Monthly Archives: March 2020

Truth in a story of plague.

Only a few days ago I read, hastily as it turns out, a post on Fraise that got my attention because of what Mags wrote about Albert Camus:

Sartre accused Camus of expelling Christ from the front door of the house, only to let him in at the back. I think this sums up Camus’ respect for people of faith. But then Camus just respects all people, all the time, with all love and compassion. He certainly captures all the stages of illness and its accompanying fear that we’re experiencing now.

I don’t think I’d read any Camus since college, and maybe all I’d read was in high school French class, in French, which would mean I’d understood little at any level. But this made me want to read Camus for real. I continued in her post to read about Cyrano, and until this morning forgot that she was mentioning Camus because she had recently re-read his novel The Plague (La Peste – she read it in French.) Mostly what I retained was the phrase “love and compassion.”

Soon afterward I saw on Rod Dreher’s blog that he is hosting a sort of book club to read The Plague! So naturally I hopped on. I’ve been listening to the audio version while I wait for a used paperback to arrive. Dreher hopes to complete his website discussion within two weeks, so I may have to read everyone’s comments on his page later. I know I won’t go that fast. I have to work this book into my other Lenten reading, which is an unusual compendium this year!

I ran into my dear homeschooling friend Debbie in the store and told her I was starting The Plague; she laughed her delightful laugh and said, “Oh, Gretchen, you are reading that right now??”

Well, why not get some perspective on the current news? It has been very thought-provoking already, not far into the story, to compare the world today to that in which the story’s characters live and move. Camus in the first pages uses the word “modern” several times in describing them, and makes me curious to see how their story develops, and how their response to their epidemic might compare to that of us who are called “post-modern.”

One of the things that occurred to me immediately is something very much from the surface of the story, that our current “plague” is much nicer than the one whose graphically described, horrific symptoms spread through the town of Oran. I was a little worried about listening too close to bedtime, to the account of the rats coming into the streets to die their bloody deaths.

Please comment, if any of you have thought about this novel or have read it recently. (If you  have, you probably want to visit Dreher’s blog to see what goes on there.) I already noticed a few lines that I’d like to muse on when I have the print copy and can look longer at them. But until then, here is an idea I’ve thought about for a long time, but didn’t remember that the quote was from Albert Camus:

“Fiction is the lie through which we tell the truth.”

Providence and Photography

Long ago in Fantasyland, I thought my remodeling project might be done before Lent 2019. And again this year I thought so, but I had less hope than last year. 🙂

I hate to take the time to tell you properly why it’s not done, and how it makes me feel. But I will say that at worst, I feel like a homeless woman who for a year has been camping in an increasingly disorganized storage unit, who must still be presentable at 7:30 every morning to welcome visitors who are working on the place, very close to my bed and bathroom.

But I do have the loveliest bed, plenty of food to eat, and I have a bathroom. My wonderful house has windows through which sun often shines. I have hope of my affliction coming to an end. Millions of people in the world would love to experience my problem. Besides, God knows what I need, doesn’t He? He does. The last fifteen months have not gone the way I expected, but I can’t help but see, even with my bad spiritual eyesight, much good coming out of “everything,” and I’m not talking about my closet makeover.

The providence of God was crystal clear this week, when it’s the first week of Lent, and precisely for the first three days of this special week my project stalled; it wasn’t the first occasion when I could appreciate the timeliness of delay. Unlike most truly homeless people I have a car and could drive to church! I love to attend Matins and other services that are at 8:00 a.m. during Lent, and it’s not difficult during this season of my life when I can’t sleep past 5 or 6. And as often happens, when we have said the last “Amen,” I’m not eager to leave.

Today I lingered to straighten some of the new purple cloths on the icon stands. On Sunday a dozen of them had been quickly exchanged with the previous cloths of Pre-Lenten color — was it gold? — right in the middle of  Forgiveness Vespers, and a few were a little wonky. Then I went out and wandered in the church garden with my camera. I had already taken a couple of pictures on arrival, when the sun was barely up.

