Category Archives: culture

Words arriving out of some distance.

culture, history, the language, , , , , , , , ,

When I recently encountered the W.S. Merwin poem that I posted yesterday, “Losing a Language,” it reminded me of a passage from The Folding Cliffs, which was the first thing I ever read by the author, many years ago. It tells the story of a 19th century native Hawaiian family who did not want to be separated by leprosy, so they escaped into the mountains, where they were pursued by government soldiers.

Back then the book had been lent to me by K., so I had to borrow a copy from the library to find again the passage that had stuck in my mind. It is only one page in this epic narrative of Hawaii that is told in poetic lines. If you have any interest in the history and culture of Hawaii, you might want to look into it. I never would have thought to read it myself, and when I first opened its pages and saw the form Merwin uses, I was dismayed. But I knew I must try at least a few pages, to honor K’s suggestion, and no more that that were needed to hook me into the compelling story.

The particular scene that came to mind recently takes place not long after missionaries arrive on the island of Kauai. They have started a school for the children, and the pastor’s wife had planned to teach them, but she can’t handle the “rough children,” so the pastor himself takes on the job. Here is most of the section “20”:

Whatever the pastor pronounced to them in that voice
……..that was not the one he talked in and not the one
he spoke in when he stood up during the church service
……..and not the one he used for English with other foreigners
whatever words the pastor uttered from the moment
……..they walked through the door onto the dead wood each syllable
of their own language articulated so carefully
……..that it did not sound like their own language at all
not only because every sound that he uttered
……..with that round deliberation was always wrong in his
particular way but because it was coming from those
……..particular clothes that face mouth regard that way of turning
and staring at them and because those words although they
……..were like the words of their own were really arriving
out of some distance that existed for him but not
……..for them and they could hear it echoed in his children…

………………………………………………….…but they repeated
the names of the solitary letters that they
……..said every day the threads of a seamless garment
and he showed them what each letter looked like it was
……..white whether large or small straight or flowing and it was
in itself silent in a black sky where his hand drew it
……..and it stayed there meaning a sound that it did not have

As I say, this scene was memorable for me, capturing my imagination on the subject of indigenous children trying to learn the language of strangers, from someone who makes even their native language strange to them. I was affected by the whole story such that it changed my overall perspective on Hawaii; whereas it had been in the back of my mind as a tourist-y place I didn’t care about, it became full of people and stories. I went on to read the story of Father Damien, the Catholic saint “of lepers and outcasts” — and about other related topics I don’t remember at this remove.

After reading yesterday’s poem and having my interest in The Folding Cliffs renewed, I saw an article criticizing Merwin for cultural appropriation and for changing important parts of the story, a story that is well documented in its historical facts, in publications that Merwin doesn’t give credit to. I wrote a comment about that article, responding in particular to one section of it:

“I still think that The Folding Cliffs overall is wonderful. Poetic license is one thing, but this seems to be going too far: ‘Merwin implies that Pi‘ilani is only superficially Christian and that desperation causes her to reveal a more deeply held set of native beliefs. This is nonsense…. There is no mention in any of Kaluaikoolau! of Pi‘ilani’s faith in anything other than the Christian God.’

“I wonder if Merwin was trying to rectify the harms of colonialism by suggesting that there was no reality to the faith the indigenous people acquired. I doubt he was trying to ‘cash in on’ the story, and the term ‘cultural appropriation’ I think meaningless, but it’s unfortunate that the telling of the whole story of the protagonist was beyond the scope of his sensibilities.”

The offended critic included this information I want to pass on, about factual historical sources, books in which one can read the story of Pi‘ilani:

1) Pi‘ilani Ko‘olau’s Kaluaikoolau!, published in Honolulu in 1906 by John G. M. Sheldon and available in the Archives of Hawaiʻi

2) Helen N. Frazier’s translation of Pi‘ilani’s memoir, The True Story of Kaluaikoolau, or Ko‘olau the Leper, published in the Hawaiian Journal of History, vol. 21 (1987) and available in libraries everywhere.

My readings back then created a desire to visit the island of Kauai. But when my late husband and I did vacation in Hawaii for our 40th wedding anniversary, we stayed on Maui instead. Those rugged mountains where lepers hid from soldiers are still waiting for me.

Kalalau Valley on Kauai

We can distinguish between higher and lower.

culture, quotes,
T.S. Eliot, 1950

“[T]he most important question that we can ask, is whether there is any permanent standard, by which we can compare one civilisation with another, and by which we can make some guess at the improvement or decline of our own. . . . We can distinguish between higher and lower cultures; we can distinguish between advance and retrogression. We can assert with some confidence that our own period is one of decline; that the standards of culture are lower than they were fifty years ago; and that the evidences of this decline are visible in every department of human activity. I see no reason why the decay of culture should not proceed much further, and why we may not even anticipate a period, of some duration, of which it is possible to say that it will have no culture.”

