Category Archives: poetry

Poetry for Supper

poetry, writing

The metaphor of windows in this poem by R.S. Thomas I find to be brilliant. I know I have a lot of nerve writing about poetry, because I am fairly ignorant, and do not show myself to be a dedicated or persevering student of the art. I also don’t write it, though I wish I did, because I appreciate the economy of words and the respect for the language that a good poem demonstrates.

That is, when it serves as a window, a possible purpose of a poem that one of the “old poets” in Thomas’s poem mentions. From my limited experience, it seems that many poem-windows are only good for being in a window museum. Someone puts a variable amount of work and skill into a poem, and many times all they end up with is an artsy window frame that is indeed unique and an expression of the hopeful poet’s individuality, but has nothing to do with light. It may be interesting, it may have been fulfilling for the artist, but it completely fails as something useful to anyone else; it has no “beauty of function.”

Easy for me to say, who might be described by the last line of this poem, “glib with prose.” I do find it challenging to talk about poetry, but talking is always easier than writing it.

POETRY for SUPPER

‘Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.’

‘Natural, hell! What was it Chaucer
Said once about the long toil
That goes like blood to the poem’s making?
Leave it to nature and the verse sprawls,
Limp as bindweed, if it break at all
Life’s iron crust. Man, you must sweat
And rhyme your guts taut, if you’d build
Your verse a ladder.’

‘You speak as though
No sunlight ever surprised the mind
Groping on its cloudy path.’

‘Sunlight’s a thing that needs a window
Before it enter a dark room.
Windows don’t happen.’

So two old poets,
Hunched at their beer in the low haze
Of an inn parlour, while the talk ran
Noisily by them, glib with prose.

— R.S. Thomas

r.s. thomas_photo_large

The way her hair falls.

poetry,

Early in the Morning

While the long grain is softening
in the water, gurgling
over a low stove flame, before
the salted Winter Vegetable is sliced
for breakfast, before the birds,
my mother glides an ivory comb
through her hair, heavy
and black as calligrapher’s ink.

She sits at the foot of the bed.
My father watches, listens for
the music of comb
against hair.

My mother combs,
pulls her hair back
tight, rolls it
around two fingers, pins it
in a bun to the back of her head.
For half a hundred years she has done this.
My father likes to see it like this.
He says it is kempt.

But I know
it is because of the way
my mother’s hair falls
when he pulls the pins out.
Easily, like the curtains
when they untie them in the evening.

— Li-Young Lee

The air crumbled and broke on me.

poetry

The Moor

It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God was there made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In movement of the wind over grass.

There were no prayers said. But stillness
Of the heart’s passions – that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.

–R.S. Thomas

As the sun at noon.

poetry, , , ,

This poem by John Donne I believe did not start out as a poem. Someone posted it as follows, in poetic lines, but I found the same lines as prose on Bartleby.com, in the middle of a passage in “Sermons Preached on Christmas Day.” Donne evidently did not give the title “In Heaven it is Always Autumn” to anything, but more than one person has more recently used his line to title a poem, as I found in my searching.

Donne uses several vivid words to describe the winter we can experience in our soul at any time of year, showing that he is familiar with that inner dark and coldness. We know that he did suffer terrible grief when his wife died, and it was doubtless not the only occasion when he felt desperate need of God’s presence and mercy.

What an encouraging word the preacher poet brings out of his training in God’s ways, able to comfort us “benighted” ones with the comfort that he has been comforted with, as in II Cor. 1:4. Because these thoughts were part of a Christmas sermon, I thought of sharing them later at Christmastime, but taking my cue from the first line extracted, and because it happened to be in the current season of the year I needed a reminder of God’s thawing Love, I’m not waiting.

“In heaven it is always autumn,
His mercies are ever in their maturity.
We ask our daily bread
And God never says
You should have come yesterday,
He never says
You must again tomorrow,
But today if you will hear His voice,
Today He will hear you.
He brought light out of darkness,
Not out of a lesser light;
He can bring thy summer out of winter
Tho’ thou have no spring,
Though in the ways of fortune or understanding or conscience
Thou have been benighted til now,
Wintered and frozen, clouded and eclipsed,
Damped and benumbed, smothered and stupefied til now,
Now God comes to thee,
Not as in the dawning of the day,
Not as in the bud of the spring
But as the sun at noon,
As the sheaves in harvest.”

– John Donne, 1624