Category Archives: poetry

Pearls of trivia from medieval Iran.

EPIGRAM ON SULTAN MAHMOUD

’Tis said our monarch’s liberal mind
Is like the ocean unconfined.
Happy are they who prove it so;
’Tis not for me that fact to know:
I’ve plunged within its waves, ’tis true,
But not a single pearl could view.

-Ferdowsi (Abu ʾl-Qasim Ferdowsi Tusi) (935 – 1020) Iran

This poem made me curious about the particular sultan Ferdowsi was referring to, so I poked around. The poet lived in Medieval Iran, and from this detailed Wikipedia list of the Monarchs of Iran, it must have been Mahmoud of Ghazni he was writing about. I learned from another site more about the backstory of this cleverly insulting verse, how it is an example of the relationship challenges between artists and their patrons going back centuries:

“In addition to his military prowess, Mahmud was also a patron of learning and the arts, and Ghazni became a cultural center second only to Baghdad. The great Persian poet Ferdowsi presented his epic poem the Shanameh (Book of Kings) to Mahmud in 1010 CE. Although the Shahnameh is recognized as the greatest and most influential work of Persian literature, Mahmud was not so impressed, and instead of paying Ferdowsi the promised one gold dinar per couplet, instead only gave him a silver dirham per couplet. Despite this unfortunate incident, Mahmud is nonetheless considered a great patron of the arts.” 

Below are examples of the bilingual coins used during Mahmud’s reign, with Arabic on one side and Sanskrit on the other:

 

Deep in a Vale

DEEP IN A VALE

Deep in a vale where rocks on every side
Shut out the winds, and scarcely let the sun
Between them dart his rays down one by one,
Where all was still and cool in summer-tide,
And softly, with her whispering waves that sighed,
A little river, that had scarce begun
Her silver course, made bold to fleet and run
Down leafy falls to woodlands dense and wide,
There stood a tiny plain, just large enow
To give small mountain-folk right room to dance,
With oaks and limes and maples ringed around;
Hither I came, and viewed its turf askance,
Its solitude with beauty seemed a-glow,—
My Love had walked there and ’twas holy ground!

-Gustaf Rosenhane (1619–1684) Sweden
        Translated by Edmund Gosse
Van Gogh, The Poet’s Garden

They carry him in.

Seamus Heaney wrote this poem after he’d had a stroke and found himself being carried by his friends. That’s why he particularly highlights the friends of the paralytic in the biblical miracle of Christ, who removed roof tiles to let him down in the middle of the crowd inside the house, and thereby played a part in the healing that Christ’s accomplishes. The story is in Matthew 9:1-8, which is today’s Gospel reading in the Orthodox Church.

MIRACLE

Not the one who takes up his bed and walks
But the ones who have known him all along
And carry him in –

Their shoulders numb, the ache and stoop deeplocked
In their backs, the stretcher handles
Slippery with sweat. And no let up

Until he’s strapped on tight, made tiltable
and raised to the tiled roof, then lowered for healing.
Be mindful of them as they stand and wait

For the burn of the paid out ropes to cool,
Their slight lightheadedness and incredulity
To pass, those who had known him all along.

-Seamus Heaney

Basilica of Sant’Apollinare Nuovo

 

Playing around his knees.

Eastern Sierra Nevada

The poem below got me started thinking about mountains and their symbolism. I discovered a very long article on the subject, “The Transfiguration on Mount Tabor: The Symbolism of the Mountain,” which I don’t have time to read deeply, because as I type this draft, I’m in the midst of packing the car for five of us who will be in the mountains together by the time you read my post. I hope the article is not paywalled. It is a treatise on the subject going back millennia, opening with this from René Daumal:

“[The] summit touches the sphere of eternity, and its base branches out in manifold foothills into the world of mortals. It is the path by which humanity can raise itself to the divine and the divine reveals itself to humanity.”

The Transfiguration, Mount Tabor

The author examines traditions throughout the world, beginning in ancient times and concluding with thoughts on what The Mountain means for us Christians who are on a continuum with those 2,000 years ago. Here is one excerpt to help you know if you are interested in the subject from a scholarly perspective :

“In the traditional Hebrew and Christian understanding of the world, places are what they are by their teleology: it is not so much by the material or structural elements that they are recognized, but by their function. Things are what they are because of their purpose and their place in a web of relationships within reality which help create our own map of meanings. Therefore, it is very difficult to understand from a purely geographical (time-space) position where God dwells with regards to this or that mountain. For this reason, many physical mountains have been ‘the mountain of God’. There is only ‘one’, but it’s not confined to one geographical space-time location as we modern people understand it.”

I guess it’s obvious that I myself am interested, and I thought of printing this article to take with me to the high country, but I’m afraid I won’t have time to read it up there, either. My family and I will be too busy playing around our grandfather’s knees.

THE MOUNTAIN

The Mountain sat upon the Plain
In his tremendous Chair—
His observation omnifold,
His inquest, everywhere—

The Seasons played around his knees
Like Children round a sire—
Grandfather of the Days is He
Of Dawn, the Ancestor—

-Emily Dickinson

Sierra Nevada, Tioga Pass Road