Tag Archives: farming

Put your ear close.

I didn’t learn until recently that “Practice resurrection” has become a sort of slogan. The phrase has worked itself into many sermons since Wendell Berry closed his “Manifesto” poem with the words, and it’s also the title of a 2010 book by Eugene Peterson. The only place I’ve personally read or heard it is in this poem. This post has been in my drafts folder for several months, since before Wendell Berry died. It is a wonderful expression of the fervor of his love that called out and pushed back against the wasting of communities, and of souls.

But it was only recently that I came across a lecture by Gracy Olmstead, about Wendell’s wife Tanya and her own artistic sensibilities that contributed so much to their life together, their home and their farm. The lecture was given in 2025 but only recently put up on the Berry Center site. Gracy published the text of her talk on her Substack: “Tanya Berry’s Work and Wisdom.” I strongly urge you to click on the link if only to see a photo of Tanya very elegantly feeding pigs; I found the whole thing very thought-provoking. Farming is for Tanya a way to practice her art.

One odd thing I discovered in my research when I was first drafting this post was a Christian minister who thought that for his Easter sermon in 2024 he had invented the word “resurrectional.” Berry published this poem in the 1973 edition of his collection, The Country of Marriage.

MANIFESTO: THE MAD FARMER LIBERATION FRONT

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie easy in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

-Wendell Berry

 

Stay with daylight and the air.

OH, STAY AT HOME, MY LAD, AND PLOUGH

Oh stay at home, my lad, and plough
The land and not the sea,
And leave the soldiers at their drill,
And all about the idle hill
Shepherd your sheep with me.

Oh stay with company and mirth
And daylight and the air;
Too full already is the grave
Of fellows that were good and brave
And died because they were.

-A.E. Housman

Horse-drawn plough, land girl – by Laura Knight, 1944

 

 

Sweetness and gravities.

Li-Young Lee has written at least two poems about peaches; I am guessing they are in many ways connected in his memory to his childhood. Here is the most recent one I came across, which is about much more than the sweet fruit itself:

THE WEIGHT OF SWEETNESS 

No easy thing to bear, the weight of sweetness.

Song, wisdom, sadness, joy: sweetness
equals three of any of these gravities.

See a peach bend
the branch and strain the stem until
it snaps.
Hold the peach, try the weight, sweetness
and death so round and snug
in your palm.
And, so, there is
the weight of memory:

Windblown, a rain-soaked
bough shakes, showering
the man and the boy.
They shiver in delight,
and the father lifts from his son’s cheek
one green leaf
fallen like a kiss.

The good boy hugs a bag of peaches
his father has entrusted
to him.
Now he follows
his father, who carries a bagful in each arm.
See the look on the boy’s face
as his father moves
faster and farther ahead, while his own steps
flag, and his arms grow weak, as he labors
under the weight
of peaches.

-Li-Young Lee

And here is the poet reading another poem more focused on the subject, which I shared some years ago without the audio. This one really makes me want to drive an hour or two into California’s Central Valley to find some peaches that fit his description:

You have to treat it as a living thing.

Tessa Carman was having a conversation with Paul Kingsnorth last year, on “Following Christ in the Machine Age.” This is an overarching theme of Kingsnorth’s thinking and writing. Their conversation was leisurely and ranged over many topics, everything from books they have been reading, to Kingsnorth’s conversion, to Hollywood, to being “cancelled.” Kingsnorth lives on a “smallholding” in Ireland, so naturally the conversation turned to how we humans treat the land. I liked the point that Carman brings up, about how farmers traditionally have not been sentimental about nature, but because they “have to do” the work of caring for the land day in and day out, they develop an intimate relationship with it:

“Christians were not untouched by modernity. Especially when there’s more uprootedness — I suspect it’s easier to treat things like machines if you are used to living amongst machines. And if you’re used to taking care of a piece of land, where you have to treat it as a living thing in some sense, even if you don’t think of it as a living thing, that’s just what you have to do, because there’s a living relationship amongst the animals and the land and the people. You see that and live that, and you see the reality of it— the cycle of life and death, how manure brings life.

“If you’re in the city, you can have your image of how the natural world is instead of the reality. And there’s the danger of sentimentality, when we have disconnected ourselves from the land such that we think we can decide what’s good for the land without even knowing it, without knowing the people, let alone this specific piece of land, these animals and these plants.”

Tessa Carman

Orange groves in Tulare County, California.