Category Archives: quotes

How Not to Use the Vernacular

books, church, quotes, the language, , ,

In those long-ago days when new cars had built-in cassette players and we were a large homeschooling family, I invested in a set of tapes of the New Testament, narrated by Alexander Scourby. Those were the only straight readings of the Bible I heard until last week, when I popped The Message into my CD player.

Eugene Petersen is a man whom I admire and respect. The first I ever heard his name was as the author of a book with a compelling title, A Long Obedience in the Same Direction. To hear him speak, as I have recently on the Mars Hill Audio publications, is to know that he has received a goodly share of grace and wisdom from God. In introductions to the recordings he explains that his motives for writing The Message paraphrase of the Bible were to make it accessible to the everyday English speaker as a “reading Bible,” to introduce them to God’s words and God’s ways, with prayers that they would go on to read a study Bible, and learn to participate in the life of God.

A couple of years ago I read a few passages in the printed version of his translation, as he loosely calls it, and was neither impressed nor offended. But I’m past the stage of needing an introduction, so I didn’t pay much attention. I bought the recording because it was the least expensive experiment I could make in a newer format, and I didn’t imagine that the experience would be so far removed from listening to Alexander Scourby.

It was only a year ago that Scourby read the entire gospel of Matthew to me while I was driving to the mountains and back in my old car. It was a flood of God’s blessing to hear that much of the earthly life of my Lord — His words, His being the Word — in one sitting, and I thought my heart would burst with the overflow. The several hours’ drive was over before I knew it.

But the narrator of The Message series makes me remember why we always chant or sing the Scripture in the Orthodox Church. The first portion I listened to was Matthew’s gospel, in which John the Baptist and Jesus appear early on, and the narrator gives them the voice and intonation of an actor over-dramatizing his role. In tone, it is so not the vernacular, unless you are a football coach at half-time when your team is losing, or a political talk-show host on a rant. To have the words of Christ spoken that way is to make Him out to be a cheerleader or an ad-man. Even the most Pentecostal preachers I have heard do not speak with such urgency through their whole sermon.

If only Eugene Peterson had been the one to read aloud his rendition of the Bible. He would not have been capable of such a style, nor would he have thought it necessary. He knows that the words of God do not need hepping up. Let your yea be yea and your nay, nay. But he speaks more slowly even than Scourby, whose pace sacrifices speed to dignity.

I had to dig out our old cassettes to check who the narrator was, and then I googled his name. Wikipedia says, “Although Scourby made voice recordings of over 500 different books, he considered the Bible to be his most important,” saying “‘…it is the one book that has the power to inspire, encourage, comfort and change the life of the person who hears it.'”

The Orthodox believe that worship services should be in the language of the people, the vernacular, so priests and missionaries through history made great efforts and sacrifices to translate the Bible and prayer books. St. Innocent is one I have heard the most about; he traveled by kayak all over the frozen north to minister to the native peoples of Alaska, and learned several languages besides his native Russian.

But we do not read the Scriptures aloud in church in the tones of our everyday speech, even though the words are in our respective languages. If you do that, it is nearly impossible not to emphasize one word over another and lend changeable meaning to the sentences depending on who you are and what assumptions and personality, not to say errors and misunderstandings, you bring with you. The only way to let the words speak for themselves is to chant or sing them without emphasizing one over another.

Scourby was Greek and baptized Orthodox. I wonder if he had a sense of how to read the Bible from hearing it chanted or sung in his youth. His reading resembles the way many ministers in Protestant and even Evangelical churches used to read, and I’m sure some still do, not with a lot of expression, but clearly and reverently.

And why did someone decide to intersperse jaunty electronic quiz-show music in between some tracks? Is that supposed to be the vernacular as well? Petersen says that he wants people to become familiar with “the way God speaks,” and he wants us to be mindful that God in the Incarnation did not take “the role of a sophisticated intellectual.” The style of The Message‘s narrator may not be sophisticated, but it is affected and distracting.

Not that I would give anyone even Alexander Scourby’s Bible readings with the thought that they could know from them alone what Petersen calls “God’s grand rule of love and justice.” God has spoken through His Son, the Word, and the words of the Bible testify that it is the Church, not the scriptures, that is “the fullness of Him who fills all in all.” (Ephesians 1:23) The Church is the only context in which one can learn and live the full meaning of Holy Scripture.