I went into the kitchen where Herman and Maria were just unloading their shopping bags of vegetables and clams and yummy things with which to make soup for tonight. We will have the first Presanctified Liturgy of Lent, and on Wednesday evenings we eat together afterward, a simple soup-salad-bread meal together, which people take turns cooking. I’m planning to prepare one of these midweek soups in April.

Before I could leave the parking lot I got a phone call from the painting contractor saying that they will finish this week, tomorrow and Friday. I had been prepared to wait much longer than that, but this seems perfect. One never knows what a day will bring — that is one way of describing the uncertainty, lack of routine, and waiting that has often been crazy-making in this last year.

But If I don’t have to wait here at the house, and I am physically able to take walks or go to church while I’m waiting, it’s not hard to be content. A thousand flowers decided that March 1st was a good day to bloom; there’s no denying that spring has sprung!

Holding on can be hard work.

On his blog Snakes and Ladders, Alan Jacobs quotes from Tony Tanner’s book, Jane Austen, a passage about the heroine of Mansfield Park, who is the opposite of an activist, in that she seems to do so little. But is she then inactive? Jacobs shares a good chunk of analysis that Tanner makes of one scene in Mansfield Park, which Jacobs thinks is “the single most brilliantly conceived and executed scene in all of Austen.”

Jacobs compares Austen’s Fanny Price to the character of Franz Jägerstätter in Terrence Malick’s new film, “A Hidden Life,” in the way that (quoting Tanner): “In her stillness she is not inactive: on the contrary, she is often holding on strenuously to standards and values which others all around her are thoughtlessly abandoning.”

I was very impressed by Mansfield Park when I read it a few years ago, but I missed the subtleties of the scene in the park when Fanny sits on a bench, while her friends are busy coming and going around her; you might like to go to Jacobs’ blog to read about it. It’s not long.

I’ve never read one of Alan Jacobs’ books, but I have read numerous essays by him and listened to him interviewed on a breadth of topics on the Mars Hill Audio Journal. He is always thought-provoking. I’ve also not seen “A Hidden Life” yet, but I surely am eager to. It’s likely that many of my readers have thoughts on the film, or the broad topic of quietness in the midst of noise, etc. As always, I love to hear them.

But if you prefer to remain silent, I can appreciate that, too. Jane Austen herself is quoted in the article as having asked a pertinent question,

“What is become of all the shyness in the world?”

Sesame Flax Crackers

Here’s the recipe a few of you were interested in:

SESAME FLAX CRACKERS

Makes about 25 crackers

1/2 cup (60g) ground flaxseeds
1/2 cup (80g) golden flaxseeds
1/2 cup (75g) unhulled sesame seeds
1 cup (240ml) water
1 1/2 tablespoons tamari
1/2 teaspoon garlic powder
(optional: I added extra salt and some cayenne pepper; you could experiment with other seasonings.)

In a medium bowl combine all ingredients and stir well. Cover and let sit at room temperature for 1 hour. [That’s what the original recipe says, but I think it gets too thick in that amount of time; try 20-30 minutes.] The mixture will thicken up considerably and form a gelatinous slurry that is pourable. Add a little water if it is too thick to pour.

After about 45 minutes preheat the oven to 350F (175C) and line a baking sheet with parchment paper.

Transfer the “dough” to the lined baking sheet and spread it as evenly as possible with a spoon or rubber spatula. Score the dough lightly with a pizza roller or knife to indicate the eventual cracker shapes, anywhere from 15-35 crackers.

Bake for 30-45 minutes until lightly browned. At this point you can turn off the oven and leave the crackers in there with the door slightly ajar, for them to finish drying and crisping. But I like to speed up the process; I turn the oven down and often break the crackers apart, then keep baking them as long as necessary to achieve the desired crispness.

When they are cool, break them apart if you haven’t already, and store in an airtight container at room temperature for as long as two weeks. If they absorb moisture just bake them at a low temperature for about 15 minutes to re-crisp.

The pictures show two baking sheets because I always make a double batch. They are too easy to eat!