Category Archives: books

Lettuce and other summer playthings.

ivy alligator 6-16

LIVING

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.

–Denise Levertov from Summer: A Spiritual Biography of the Season

This book, edited by Schmidt & Felch, is helping me to remember to treasure these days I have with my grandchildren again this week; this time they are staying at my house. I have a few photos, too, that show glimpses of peaceful moments, which seem way too few.

jed water 6-16

Yesterday I made play dough for the first time in decades, and the pot of sludge simmering on the stove was just one of the most interesting things that I forgot in the constantly distracted state in which I live these Grandchildren Days, and I went outside to help someone with something. The one other adult in the house smelled the same aroma of burnt toast I was smelling and turned it off. Kit departed an hour later for the summer so now I am back to being the only adult.

I was able to salvage at least two-thirds of the play dough, and made four pastel colors with it. I added scents using some essential oils. I don’t know if it might have been less sticky if I had paid closer attention to my project, but Scout and Laramie had a lot of fun with the dough. They also got it all over two sets of clothing each, plus a fair amount on the floor, and I am content to buy the store kind from now on.

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<< Chairs to discourage Jamie from climbing the stairs.

The children are enjoying all the birds that come and go throughout the day now that I have the kind of garden birds like. When we sit at the dining table we can watch them at the feeders and fountain — and one good thing is that on this visit, there has been no testing of the rule against children playing in the fountain. It’s not to be touched. “It is for the birds, and for us to look at and listen to.” I emphasize how yucky the water actually is, from the birds, even though it looks clear.

We walked to the library yesterday — that is, Scout and I walked, and Ivy perched on the front of the BOB stroller where Jamie was strapped in. It’s about a half-mile away, which was just about right for our entourage. The warm air carried the scent of the juniper that lined our path, and we stopped to pick off needles of the different forms to compare.

My town’s library has a stellar children’s area, which these country children much appreciated, for its size and design. Ivy took a turn on each of the horses as reading chairs. We spent some time in the the outdoor area with a giant granite boulder for climbing, and wished we had brought our lunch, and swimsuits for the water play area.  Maybe we will go back tomorrow for our non-book activities.

lib 491

Children always want to drop things from my open hallway upstairs, which wraps around and looks down on the entry below. Through the decades the rule has been the same: the only approved droppables are paper flying machines or balloons. So today, lacking any grandpas or uncles, I had to learn how to make a paper airplane. Internet to the rescue! And I did a really good job! Even Scout was super-grateful.Ivy wash 6-16

That was just this morning, and afterward Scout went with his other grandmother for the day, which is why I have a little mental space to think and write. The children who remain are, miraculously, napping at the same time.

But earlier, it was the perfect opportunity for Ivy to do some housekeeping just the way she likes it, in and for the playhouse that she considers Her House. To practice cutting with scissors, to have some water play, and reading with Grandma, all without big brother interference.

One thing I loved about Seventeenth Summer, which I recently finished reading, was the way no one in the story felt the need toIMG_2499 manz be doing Special Things every week, in order to enjoy the season and the time off school and regular routines. People have jobs and housework, and the tomatoes need to be picked. Many of us like to be home washing the dishes these evenings when a breeze is blowing through the open window, and the sun sets late. And of course, working in the garden in the cool of the mornings, and sitting under a leafy arbor in the afternoons.

Margarita Manzanita is in her peeling season. >>

Ivy and Scout like to notice all the trees and flowers and even ask me the names of them. I’ve told them they may pick anything in the front yard, because it’s all coming out soon, but nothing in the back, except the lettuce that has bolted. So they have played with lettuce. And I did give Ivy a calla lily stem to use as a gasoline hose for filling up the tank of “her” Little Tikes Cozy Car.

gl 6 toy pop up men

This toy with four bouncing men is one of Jamie’s favorites, and it has been a favorite of dozens of children in my house over the last 28 years or so. It actually belongs to Kate, and was one of the few things that she as our fifth baby received new. I am so glad I found it for her back then, and that somehow we have preserved the set, because now I don’t think the Toy Police would allow it; a child might shove a little man down his windpipe.

I’ll leave you with a few more words from the introduction to Summer‘s collection of stories, Psalms and readings on this blessed time of year. I’m certain that children have some perspective on leisure that I have completely lost and probably can’t relate to, so I do not try to write from their perspective, even if they are a big part of my summer.

