Category Archives: poetry

Insect friends on the soft breeze.

gl9 P1050458

I am sitting in the garden, in the corner where the unbelievable salvias and the olive trees have grown up to make a sort of alcove. The three salvias are each six to nine feet in diameter and four feet high; they amazed me by taking a big leap in July and August of their first year. The umbrella is shielding me from the sun, and I am enjoying the insects that make the air alive with their darting and swooping from one flower to another above and all around me.

gl9 P1050197crp

The only reason I thought to move out here with my bowl of plums is that my house is so cold. I brought the laptop so I could continue reading Fr. Stephen’s article while I ate, but the fruit drew all of my attention to my mouth, and to the juicy plumminess too intense to consume mindlessly while reading. Now I remember why I planted two Elephant Heart Plum trees last fall — which, by the way, didn’t produce any fruit from their pretty green and white blossoms this season. Pearl brought me some of her plums yesterday; a year ago the mature trees at her new house had been the inspiration for my decision to grow some of my own.

gl9 P1050466
portulaca
gl9 P1050452 wasp on salvia 9-4-16
Hoverflies are pollinators, too.

 

If I could just sit out here in the soft air, I would most certainly eat less; shivering in the house makes me distracted and uneasy without knowing why, and I unconsciously start stoking the furnace of my body with whatever fuel I can find in the cupboards.

gl9 P1050426

 

 

 

 

And being in the garden makes me want to share the experience in words, so I looked to see if I have a good summer poem from a previous year. I’m sure it must be here somewhere, if I only had the patience. While looking I found a verse that is new to me, from Walter de la Mare, about one of the winged creatures flitting about.

After pasting it in (and thereby shaping this article into another Pollinator post) I thought perhaps I shouldn’t be so hasty, and I began to look online for a different poem, maybe about a dragonfly or a butterfly ? which, after all are more to my liking. I also hunted around for a clue to the meaning of “specks of sale” in the poem. Does anyone know? I wonder if sale is a word for salt? [Duh. It was a typo, as commenter shoreacres pointed out below. But from now on I think I will always think of it as a synonym 🙂 ]

gl9 P1050444

 

But before any more pages had time to load – I must be too far from the house for the wifi – a common housefly dropped in on me, on my arm, on my keyboard, my shoulder, and he would not be shooed away for anything. I think he sensed what was going on, and wanted me to tell his story, and not another’s. Maybe as soon as I hit “Publish” he will go back to playing.

 

THE FLY

How large unto the tiny fly
Must little things appear!-
A rosebud like a feather bed,
Its prickle like a spear;

A dewdrop like a looking-glass,
A hair like golden wire;
The smallest grain of mustard-seed
As fierce as coals of fire;

A loaf of bread, a lofty hill;
A wasp, a cruel leopard;
And specks of salt as bright to see
As lambkins to a shepherd.

-Walter de la Mare

gl9 P1050431 fly on yarrow crp
some kind of fly on the yarrow

My winding path to the key.

gl P1050286One thing leads to another. I had the sudden and unusual urge to clean my shower door this morning, and ended up spending hours on the bathroom, the bedroom, the laundry area in the garage…. I made myself stop at six o’clock so I could take a walk, which was more of a chore than some evenings, because I had already been on my feet most of the day.

Even so, I didn’t want to take the shortcut, because the sight of the slant rays through the redwood trees at the park is not to be missed. This is where my children played soccer and softball, and climbed those trees, before they were trimmed of their lower branches. I like experiencing the park this way more than the former version, when we used to stand around shivering on the damp sidelines to watch an hour of soccer.

glw P1050411

But getting back to earlier in the day: Before indulging in the flurry of vacuuming and scrubbing, I had followed other, quieter prompts, in the realm of poetry. I was reading some recommendations for anthologies, when the collection Come Hither showed up on my mental path. This was probably the first book of poetry I ever bought. We were homeschooling and I had borrowed Walter de la Mare’s anthology from the library. But I couldn’t renew it forever, and it was clearly a book that one would like to delve into forever. So I splurged on a copy of our own, and my students would leaf through its pages week by week to find an appealing poem to memorize.

Walter de la Mare
Walter de la Mare

In the last months I had forgotten about this book; I knew it was in the spare bedroom on a shelf full of poetry books, and I made a note to myself to get it down and enjoy it again. After this evening’s walk I did that, but I had to limit myself to reading only the first poem, so that I will get to bed at a reasonable hour tonight. I also discovered a wonderful article by David M. Whalen, about the anthology and its editor: “Walter de la Mare’s Come Hither.”

He explains the frontispiece address to the “Young of All Ages”: “Anthologies of children’s verse usually fall into sentimentality. They reflect their editors’ attempts at indulgence in feelings that have become unreal to editors and readers both. Come Hither: A Collection of Rhymes and Poems for the Young of All Ages is markedly free of this blot as de la Mare, a Twentieth-Century British poet and author, never left behind the numinous sense of mystery that characterizes childhood.”

glw P1050414

British author Alice Thomas Ellis is quoted in the article as saying that if she could have the Bible and Shakespeare and one other book, when stranded on a desert island, the third book would be Come Hither. The copious notes alone I find fascinating; they are obviously written with the older and even oldest Young in mind, and they lead me always to one more musing .

