Category Archives: poetry

We kiss and name and praise.

I have a few hours to myself this afternoon and have been perusing a book of poetry that my husband gave me for Christmas, Dana Gioia’s Interrogations at Noon. I think I borrowed this collection from the library once, but long enough ago that even the poems I vaguely remembered are now fresh gifts — like this one on the first page.

WORDS

The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.

And one word transforms it into something less or other –
illicit, chaste, perfunctory, conjugal, covert.
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.

Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper –
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.

The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always –
greater than ourselves and all the airy words we summon.

— Dana Gioia

half dome 4 more sun yet
Webcam of Half Dome, Yosemite National Park

A poem like ammunition.

millerw

 

The poet Miller Williams died on the first day of 2015. I had not been familiar with his poetry, though I knew of the book he co-authored, How Does a Poem Mean? As I browsed some of his works I came upon this one that I liked right away.

 

Love and How It Becomes Important in Our Day to Day Lives

The man who tells you which is the whiter wash,
the woman who talks about her paper towels,
the woman whose coffee holds her home together,
the man who smells the air in his neighbor’s house,

the man who sings a song about his socks,
the woman who tells how well her napkin fits,
the man who sells the four-way slicer-dicer,
the woman who crosses tape between her tits,

and scores besides trample my yard, a mob
demanding to be let in, like Sodomites
yelling to get at my guests but I have no guests.
I crawl across the floor and cut the lights.

“We know you’re in there,” they say. “Open the door.”
“Who are you?” I say. “What do you want with me?”
“What does it matter?” they say. “You’ll let us in.
Everyone lets us in. You’ll see. You’ll see.”

The chest against the door begins to give.
I settle against a wall. A window breaks.
I cradle a gun in the crook of my elbow.
I hear the porch collapse. The whole house shakes.

Then comes my wife as if to wake me up,
a case of ammunition in her arms.
She settles herself against the wall beside me.
“The towns are gone,” she says. “They’re taking the farms.”

–Miller Williams

Joyfully sharing the wine.

A Winter Bluejay

Crisply the bright snow whispered,
Crunching beneath our feet;
Behind us as we walked along the parkway,
Our shadows danced,
Fantastic shapes in vivid blue.
Across the lake the skaters
Flew to and fro,
With sharp turns weaving
A frail invisible net.
In ecstasy the earth
Drank the silver sunlight;
In ecstasy the skaters
Drank the wine of speed;
In ecstasy we laughed
Drinking the wine of love.
Had not the music of our joy
Sounded its highest note?
But no,
For suddenly, with lifted eyes you said,
“Oh look!”
There, on the black bough of a snow flecked maple,
Fearless and gay as our love,
A bluejay cocked his crest!
Oh who can tell the range of joy
Or set the bounds of beauty?

-Sara Teasdale

Dampness is married to gravity.

Lingering in Happiness

After rain after many days without rain,
It stays cool, private and cleansed, under the trees,
and the dampness there, married now to gravity,
falls branch to branch, leaf to leaf, down to the ground

where it will disappear — but not, of course, vanish
except to our eyes. The roots of the oaks will have their share,
and the white threads of the grasses, and the cushion of moss;
a few drops, round as pearls, will enter the mole’s tunnel;

and soon so many small stones, buried for a thousand years,
will feel themselves being touched.

–Mary Oliver