“The Psalms themselves declare the pleasures of leisure, in which we may sing songs and play music in moments when we are not in our work routines….to step back for a moment from our self-importance and our drivenness to provide a larger perspective.”

“…It is delight; it is merriment. It is a pause in the action, a moment to let this thought come: maybe I am not so critical to the world after all… a humbling time when we might dare to believe that stopping and looking round us might be more important than driving toward the distant horizon.”

What summer is for.

Do you know how hard it is to pick up just one book at the library? I managed to do it twice this week and I felt my self-control as a great freedom; I didn’t even go into the used bookstore that is off the lobby. But since then everything has changed.d76bf-beefromside

“People can lose their lives in libraries. They ought to be warned.” –Saul Bellow

When I was a child we lived ten miles from the nearest public library, and I never visited it until high school. I had lovely hours in the library in Berkeley when in the summers I visited my grandmother, and she would leave my sisters and me there for a while, and come back later when we had picked out a stack to take home. I remember checking out Anna Pavlova and Little Men when I was ten, and lying outdoors on a cot in the afternoons, in the mountains with Grandma at the Berkeley City Camp. When not at Grandma’s, our summers were too hot to manage much activity, so I sat indoors in an easy chair and read a book every day in those carefree days of youth, supplied by the bookmobile.

I think one of the books I read then was Seventeen by Booth Tarkington. When Bellezza wrote recently about Seventeenth Summer by Maureen Daly, I thought that was it, and I bought a used paperback and have been reading it, but it’s not what I remember. So I hopefully borrowed Booth Tarkington’s Seventeen from the library (closed stacks), and it’s waiting for me now. In no time at all I should be getting to it, because the Daly book is hard to put down. How can that be?

The backdrop of the story is the most luscious and lazy summer imaginable, evoked very effectively by the author’s prose. But when I’m reading it at night I don’t fall asleep, and one morning when I was still in recovery mode (She says, wondering if she will ever again not be in recovery mode…) I picked it up from my nightstand and read for an hour before getting out of bed. It is a book that makes me feel something of the leisure of my youth, when there was no need to hurry. Absolutely no need.14110-beeonflowerfrted

The worst way to read, he said, is with the thought that you do not have enough time. The only way to read is in the knowledge that there is an infinite amount of time stretching ahead, and that if one wishes to taste only a few sentences per day one is free to do so. –Gabriel Josipovici, Moo Pak

Last week on my way home from visiting my children I listened to Mary Norris reading her own Between You and Me, a book that has made me laugh out loud countless times, all by myself in the car. I’m so glad she narrated her own book, and I love her voice and her humor. She reminds me of the women in my father’s family. I could not be content, though, to only listen to it — I must have my own print copy. So I ordered one online. But I could not be content to wait for that to be shipped, and I discovered that the local library had a copy, so that was the first book I picked up.

Two days later Seventeen became available, so I went back for it. Today a dear person sent me a link to a Naomi Shihab Nye poem, “Different Ways to Pray,” and reading it confirmed in me the feeling I’ve had that I need to calm myself and sink into some poetry. I began to read more about Nye and her books. I saw that my local library had a couple of collections by her, and I also ran across this that she said:

There is a Thai saying: ‘Life is so short, we must move very slowly,’ ….Being busy has become our calling card, our sign of success, our obsession—but poetry doesn’t want us to be busy. When you live in a rapidly moving swirl, you can only view your surroundings with a glance. Poetry requires us to slow down, to take time to pause.

So I hurried over to the library and found 4c80e-gjreadhobbitwo27dellcrpthe one children’s book by Nye that I wanted…. and then I found a few more children’s poetry books to take with me; that’s probably the level that I am most likely to access currently.

Then on to the adult non-fiction and another book by Nye… but I could not make myself leave as quickly as I’d come. There I was with shelves of poetry and literature towering on either side of me, and I had to scan some titles, and take a few books down, and notice that a couple of my favorite poets were not even there! The armload I carried to my car included Robert Bly and W.S. Merwin.

