad that my eyes and throat and head hurt from the pollution. But I didn’t have to come home early, because it cleared up a little by the next morning.


I can’t imagine what the landscape will look like, the next time we visit our beloved Yosemite and drive through the scorched forests. One thing I know: On August 25th the fire destroyed the Berkeley City Camp Tuolumne where my sisters and I as children vacationed with our grandparents.

It has been many decades since I did water ballet in that swimming hole in the Tuolumne River, or even visited the camp, and it won’t change my life that it is wiped out. But what a heartache for the people who spent dozens of formative summers in the context of that special place, and those for whom the rustic cabin life in an idyllic setting was a very recent tradition and expectation. I’m very thankful it was only smoke that invaded our family’s lake and village.