Category Archives: quotes

Venerable Paisios Velichkovsky

Today is the feast day of St. Paisus Velichkovsky, whose story you can read on the website of the monastery founded in his honor, St. Paisius Monastery, where I went on pilgrimage two years ago: “The Life and Mission of St. Paisius Velichkovsky.”

A quote from the saint for contemplation:

“One must clean the royal house from every impurity and adorn it with every beauty, then the king may enter into it. In a similar way one must first cleanse the earth of the heart and uproot the weeds of sin and the passionate deeds, and soften it with sorrows and the narrow way of life, sow in it the seed of virtue, water it with lamentation and tears, and only then does the fruit of dispassion and eternal life grow. For the Holy Spirit does not dwell in a man until he has been cleansed from passions of the soul and body.”

+ St. Paisius Velichkovsky, “Field Flowers”

He drops by a silken thread.

More than one reviewer of Richard Wilbur’s late collection of poems noticed that after his wife died, the poet wrote more about death, as in this example below. That would be a natural response, of course, for someone 90 years old, even if he hadn’t been recently widowed.

I know it’s recommended that people of all ages live with awareness of the shortness of our lives, as in Psalm 90: “Teach us to number our days, that we may gain a heart of wisdom.” Or as another translation goes, “Teach us to realize the brevity of life….”

If our dearest friends and family have departed, it could exacerbate any feeling of weariness we already had with this earthly existence. In the same Psalm the poet mentions the less-than-thrilling aspects of life: “The days of our years are threescore years and ten; and if by reason of strength they be fourscore years, yet is their strength labour and sorrow; for it is soon cut off, and we fly away.”

A MEASURING WORM

This yellow striped green
Caterpillar, climbing up
The steep window screen,

Constantly (for lack
Of a full set of legs) keeps
Humping up his back.

It’s as if he sent
By a sort of semaphore
Dark omegas meant

To warn of Last Things.
Although he doesn’t know it,
He will soon have wings,

And I, too, don’t know
Toward what undreamt condition
Inch by inch I go.

~ Richard Wilbur

Richard Wilbur was a lot smarter than an inchworm, so I like to think he had this verse from I Corinthians in mind when he wrote those last lines: “But as it is written, Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him.”

Because the Preparer is Love, our Last Things, though unimaginable, will be the best.


I first shared this poem of Wilbur’s ten years ago, before he had passed over, into what we might think of as the pupa stage; today I read this about the inchworm:

“After the larva hatches, he feeds on leaves for about a month before he drops to the ground via a silken thread. In late spring or early summer, the larva burrows up to 4 inches into the ground, spins his cocoon and pupates. If he’s a fall worm, he’ll emerge in the fall, usually between November and early December. If he’s a spring worm, he’ll wait until the next late winter to emerge.”

At the time of Wilbur’s death I posted one article written about him for the occasion, but just now I found another tribute in USA Today, in which the journalist remarks on the unusual quality of happiness in this poet, and quotes Wilbur:

“I think many people associate happiness with shallowness,” Wilbur told the AP. “What people don’t want is someone who is complacent. And I know that I am not a complacent man.”

Richard Wilbur was the farthest from complacent that I can imagine. He spent his life being attentive to the world around him and pursuing love and beauty. I hope that in his present state he knows even more what C.S. Lewis meant when he said:

“Joy is the serious business of Heaven.”

Geometer inchworm moth – Scopula Decorata or Middle Lace Borer

To make broken things beautiful.

From Mother Melania:

Japanese kintsugi mending tools“Have you ever heard of kintsugi? Literally ‘golden joinery,’ kintsugi is ‘the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum … As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise’ (Thanks, Wikipedia!). I won’t presume to discuss the Japanese philosophies related to this art. But there are certainly deeply Christian parallels to be drawn. Three come immediately to mind.

“First are those who valiantly and humbly endure life’s inequities or unjust persecution, such as Job, Patriarch Joseph, Jeremiah, and the beggar Lazarus. Crushed in various ways through no fault of their own, these saints became beautiful not despite the cracks, but because of how they dealt with them. Without such trials, these saints would never have become as great as they are.