The Scourby readings were, it seems until recently, available for listening for free online. They have been replaced with readings by another man; I haven’t tried them yet.  Audio-Bible provides those new readings online and sells recordings of Alexander Scourby’s Bible in various modern formats. I can see making that investment at a future date. And for the present, I have a portable cassette player for playing my valuable antiques.

Washington – Homesickness Cured

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In an essay titled “The Inside of Life,” G.K. Chesterton said that he envied Robinson Crusoe being shipwrecked on an island. He talks about “the poetry of limits,” which I am learning is the category where my own favorite life-poems are found. I found another one just last week.

At the beginning of our trip to Washington I was homesick — the first time I recall being plagued by that feeling when actually away from home, though I probably did complain over it right here at the peak of our remodeling project.

There’s never been a year when I took so many trips as 2010. It’s one of those things that is really different about my life nowadays and that I’m learning to adjust to. I’m just a homebody threatening to turn agoraphobic if I get pushed too far. The good old days were the ones when our family’s only car was not available to me and I didn’t have the option of driving to town. I “had to” stay home.

Time wasn’t enough for me to do a proper job preparing for our trip. As G.K.C. also says in that essay, “Life is too large for us as it is: we have all too many things to attend to.” I didn’t seem to have the right clothes, but when I noticed that, it was too late to buy or sew the right ones. I was self-conscious about looking odd until the day I could put on my hiking boots and paint-spattered fleece for the trail.

I always like to write postcards when traveling, so I packed a list of addresses along with some stamps into a zippered pouch along with my pocket calendar and a little prayer book; then the whole thing got left at home in the flurry of departure. All week I wondered if I had lost it at the airport or somewhere on the way, and I felt a bit lost without those props to my usual routine of being me. I couldn’t remember the addresses of most of the people I wanted to favor with a picture and note.

The first night of the journey we stayed with B.’s cousin and her husband who have a house looking out on Hammersley Inlet. They are warm and loving, and I was glad for the time to get to know them better.  It was rejuvenative to walk along the shore and collect large oyster shells, in the company of someone else who appreciated their beauty. Anne didn’t think it strange that I deliberated so much over each one I picked up, and she actually seemed to like talking about the reasons why one or another would be more worthy of carrying around for the rest of the trip. After washing three of my favorite potential soap dishes in the kitchen sink I forgot to take them with me the next morning. Somehow that was o.k. The collecting had been the important part.

We walked with our Bremerton friends also, in the forest nearby, where my beloved “May” showed me piggy back plants, and filbert nuts hanging on the tree; a hazelnut went into my pocket and made it all the way home.

Just making the acquaintance of these tangible natural artifacts was comforting. If I had to leave their territories so soon and move on like an unwilling gypsy, at least I could snap a picture, or kidnap a small nut, to prolong the connection.

On our way to the Lake Quinault Lodge we got lost and spent a couple of hours getting back in the right direction. Rural Washington doesn’t have as many road signs as one could want, and of course, there are all those waterways that confused me when I was trying to be B.’s navigator. Robinson Crusoe didn’t have all this complexity of terrain, and what he had to deal with, he also had time aplenty for. Again, from G.K.C., “What dullness there is in our life arises mostly from its rapidity: people pass us too quickly to show us their interesting side.” Canals and roadsides, too, I find.

We had a reservation for three nights where B. had stayed with his family long ago, a classic inn built in 1926.  F.D.R. also stayed here in 1938 when he was considering whether to make a national park on the Olympic Peninsula. He decided yes, and the rain forest was preserved.

Olympic National Park is kind of like a wheel with spokes going in, but no hub; we had to drive long distances from the outer rim of the park into the choice areas. On the way along the rim to our first spoke, we spent time on Ruby Beach, where the surf crashed and the air was bracing. Just now I was wondering how it compares with the eastern coast in latitude, and after a bit of hunting and pecking around the Net I can tell you that it’s similar to Prince Edward Island, and still well south of the British Isles.

My attention was quickly drawn downward to the smooth and varied pebbles comprising the beach, and I picked up one after another as I noticed their peculiar colors and patterns. Quoting Chesterton, “This desire to be wrecked on an island partly arises from an idea which is at the root of all the arts–the idea of separation.” I removed some of these stones from their vast and cluttered background so I could consider each individually. And I myself had been separated from all my home responsibilities and from all but one talking human. No multitasking necessary.

