While some of us are still gathering in the harvest, I don’t think it’s too late to post about my garden beans. I have been working on a bean story since last summer, which I thought would be the end of my pole bean career, or at the least, the end of growing my favorite Blue Lakes in two-foot high vegetable boxes; I found myself swaying and tottering as I would stand in the boxes in order to pick them, trying not to stand on the basil plants, and it was unnerving.
So this year, I grew bush beans for the first time ever, but they were terribly disappointing. They had a very short peak of productivity, and instead of the fear of breaking my back falling out of the planting box, I knew the reality of slow backbreaking labor, bending over the jungle where the beans were even harder to find than when strung up on twine. I’m going back to pole beans, and will just have to figure something out to make picking safer.
More recently I harvested the Painted Lady perennial runner beans that I’ve told you about a few times. This year they produced so heavily from the five or six plants in the corners of my boxes, that I have enough to make a pot of soup, and I plan to create a recipe just for them.
In the time of harvest I found that Les Murray wrote a poem about beanstalks. In the title he mentions broad beans, which is one of the names I’ve heard for fava beans, which I also grew this year. However, his description of his beans does not match what I know of favas. It sounds more like regular green bean pole beans. So maybe in Australia they use different words. In any case, he highlights many aspects of this favorite garden vegetable in a joyful and celebratory way.
THE BROAD BEAN SERMON
Beanstalks, in any breeze, are a slack church parade
without belief, saying trespass against us in unison,
recruits in mint Air Force dacron, with unbuttoned leaves.
Upright with water like men, square in stem-section
they grow to great lengths, drink rain, keel over all ways,
kink down and grow up afresh, with proffered new greenstuff.
Above the cat-and-mouse floor of a thin bean forest
snails hang rapt in their food, ants hurry through several dimensions:
spiders tense and sag like little black flags in their cordage.
Going out to pick beans with the sun high as fence-tops, you find
plenty, and fetch them. An hour or a cloud later
you find shirtfulls more. At every hour of daylight
appear more that you missed: ripe, knobbly ones, fleshy-sided,
thin-straight, thin-crescent, frown-shaped, bird-shouldered, boat-keeled ones,
beans knuckled and single-bulged, minute green dolphins at suck,
beans upright like lecturing, outstretched like blessing fingers
in the incident light, and more still, oblique to your notice
that the noon glare or cloud-light or afternoon slants will uncover
till you ask yourself Could I have overlooked so many, or
do they form in an hour? unfolding into reality
like templates for subtly broad grins, like unique caught expressions,
like edible meanings, each sealed around with a string
and affixed to its moment, an unceasing colloquial assembly,
the portly, the stiff, and those lolling in pointed green slippers …
Wondering who’ll take the spare bagfulls, you grin with happiness
– it is your health – you vow to pick them all
even the last few, weeks off yet, misshapen as toes.