The cross, though it has at its head a collision and a contradiction, can extend its four arms for ever without altering its shape. Because it has a paradox in its center it can grow without changing. The circle returns upon itself and is bound. The cross opens its arms to the four winds; it is a signpost for free travelers.
—G.K. Chesterton in Orthodoxy (1908)
(I took this picture at the Afghan Church in Mumbai, India.)
“Christianity is always out of fashion because it is always sane; and all fashions are mild insanities…
The Church always seems to be behind the times, when it is really beyond the times.”
–G.K. Chesterton, “The Ball and The Cross”
“The Christian admits that the universe is manifold and even miscellaneous, just as a sane man knows that he is complex. The sane man knows that he has a touch of the beast, a touch of the devil, a touch of the saint, a touch of the citizen. Nay, the really sane man knows that he has a touch of the madman. But the materialist’s world is quite simple and solid, just as the madman is quite sure he is sane. The materialist is sure that history has been simply and solely a chain of causation, just as the interesting person before mentioned is quite sure that he is simply and solely a chicken. Materialists and madmen never have doubts.”
-G.K. Chesterton in Orthodoxy
“One of the deepest and strangest of all human moods is the mood which will suddenly strike us perhaps in a garden at night, or deep in sloping meadows, the feeling that every flower and leaf has just uttered something stupendously direct and important, and that we have by a prodigy of imbecility not heard or understood it. There is a certain poetic value, and that a genuine one, in this sense of having missed the full meaning of things. There is beauty, not only in wisdom, but in this dazed and dramatic ignorance.”
-G.K. Chesterton, in Robert Browning.
Gladsome Lights 