-T.S. Eliot, Notes Towards the Definition of Culture, 1948

 From the Touchstone article by Ken Myers, “Ruler Over All: Notes Toward the Restitution of Christian Culture,” July/August 2023.

Elves used to be gods — what happened?

Christmas, culture, myth, , , , ,

For a lighthearted history of elves, brownies, goblins and such like, and how they became part of our Christmas folklore, visit: “The Evolution of Elves,” by Rebecca Sicree.

“Over the past centuries, three major events changed the perceptions of elves. First, the arrival of Christianity dethroned them as gods. Then the Reformation shrank them. And finally, the American Revolution sent them to the North Pole.”

 

Mellowness and kindly wisdom.

books, culture, quotes, , , , , ,

This post that is very fallish in more than one way, I am sharing again nine years later. It is about Lin Yutang, whose writings my late husband and I were reading aloud together, during the illness that was to end his earthly life only a few months later. Much of what I read during that period is very foggy in my mind at this point, and many of those and other books from the past keep calling me back, especially when I read my own reviews.

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If you like thought-provoking quotes as much as I do, you might sometime run across one by the eloquent Lin Yutang. I find that I did have a quote by him about autumn in my files, so that is probably how he came under my radar recently, long enough for me to decide to borrow his book The Importance of Living from the library. It was in the closed stacks, and looks old and Chinese. But as Samuel Butler said, “The oldest books are only just out to those who have not read them,” and for me, Lin Yutang is definitely a new and exciting discovery.

I expected a small book of proverbs, perhaps, but The Importance of Living is a large conversational and philosophical treatise that I won’t be ableLin Yutang - Living to read in bed. I may have to buy a copy, because in the very first paragraph of the preface I found beautifully written lines that drew me in to his mind and his ruminations:

“Very much contented am I to lie low, to cling to the soil, to be of kin to the sod. My soul squirms comfortably in the soil and sand and is happy. Sometimes when one is drunk with this earth, one’s spirit seems so light that he thinks he is in heaven. But actually he seldom rises six feet above the ground.”

I opened the book randomly in the middle and there, also, his words were worth thinking about as poetry or motivational talk. Did someone very gifted translate the works of this Chinese man? No, he wrote in English in such a graceful way that it is pure joy to read him aloud.

Lin Yutang was born in China in 1895 of Chinese Christian parents. His father was a pastor and a very progressive, forward-thinking man who made sure that Lin learned his Bible stories and went to the schools that produced the best speakers of English. He eventually got a degree from Harvard and another from Leipzig University.

I began to read The Importance of Living aloud with Mr. Glad. I usually do the reading because I enjoy it more than he does, and I immediately noticed the easy flow of Lin’s prose and the equally smooth progression of ideas. Everything he says makes perfect sense given his worldview in 1937, and at that time he was no longer a Christian.

What happened? Mr. Glad and I were very curious, because we had information Lin didn’t have at the time; we knew that later in life he would return to the faith and live to write about it, in his book From Pagan to Christian. So we stopped reading Importance and started in on the book about his spiritual journey that he wrote about 20 years later.

Putting together what he says in the relatively little we have read of him so far, I can tell you this about Lin’s first change of mind: As soon as he came of age to notice, he realized that he had not received the usual Chinese philosophical or literary heritage, much of which was typically learned through the theater; the theater was forbidden to Lin and his siblings who were in some ways raised as Puritans. He hadn’t taken the time to learn to write beautiful calligraphy, either, so he found that he was by Chinese standards completely uncivilized. At this point the one very Chinese thing he did know was intense shame.

He felt he had to go back and learn to be an authentic Chinese man, and having learned as a child the diligence and study habits of a Puritan, he did a very thorough job of learning Chinese philosophy and literature, not to mention a stunningly broad understanding of Western culture. This knowledge base combined with the ability to think and write about all that he has figured out — or is figuring out, as the story evolves — makes him fascinating to me.

We haven’t progressed very far in either of these books, but having this articulate author “friend” to explain Chinese culture and history to me from the inside has given me an interest in that part of the world that I have always lacked. So I hope to read more, and I expect to have more to share. But for now, I’ll close with his quote from My Country and My People about the lin_yutangseasons of the year.

“I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its tone is mellower, its colours are richer, and it is tinged with a little sorrow. Its golden richness speaks not of the innocence of spring,nor the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content.”

This meditation seems to me an expression of a perspective that could be both Chinese, as he felt at the time, and truly Christian. I’m looking forward to reading more of the kindly wisdom of Lin Yutang.