Today I’ve been tossing out most of my beloved Touchstone and Gilbert magazines, but not before I glance at notes I’d written to myself on their covers ten or more years ago, suggesting to my mind and pen (and keyboard) topics to muse and write about. I have accumulated several boxes of such periodicals, including cooking and gardening magazines as well, every issue containing provocative information and knowledge that I hoped to incorporate into my daily life, both the active and contemplative aspects.
One of them that drew me in was short enough to reread this morning: “It All Depends: on Randomness and the Providence of God,” by Philip Rempel. Rempel compares the Enlightenment view of the cosmos as orderly clockwork to the postmodern concept of it as random and chaotic. Both end up being “dead and dreary,” especially when contrasted with the reality of the world we see in front of us, and described in the language of Christ and the church.
“For the world we observe if we open our eyes is indeed a universe filled with both structure and freedom, but the structure is never a rigid structure and the freedom is never a lawless freedom. As in a dance, or all art for that matter, where rules and creativity must work in tandem to produce something of meaning, so it is with the universe. In some sense we are part of a cosmic dance, but the dance must be structured if it is to have meaning; a universe of arbitrary motion is just as unsatisfying as a universe without motion.
“The existence of every created thing, and thus its role in the dance, is entirely and continually dependent on God, and so our movement through the cosmos and through time, which is our response to his love, must be continually focused on him and directed towards him. Particles and probabilities, and people and planets, are all twirling through the cosmos in response to God’s loving call.”