Here is that first poem of the collection. As the turning of the page will reveal a different offering, and another following that, I feel certain that I will have more to share with you in the future. But as Whalen points out, this one poem already contains everything.

THIS IS THE KEY

This is the Key of the Kingdom
In that Kingdom is a city;
In that city is a town;
In that town there is a street;
In that street there winds a lane;
In that lane there is a yard;
In that yard there is a house;
In that house there waits a room;
In that room an empty bed;
And on that bed a basket–
A Basket of Sweet Flowers
Of Flowers, of Flowers;
A Basket of Sweet Flowers.

Flowers in a Basket;
Basket on the bed;
Bed in the chamber;
Chamber in the house;
House in the weedy yard;
Yard in the winding lane;
Lane in the broad street;
Street in the high town;
Town in the city;
City in the Kingdom–
This is the Key of the Kingdom.
Of the Kingdom this is the Key.

The company of tears – and thanks to all of you.

My father feeding pheasants in his back yard.

My father and my father-in-law were unusual, in that after their wives died, they each lived another nine or more years. Many men die soon after their wives, and people speculate about why. It seems that women in general do better when they lose their spouses; I have read theories about why this is… probably a lot of things contribute. Here are my ideas, largely gleaned from other people. Please forgive the over-simplification and generalities – we are all probably exceptions at least sometimes:

1) Women are used to taking care of things and people, so they know how to take care of themselves. They at least get the necessary things done for survival during the period while they are learning to live without their husbands. But if men have been used to the women cooking for them and in various ways making the house a home, they would be at risk for becoming less healthy very fast when their wives are gone, to some degree reverting to the risky behavior characteristic of unmarried men.

2) If women are, in the words of author John Gray, like “waves” whose emotions periodically roll over people around them, perhaps they know instinctively to let that tide of grief flow as long as it must. Men, on the other hand, don’t know how to deal with things they can’t control, and they want to fix problems such as emotions. If we know that we will get through this, and that there is no going around it, we are able to survive.

3) Women often have support networks with other women, and these friends help them to not feel alone. They have someone to talk to, and/or go shopping with, etc. They have a pattern of activity with other people that they can continue in some fashion as widows so they don’t start from nothing when creating their new lives. Men are notorious (at least, among most of my women friends) for not having friends in the same way. They are more likely to become depressed.

About thceltic heartsis last point, I know that you readers of my blog have been a important part of that network for me. I have never been in the habit of going out to lunch or taking walks with friends on a regular basis, being part of a knitting group, etc. I don’t even get helped by talking about my grief, but I am without a doubt helped by writing about it, especially if at least one person is reading-listening and affirming. So I thank all of you very much  – you are extending my life span!

What sparked my thinking on these things recently was finding a quote by
Donald Hall, the poet who was married to poet Jane Kenyon when she died in her 40’s. He wrote:Donald Hall_si-303x335

“Poetry gives the griever not release from grief but companionship in grief. Poetry embodies the complexities of feeling at their most intense and entangled, and therefore offers (over centuries, or over no time at all) the company of tears.”

Many years ago I enjoyed in The New Yorker an article that Hall wrote about his late wife. It was the first I knew of him, but several times over the years I’ve read more of his prose. He is still alive, though she died 20+ years ago, and he was almost 20 years older than she. Now he writes only prose, but I thought that if I were going to share that quote I ought to read some of the poetry he wrote after she died. So I borrowed the collection Without from the library.

kenyon and hall

I found most of the fresh-grief poems to be too fresh and overwrought, and I don’t know if that is only because I’m past that stage myself, or because of something to do with him being a man. Perhaps he was too distracted by mourning to be able to do his best work. I never did find one I loved; I like his prose so much better. But this later one serves well:

Letter After a Year

Here’s a story I never told you.
Living in a rented house
on South University in Ann Arbor
long before we met, I found
bundled letters in the attic room
where I took myself to work.
A young woman tenant of the attic
wrote these letters to her lover,
who had died in a plane crash.
In my thirtieth year, with tenure
and a new book coming out,
I read the letters in puzzlement.
“She’s writing to somebody dead?”

There’s one good thing
about April. Every day Gus and I
take a walk in the graveyard.
I’m the one who doesn’t
piss on your stone. All winter
when ice and snow kept me away
I worried that you missed me.
“Perkins! Where the hell
are you?”

————-In hell. Every day
I play in repertory the same
script without you, without love,
without audience except for Gus,
who waits attentive
for cues: a walk, a biscuit,
bedtime. The year of days
without you and your body swept by
as quick as an afternoon;
but each afternoon took a year.
……

The poem goes on for many more stanzas – this first part was my favorite, especially the last four lines.