In that essay that I had read only recently, Chesterton uses literature as a specific example of the artistic principle he’s considering, but it seems to me it is broadly useful for explaining why some activities are just as bracing to my mind and soul as that ocean air.

According to this idea, one appeal of reading a novel is that the number of people we meet there is limited. “Romance seeks to divide certain people from the lump of humanity, as the statue is divided from the lump of marble. We read a good novel not in order to know more people, but in order to know fewer….instead of this bewildering human swarm which passes us every day, fiction asks us to follow one figure (say the postman) consistently through his ecstasies and agonies. That is what makes one so impatient with that type of pessimistic rebel who is always complaining of the narrowness of his life, and demanding a larger sphere. Life is too large for us as it is….All true romance is an attempt to simplify it, to cut it down to plainer and more pictorial proportions.”

Topographically, logistically, socially, the greater Seattle area is way too large for me. Its vastness and complexity weigh on me like an overcast day. Walking with one or two friends is good — more circumscribed and easier to enjoy. But a small pebble is just right. I stuffed my pockets with pebbles, and breathed as heartily as I could of that oxygen-rich and moist air. I sat on a log and did not want to leave.

Up and Down the Mountain

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Last week was the occasion of a blessed excursion to my family’s mountain cabin, and this time I shared the time with my dear friend Mrs. Bread.

I’ve blogged about the cabin and lake before, here and here. The last two years I went mostly for time alone with God in His Creation. This time I enjoyed plenty of that experience, plus deepening of friendship, and working on improving or maintaining the house and property. Now that my father has passed, I am part owner of this place, and I happily but more intensely feel the responsibility to do my part, though I’m afraid I’ll never match the hardworking devotion of my siblings who live closer; some of them can dash up just for the day if they need to.

Here I am painting the threshold and doorjamb against the elements of winter. One year–or maybe more than one–the whole cabin was buried in snow, just a lump in the white landscape.

The drive took me ten hours, what with a leisurely detour to pick up Mrs. Bread on the way. So we stayed four nights so as to have three whole days for taking pictures, cooking, reading together, cleaning, admiring giant boulders and listening to the silence of the forest.
How can it be so awe-fully quiet? There are birds flitting and chipmunks scampering, breezes blowing and even the occasional chain saw in the village. But the earth feels peacefully serene up there, weighted with quiet, heavy with a silence that speaks of God’s presence. I seem to soak up contentedness and rest.

I needed the rest, as I had come down with a cough and cold in the two days before. The altitude gave me a headache the first night, and we both suffered from the reduced oxygen, our legs uncooperative and slow when we dragged back up the hill after a walk down to the lake.

It’s the High Sierra, and up there the mornings start out below freezing this time of year, making you want to lie abed and watch the sky lighten out the window. By midday it can be sunburning hot out on the deck, so we sat in the shade of the umbrella to peruse the several tree guides that have found their way to the cabin’s bookshelf.

At first we limited ourselves to studying the general shapes and angles of branches, focusing in on the cones with binoculars. Eventually we walked among the trees below the cabin and noticed where cones had fallen underneath their mother trees.

The pines in the neighborhood are mostly Lodgepole, as illustrated by the picture here. But to be truthful, it took Pippin’s later confirmation of that suspicion to make me believe it.

As we walked together marveling at the various beautiful flowers, berries, and stones, Mrs. Bread said, “These little trees grab at my heart!” See why I love her?

  

What a lot can be seen in this photograph, taken from outside the picture window, while I was sitting at the table inside writing a letter to a grandson. You can see the kitchen behind me, and the lake reflected behind Mrs. Bread’s reflection.

I like having these pictures of myself at the lake, something besides the ones of my feet that I took last year when solitary. Thanks, my friend!

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These three trees stood out from the pines with their trunks shown off by the granite slabs.  Mr. Glad thinks they might be red cedars.

The first morning at the cabin I read in the Psalter, “For Thou hast said: Mercy shall be built up for ever,” (Ps. 88) and was musing about the image that phrase conjured in my mind, of an edifice being constructed. And why not the image of towers of clouds, that often rain down showers of blessing? From now on, when I see cloud skyscrapers rising fast, piling layer upon layer, I will think of the way God’s mercies do the same, every morning.

Someone brought this small remembrance of our father up to put on the bedroom wall. If you click on it a couple of times you can read the labels. I love seeing my father’s handwriting, which didn’t change in all the years since this collection was made when he was in college.