“Second are those who sinned greatly but repented deeply, such as King David, Peter, and Paul. Their great sins are there for all to see and the sins remain sinful. Yet, Christ healed their fractured souls with the gold of their repentance and faithfulness.

“Then there is Christ Himself. He didn’t just valiantly and humbly endure unjust persecution: He came to earth for that very purpose – for OUR sake. So, His wounded side and hands remain in eternity as visible signs of the beauty of His victorious self-sacrificial love.

“So, let’s take heart. Are we innocently enduring persecution? Christ can make us beautiful through our trials. Have we fallen into serious sin? We can repent and still become great saints. We can even go past these things to suffer freely for love of Christ and His people. Thus, we shall most deeply resemble Him Whose greatest glory is that He was freely broken for our sake.”

—Abbess Melania, Holy Assumption Monastery

Like bread, or the sea.

After I left my car at the mechanic’s shop for its routine service, I set off walking down the road to the bus stop. After only a few steps I stopped to admire plants along my way; I did that a few times. The California Buckeye startled me as it always does, looking like the dead of winter in early fall. The large conker peeking out redeemed the scene.

It was fun, walking for ten minutes through a sort of industrial park, where all the people arriving for work gave their energy to the atmosphere, and lots of pickup trucks lined the road, bare of sidewalks most of the way. The air was crisp but not harsh.

On a bench at the bus stop, I looked briefly across the frontage road at the seedy mobile home park whose sign was missing some letters and read “Taylo.” A mockingbird’s song came to me from somewhere, surprisingly not drowned out by the heavy traffic noise. And then my gaze rose, hungry, to the sky.

I recognized the remains of a jet stream (or chem trail?) as one element of that picture above, but there was so much else going on up there! I began to think about what Emerson said, that “The sky is the daily bread for the eyes.” I mused on how sometimes we are given all sorts of fancy bread, but at other times the sky is plain blue, or white, or gray….

After a short ride on the bus, I got off and started walking the rest of the way home, along a boulevard where I had plenty more of those big spaces to wonder at. I was struck by the realization that I was the only human on earth to whom each particular picture was given, because I was the only one at that GPS location, at that moment in the constantly changing arrangement of images.

If one lives in the big city, with skyscrapers hogging the sky, usually a little bit at least will peek through; I like to get my bearings occasionally by looking at whatever patches are available for viewing. Being in prison, though… now that would be hard. I guess they do often let at least some of the prisoners outside sometimes, but they might not feel safe and relaxed enough to feast on their daily bread in that setting.

Twice now I’ve started reading The Marvelous Clouds, and shared some quotes here. I reread some of Albert’s comments that I included in one post about the book ; he passed on some excerpts from an article about it, which is about media. One thing the author said was that “Clouds illustrate media ontology. [They] exist by disappearing.” 

I gave that book away a while back. It’s very thought-provoking, to be sure, but I think if I had continued reading it I would have just been page by page arguing with the author over various things. I don’t like that he uses clouds for anything. I’d rather receive the gift of clouds as bread for my eyes. This arrangement of clouds below looked like it was pretending to be mountains in the distance:

The author of that book, John Durham Peters, also said that clouds are the original white noise. If you want to follow that thought, read the article linked in that more recent post of mine. But I think it’s more profitable for the soul to go out and look at the sky, whether there are clouds in it or not. When there are no clouds, or they have merged into a less enthralling picture, watching them might be like staring out at the ocean. It’s always moving, but it can be boring at the same time. Sometimes we need that plain bread. Feasting all the time is not good.

While my thoughts were on the clouds, my legs carried me into neighborhoods closer to mine, but I took a less familiar route and saw this beautiful plant that I found out is called a Common Lionspaw. I got distracted from the sky and started thinking about where I could fit one of those in my garden.

My cloud show seemed to go to intermission for a few minutes, with the actors going off stage — but quickly it started up again, as the sun began to break through.

Then, I was home again. It was time to start the rest of my day, and figure out what to eat… but my eyes had already had a big breakfast.