Now, will I manage to sink in and let the poetry teach me to move. very. slowly…? I am finding it difficult to quiet down today; it seems that the effort to truly rest is wearing me out. Maybe that’s because I was awake past midnight reading about Angie, whose life before cordless phones and TV served up a flavor of time that we can hardly remember the taste of. Angie speaks of doing “leisurely things like ironing or peeling potatoes for dinner.” (Hinting at an attitude among teens that also may have become extinct soon after this book was written.) If she hadn’t recently fallen in love she’d probably be reading on the porch swing in the warm afternoons, too.

After all this rambling around the subject, I feel I must leave you with at least a little piece of a poem. So here are some lines from Nye’s children’s poetry collection titled Honeybee. They are from the poem “Girls, Girls”:8ec4e-beeinshadowlambsears

When a honeybee is alone–rare, very rare–
It tastes the sweetness
It lives inside all the time.

What pollen are we gathering, anyway?
Bees take naps, too….

Peace is not a project, but a gift.

P is so easy. First off, there are the plans I have starting Sunday, to see all of my children over the course of only one week!! (I see that I have nicknamed three of my children with P names, too.) Kate is flying out from DC to see all the family before she starts her new job, and we will make a grand zigzagging tour to see the families of Soldier, Pathfinder, Pippin and Pearl, in that order. p- garden with olive pots pre-plant

So I need to get my place in order here, which mostly means planting. This week I bought a couple dozen pots of ornamentals, because I don’t have the patience to do the seed thing right now, and also I wouldn’t be here to water them next week when they would need constant moisture. I bought pincushion flowers and penstemons, just to mention the plants with “P” names.

My recent method of filling in the spaces in my landscape works like this: I go to p pincushion flowers pre-plant crthe nurseries and see if they have anything that looks familiar to me, that I know from experience or from my research last summer that is both unthirsty and pleases me. I bring the plants home, and wander around for a while studying my 3-D horticultural canvas that has already been extensively “painted.” Each plant has color and shape, and I try to guess if it might, in a year or two, complement and fit in with what is already here. If I tried to do this process more systematically, it would not happen.

For five months I’ve been looking at pots to buy, in which to plant my two mismatched olive trees, and this week I finally made the big decision and brought them home. I’ve been using my little cart quite a bit to haul these pots, bags of planting mix, and pavers to put under the potted olives.

p seeds poppy culinary

I’m still not sure that grey-white is a good color for the space, but it seems prudent to wait on that judgment until after the garden has grown up more around them. Twice in one week I heard the adage about what to expect from a newly installed landscape: The first year it sleeps, the second year it creeps, the third year it leaps. If after the leap, I decide I don’t like the color of these pots, I could paint them. They are made of fiberglass and have a matte and somewhat rough finish that would take paint well.

I did spy a packet of appealing poppy seeds when I was in the nursery — it’s risky going to those places! — and they can be planted in the fall, so that’s good.

After all my labors in the afternoon yesterday I  slept well, to a point. Then I was awake for several pre-dawn hours. At first my mind fretted about all those projects that loom in my life, most of which never even get started, everything from cleaning the garage and pruning the rosemary, re-landscaping the front yard and remodeling the great room, to what I suspect are more important things like writing letters and visiting distant friends. But I couldn’t do much about any of that at 4:00 a.m., so I stayed where I was and continued my reading in the novel Laurus.

It is a philosophical book in the way that The Brothers Karamazov is, and a book that reveals the depths of the human spirit across the ages the way that Kristin Lavransdatter does. (Thanks to my reader Beth for reminding me of that.) It makes me think about the essential goal of my own life, far beyond “projects,” to acquire the Holy Spirit.

Both of my housemates were gone overnight, and though I’m sure the house was no quieter for the lack of them breathing in other rooms, I became aware of the silence, and was surprised by it. No traffic sounds intruded, no clocks ticked, and I felt the quietness like a tonic to my body, soul, and spirit, calming even my thoughts. Maybe the Lord woke me so that He could give me that gift, because the silence had presence, and it was the presence of Peace.

A feast of a book.

From a certain angle, the spring seems so calm: warm, tender, each night redolent and composed. And yet everything radiates tension, as if the city has been built upon the skin of a balloon and someone is inflating it toward the breaking point.