I have not read this.

Ten years after his wife’s death Hall published The Best Day the Worst Day: Life with Jane Kenyon. I was surprised that the majority of the book is about their life after her diagnosis of leukemia. It does include the essay The Third Thing, in which he writes about their years as a whole and how the writing life figured into it. The story of how he brought Jane, not yet 30, to New Hampshire from Ann Arbor, Michigan, to his grandmother’s house where from a child he had always wanted to live, is very touching.

She fell in love with the place at Eagle Pond, but their joint realization of the strong desire to move there came in stages. It seemed preposterous for him to quit his reliable teaching job to do it.

“It was late October when Jane made the definitive announcement: She would chain herself to the walls of the rootcellar rather than leave New Hampshire. I was terrified; I was joyous.”

I wonder at my interest in a couple whose poetry I’ve barely read, with whom I might seem to share very little in common, unless you count, as I do heavily, their love for a secluded life at home by a lake, in the garden, reading and writing much of the day. They were part of a warm church community of which Donald’s relatives were also members. Donald loves baseball, and has been a lifelong smoker (Well, no, I don’t share that with him). They lived a life that perhaps the majority of the population would not be able to endure. In fact, some people asked, “What do you do?”

From “The Third Thing”:

“What we did: we got up early in the morning. I brought Jane coffee in bed. She walked the dog as I started writing, then climbed the stairs to work at her own desk on her own poems. We had lunch. We lay down together. We rose and worked at secondary things. I read aloud to Jane; we played scoreless ping-pong; we read the mail; we worked again. We ate supper, talked, read books sitting across from each other in the living room, and went to sleep. If we were lucky the phone didn’t ring all day.”

I would probably find it easy to read about other couples also if they knew how to write as well about their everyday satisfactions – and sufferings. But I will have to move on, when I have finished this JaneKenyon_NewBioImagearticle, without learning everything that might be known about Donald and Jane, their life and their loves.

Though I might yet read more of their poetry. I have the fat Collected Poems of Jane Kenyon in the house right now, and will share with you this:

In the Grove: The Poet at Ten

She lay on her back in the timothy
 and gazed past the doddering
 auburn heads of sumac.

A cloud — huge, calm,
and dignified — covered the sun
but did not, could not, put it out.

The light surged back again.

Nothing could rouse her then
from that joy so violent
it was hard to distinguish from pain.

-Jane Kenyon

Donald Hall is 87 now. In a review of Essays After Eighty we read, “Jane Kenyon’s presence is everywhere in Essays After Eighty. The couple were married for 23 years, until her 1995 death from leukemia. Kenyon was 47 years old. Hall endured a period of intense pain, captured in two poetry collections and a memoir. Twenty years later, raw agony has become constant, aching loss: ‘I will mourn her forever.’”

Perhaps his writing is the support that has kept him going, even though he had cancer before Jane ever got sick, and last we heard, he was still smoking a pack a day.

“Give sorrow words;
the grief that does not speak
knits up the o-er wrought heart
and bids it break.”

-William Shakespeare,
Macbeth

[Donald Hall died on June 23, 2018, at the age of 89.]

Ah, Grief…

I shared the poem below several years ago when my angle on grief was different. But I think of the metaphor often these days, because the grief I know is a thing in itself, a changeable being that has to be reckoned with.

Last week I saw its resemblance to an illness of the body, which in fact it is in part. A malaise or pain that comes and goes, and when it goes you forget that the underlying problem still exists. Then you get ambushed. Here the metaphor of the poem doesn’t sync with my own; maybe if I become more hospitable to my grief it will become the sort of companion the poet is hoping for, not a thing waiting in ambush, but a faithful-friend kind of creature that can even “warn off intruders.”

I think this is christ good shepherd lghappening. I see that not only am I on the path to acceptance, of the loss of my husband and of my new life, but that one stage of the journey is the acceptance of the grief process itself, and of its demands. A canine in the corner aptly describes something I would not naturally welcome.

Yesterday was rich and full of encouragement — several times because of my pangs of grief — including this meaningful note from Mrs. Bread after Little Goldfinch revived and flew away: “We all need quiet to regain our senses.” She knew I was having that healing kind of day. My dog (see poem) seemed to rest relatively content in his corner. As I wrote in the original posting:

May all our hurts bring us to Him, and may we experience the comfort St. Paul writes about in II Corinthians:

Blessed be God, even the Father of our Lord Jesus Christ, the Father of mercies, and the God of all comfort; Who comforteth us in all our tribulation, that we may be able to comfort them which are in any trouble, by the comfort wherewith we ourselves are comforted of God. For as the sufferings of Christ abound in us, so our consolation also aboundeth by Christ.

TALKING TO GRIEF

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don’t know you’ve been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider
my house as your own
and me your person
and yourself
my own dog.

~ Denise Levertov