Category Archives: poetry

The Elm Log

nature, poetry, trees,

THE ELM LOG

“We were sawing firewood when we picked up an elm log and gave a cry of amazement. It was a full year since we had chopped down the trunk, dragged it along behind a tractor and sawn it up into logs, which we had then thrown on to barges and wagons, rolled into stacks and piled up on the ground – and yet this elm log had still not given up! A fresh green shoot had sprouted from it with a promise of a thick, leafy branch, or even a whole new elm tree.

“We placed the log on the sawing-horse, as though on an executioner’s block, but we could not bring ourselves to bite into it with our saw. How could we? That log cherished life as dearly as we did; indeed, its urge to live was even stronger than ours.”

― Alexander Solzhenitsyn, Stories and Prose Poems

Down to the lake to be alone.

nature, poetry, , ,

THE COUNTRY WIFE

She makes her way through the dark trees
Down to the lake to be alone.
Following their voices on the breeze,
She makes her way. Through the dark trees
The distant stars are all she sees.
They cannot light the way she’s gone.
She makes her way through the dark trees
Down to the lake to be alone.

The night reflected on the lake,
The fire of stars changed into water.
She cannot see the winds that break
The night reflected on the lake
But knows they motion for her sake.
These are the choices they have brought her:
The night reflected on the lake,
The fire of stars changed into water.

-Dana Gioia

I spent quite a while looking for a nice piece of art, or one of my photos, to accompany the story of this woman’s walk. The trying had the effect of making me love the poem even more; I began to think that only Gioia himself might be capable of creating a visual graphic that wouldn’t actually detract from what he’s already given us in words. There are voices and movement and one thing changing to another….

All the pictures I looked at were still pictures, of course. And none of them could carry half of the feeling of even one material element as expressed by these lines, such as the woods in the dark, or the stars, the water. When there is a stop in the middle of the fourth line, I see her pausing to push aside fir branches. The whole is an elegant interplay of the forces of beings.

Those beings are not only material. For example, the heart and mind of the woman any of us might imagine. It’s a wondrous thing to be able to go with her down to the lake, and yet, not invade her privacy. To have the vicarious experience of being her.  I follow the music, arrive at the lake, and find a solitude as full as the universe.

The cheese of vegetables!

food and cooking, poetry, ,

This poem made me laugh at myself. I had never seen it until after the last of my many giddy visits to the apple ranch this fall, but its music plays such a familiar tune, that it presents the images and message as a makebelieve memory of a jolly uncle on whose knee I once sat, as we peeled apples together and sang of Johnny Appleseed, perhaps, and of a world united by the glory of apples.

ODE TO THE APPLE

Here’s to you, Apple,
I want to
celebrate you
by filling my mouth
with your name,
by eating you.

You are always
more refreshing than anything
or anybody,
always
newly fallen
from Paradise:
simple
and pure
rouged cheek
of dawn!

How difficult
the fruits of the Earth
are when compared to you:
grapes in their cells,
gloomy
mangos,
bony plums, figs
in their underwater world.
You are pure pomade,
fragrant bread,
the cheese
of vegetables!
When we bite into
your round innocence,
for an instant, we also return
to the fresh moment of a living thing’s creation,
and in essence, we contain a chunk of apple.

I crave
your absolute
abundance, your family
multiplied.
I want a city,
a republic,
the Mississippi river rolling
with apples,
and along its banks,
I want to see
the population
of the entire world,
united, reunited,
enjoying the simplest act on Earth:
eating an apple.

-Pablo Neruda

Canoe

history, poetry, , , ,

One book in my collection of poetry is the anthology Poems that Make Grown Men Cry, edited by father-son team Anthony and Ben Holden. Clive James contributed this poem by Keith Douglas to the book, and in his introductory comments tells us that it dates from early in the poet’s career, before he went off to war and became famous for his war poetry. Keith Douglas was killed in action during the invasion of Normandy.

James is moved by this work that is to him “all grace,” but feels that the supremely gracious moment is at the end, where, “…I can hardly breathe for grief. The grief is personal, of course. My father went away in the war; he, too, was fated never to return, and my mother continued her voyage alone.”

CANOE

Well, I am thinking this may be my last
summer, but cannot lose even a part
of pleasure in the old-fashioned art
of idleness. I cannot stand aghast

at whatever doom hovers in the background;
while grass and trees and the somnolent river
who know they are allowed to last for ever,
exchange between them the whole subdued sound

of this hot time. What sudden fearful fate
can deter my shade wandering next year
from a return? Whistle, and I will hear
and come again another evening, when this boat

travels with you alone towards Iffley:
as you lie looking up for thunder again,
this cool touch does not betoken rain;
it is my spirit that kisses your mouth lightly.

-Keith Douglas, 1940