This paragraph from All the Light We Cannot See by Anthony Doerr conveys the tone of the whole book, which I am only halfway through. Too soon, certainly, to be writing a review, but I can’t help myself, I have to share the joy. My copy was a Christmas gift from Kate and Tom; Kate said it was the best book she’d read all year.

I got into it right away, but it isn’t the kind of book you want to rush through. In that way it reminds me of The Red Horse by Eugenio Corti. They are both set during World War II with all its horrors, but even they can’t blot out the love that glows in these novels. Reading them is like being in the company of the best sort of humans, illuminated by a wise and able storyteller, someone who seemingly effortlessly paints lush pictures in your mind of the landscape of humanity and even of the dark places in individual souls, but who somehow leaves you with hope. You don’t want to leave, and while you are at this feast you want to linger over every bite, every description and metaphor that wants to pull you into another aspect of life and reality.

One of the protagonists is a young blind girl, Marie-Laure. Doerr’s descriptions of  her imagination make me wonder if he spent a lot of time under a blindfold, learning what sensory riches are available to those who can’t depend on their eyesight. Telling the story from her point of view enlarges the world that we get to live in as we read. One such moment is when she is accompanying the housekeeper on errands, often to give food to the needy:

…[Madame] burgeons, shoots off stalks, wakes early, works late, concocts  bisques without a drop of cream, loaves with less than a cup of flour. They clomp together through narrow streets, Marie-Laure’s hand on the back of Madame’s apron, following the odors of her stews and cakes; in such moments Madame seems like a great moving wall of rosebushes, thorny and fragrant and crackling with bees.

The other protagonist is an orphan boy, to whose orphanage a Nazi officer pays a visit, in a moment that hints at the impending gloom:

The lance corporal looks around the room — the coal stove, the hanging laundry, the undersize children — with equal measures of condescension and hostility. His handgun is black; it seems to draw all the light in the room toward it.

I have read very little 20th, and less 21st-century fiction,  but I can identify two elements of this novel’s style as those that I am more likely to encounter in newer books: Present-tense narration, and alternating chapters set in different time periods and about different characters whose lives, we predict, will merge in the end.

More than once in the past I’ve laid aside a book because one or more of these devices was annoying or contrived, but in this case the suspense is only heightened by getting glimpses of what the future will hold for for these young people. The plot was already deliciously thickened by the second chapter, because of these tiny bits of foreknowledge.

So many books I have gobbled up too fast, trying to get to the main point, to find out What Happened, promising myself that I will go back and read the story again so I can pay closer attention and do justice to the other facets of the creation the author has made. Doerr makes it so that I have no compulsion to rush. Everyone is in a process, we all have time. Take time to notice the feel of the air and the way the seasons are changing, the story progressing. Though the war is hanging over them (and the reader) and using them and hurting them, it is not everything. There is a bigger world, a whole universe, of which this one crazy man and his evil system is but a very small room.

Marie-Laure has felt trapped in her house near the sea for months — her father doesn’t think it safe for her to go out exploring the way they used to do back in Paris, now that they are occupied by the Germans. But Madame takes matters into her own hands and walks the girl down to the beach for the first time in her life. As they get close to the shore, Briny, weedy, pewter-colored air slips down her collar.

And then her feet touch the sand:

...wet, unwrinkled sand. She bends and spreads her fingers. It’s like cold silk. Cold, sumptuous silk onto which the sea has laid offerings: pebbles, shells, barnacles. Tiny slips of wrack.

Her world that was dreamily expansive when she was younger and raised by her doting father, and then became overshadowed and dirtied by the privations and separations of wartime, begins to open up again.

The German orphan boy Werner also has a rich childhood, because of kind people and in his exploration of the abundance of wonders in the physical world. He holds within himself a knowledge of the good even through years when he is victimized into participating in the wickedness.

The depictions of the heroes of this book, children growing up, ring true to me. I don’t think it is easy to get that right, and it’s not surprising. No accomplished author is that close to the experience of being a child, and no one can have had the experience of every child. It seems to me a very great gift to be able to “create” young people especially, and to reveal them so deeply and keep them real.

Maybe this will only be Part One of my review, but just in case, I will end with my own reflection of one theme that emanates from this novel: You are never ultimately trapped in a dark place. Light fills this universe of which the darkest moments are only specks, and light is in you.