Mrs. Bread helped me firm up my resolve to try really hard to come up to this beloved place more next year. It’s not available for very long, though: This week shutters will be put up, water turned off, chimney covered, to mention only a few of the many tasks to protect the house from blizzards–and if we can get through the snow to open it up before the first of July we’ll be happy.

I’ve never been up more than twice in a summer; I wonder if I really do have the liberty to even dream of spending a week, or visiting twice or three times. I’ll pray for a miracle, and wait to see how the Lord chooses to pile up His mercies next year.

War and Architecture – Part 2

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My recent posting about how cities memorialize their history in the buildings they renovate or build from scratch generated comments that added a great deal to the discussion going on in my own mind.

Emily at Back Bay View is “suspicious of postmodernists like Libeskind who want to make their patrons uncomfortable and to force them to think. Granted, trying to recreate the past too precisely sometimes results in a sentimental/themepark like effect. But, on the other hand, for how many years can you exist in/with a building that is a criticism of the human person? At some point, I would think, the discomfort will fade and the intended self-conscious effect won’t take place.

“Wouldn’t it be more healing to build structures that promote healing, rather than criticism? Couldn’t you say that the old building doesn’t represent a severe authoritarian past, so much as an orderly past, a past that preceded the Nazis by centuries, and an attempt to restore order is an act of hope? Whereas the architect who intends to break self-delusions promotes a discomfort with the self that leads not to hope but to melancholy?”

Frances informed me that Kurt Vonnegut’s novel Slaughterhouse-5 is about the bombing of Dresden, and also shared her experience of living and traveling in Germany: “I’ll always remember Freiburg, which was heavily bombed during WWII. When they rebuilt it, they used the original, medieval plans, so that it was exactly the same as before.”

Emily’s comments sent me back to the review I wrote of Architecture of Happiness, and I figured out that one basic reason I couldn’t like the new military museum was its failure to abide by the first principle of good architecture laid down in that philosophical book:
“Order. But not over-simplified. We like to see complex elements arranged in a regular pattern. What the author calls the ‘perverse dogma’ from the Romantic Period, that all edifices must be of original design, led to chaos in the landscape. ‘Architecture should have the confidence and the kindness to be a little boring.’

“I was wondering if perhaps a museum might get away with such a brash statement, where being made to think isn’t a bad thing, but you are probably right, the statement will lose its effect. (I hope in the meantime it squelches those Neo-Nazis a bit)…and yes, the jarring buildings fail to offer hope or show harmony. But without reference to or undergirding by the Christian gospel, an artist is unlikely to find those elements, and will drift from melancholy right on to nihilism.”

We have to ask, as Jody did, “If you were to rebuild Dresden and not look back, but forward, how would you go about it? I agree that “onward and forward” is the best, but would there not be little bits of the past that one would want to honor, I wonder? (not the ugly, of course)”

Emily also “…went to the Marine Corps Museum in Quantico, VA, which has a very similar slanted pyramid design which is supposed to recall the photo of marines raising the flag at Iwo Jima. (and a statue is right in front of the museum so that reference isn’t missed). But in the case of the MCM, the glass pyramid doesn’t interrupt another building like Libeskind’s design, since it’s located outside the city and rises above the treeline and catches the sunshine. So a very similar design in a different context has a completely different effect.

“Likewise, I couldn’t help thinking of another glass pyramid, the one designed by IM Pei as an additional entrance to the Louvre. I don’t know the philosophy behind it, but it just strikes me as out of context and so a little silly, like a non sequitur comment. Maybe there is some reason for its being, but it was lost on me, your average tourist.”

Kari hopes that “we can find a way to heal the past without forgetting, and to go forward in peace, love, harmony. The Holocaust brings us face to face with forgiveness and with how to forgive in the face of the unforgivable.”

I wanted to share this discussion with anyone who might have been interested in the topic but who didn’t get in on the ensuing and improving thoughts. Since I wrote the original post we had the anniversary of the bombing of Hiroshima, which got me thinking about further aspects.The Witherspoon Institute’s Public Discourse page now has an article on the subject, wherein the author points out links to the whole Allied strategy. Consequentialism is a word that was new to me, discussed here on the Witherspoon page and on Touchstone’s Mere Comments. The Ochlophobist questions our utilitarian mindset that can’t tolerate the absolute moral principle.

I’m in over my head as usual, but it’s obvious that some of my readers are good at this kind of swimming. I hope I am learning something from them as I flail about.