This is the last really warm day. Yesterday and today have been around 90 degrees by midafternoon, and staying warm into the evening. I opened the windows again after having them closed when it was cold and drizzly for a week. All through the day I have gone up and down the stairs doing housework; and every time when I am going up, and encounter the extra heat in the stairwell, it surprises me afresh, and I praise God for it.
SONG AT THE BEGINNING OF AUTUMN
Now watch this autumn that arrives
In smells. All looks like summer still;
Colours are quite unchanged, the air
On green and white serenely thrives.
Heavy the trees with growth and full
The fields. Flowers flourish everywhere.
Proust who collected time within
A child’s cake would understand
The ambiguity of this —
Summer still raging while a thin
Column of smoke stirs from the land
Proving that autumn gropes for us.
But every season is a kind
Of rich nostalgia. We give names —
Autumn and summer, winter, spring —
As though to unfasten from the mind
Our moods and give them outward forms.
We want the certain, solid thing.
But I am carried back against
My will into a childhood where
Autumn is bonfires, marbles, smoke;
I lean against my window fenced
From evocations in the air.
When I said autumn, autumn broke.
-Elizabeth Jennings
In addition to several poems that he shares in his recent post about September, including those of Derek Mahon, Howard Nemerov, and Bashō, Stephen Pentz offers this thought:
“I have a vague notion of what occurs when ‘the ecliptic and equator cross.’ Something to do with the movement of spheres, I suspect. But I’m reminded of my oft-repeated first principle of poetry: Explanation and explication are the death of poetry. Here is a wider principle I have adopted at this moment: Explanation and explication are the death of enchantment. The enchantment of the World, of course. Mind you, I accept the existence of the ecliptic and the equator. This is not an anti-scientific manifesto. I simply prefer, for instance, a single butterfly or a single leaf, with no explanations attached.”
-Stephen Pentz on his blog, First Known When Lost
Here is one of the poems:
THRESHOLD
When in still air and still in summertime
A leaf has had enough of this, it seems
To make up its mind to go; fine as a sage
Its drifting in detachment down the road.
-Howard Nemerov
I hope you will visit his blog and read the whole loving tribute, including evocative works of art, to the month that is soon to be gone for another year.
ON THE GRASSHOPPER AND THE CRICKET
The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper’s among some grassy hills.
-John Keats
Gladsome Lights 