Peter Hitchens, in a recent interview about why he is still a “traditional Anglican” Christian, on the Prayer Book:
“The Prayer Book is written in a language which repeatedly acknowledges the existence of the eternal, as not just a rival to the temporal, but as a superior and more important thing. I’d go further. Music, as we know, expresses what is inexpressible through words alone. Poetry, which much of the Prayer Book aims at, allows words to say more than prose does. By poetry here I don’t mean rhyming and scanning verse, but language consciously crafted to be as beautiful an expression of its meaning as possible.
“Our forebears were simply better at this than we are, because of the age they lived in. This has much to do with the fact that it was written to be spoken aloud and I do not doubt that its authors did speak it aloud many times as they perfected it. This is something few writers of modern prose do, which is why the result so often looks and sounds as if it has been created by using the blunt end of a bread pudding.”
Above: Book of Common Prayer open to the selection for “The Annunciation of the Blessed Virgin Mary.”
I would like to read more of Søren Kierkegaard’s writings. My intent is on display in the form of four titles by him that I have had sitting on the mobile bookshelf here in my kitchen/family room, for a year at least. I guess if I could decide which to read that would be a good start. A biography of him I am not likely to get to, but who knows…? In the meantime, I am reading this homage by Dana Gioia in the form of a poem. Seems like after this I owe it to Kierkegaard to read at least one more of his own works, though not in hopes of explaining any “riddles.” Only God can do that, and we know that He will — all of them, all of us.
HOMAGE TO SOREN KIERKEGAARD
Work out your own salvation with fear and trembling. —St. Paul
I was already an old man when I was born. Small with a curved back, he dragged his leg when walking the streets of Copenhagen. “Little Kierkegaard,” they called him. Some meant it kindly. The more one suffers the more one acquires a sense of the comic. His hair rose in waves six inches above his head. Save me, O God, from ever becoming sure. What good is faith if it is not irrational?
Christianity requires a conviction of sin. As a boy tending sheep on the frozen heath, his starving father cursed God for his cruelty. His fortunes changed. He grew rich and married well. His father knew these blessings were God’s punishment. All would be stripped away. His beautiful wife died, then five of his children. Crippled Soren survived. The self-consuming sickness unto death is despair.
What the age needs is not a genius but a martyr. Soren fell in love, proposed, then broke the engagement. No one, he thought, could bear his presence daily. My sorrow is my castle. His books were read but ridiculed. Cartoons mocked his deformities. His private journals fill seven thousand pages. You could read them all, he claimed, and still not know him. He who explains this riddle explains my life.
When everyone is Christian, Christianity does not exist. The crowd is untruth. Remember we stand alone before God in fear and trembling. At forty-two he collapsed on his daily walk. Dying he seemed radiant. His skin had become almost transparent. He refused communion from the established church. His grave has no headstone. Now with God’s help I shall at last become myself.
Some men never think of it. You did. You’d come along And say you’d nearly brought me flowers But something had gone wrong. The shop was closed. Or you had doubts – The sort that minds like ours Dream up incessantly. You thought I might not want your flowers. It made me smile and hug you then. Now I can only smile. But, look, the flowers you nearly brought Have lasted all this while.
I already own a book on architecture that is just at my level, The Architecture of Happiness. But reading on the internet tempts me to explore many different realms… further than I actually want to go, when it comes right down to it.
Something I read back in the fall made me want to see the book Cognitive Architecture, by Sussman and Hollander, and my library’s “Link” feature helped me to get it, from southern California. It came in just before Christmas, and just before I needed clear away piles of books and papers, seeds and seed catalogs, to make space for a few Christmas decorations.
So I barely glanced at it, and quickly put it…. somewhere. I was pretty sure it was upstairs, probably in my bedroom, and when I found it last week — after looking everywhere several times over the last month — it was in an odd little stack of things, with a prayer book and a Christmas card and other unrelated stuff. One reason I hadn’t seen it earlier was that it was so much smaller than I remembered it.
Paris
So small, my immediate thought was, maybe I could actually get through this book! Even though I’ve sort of moved on and my current goal is to whittle down the number of half-finished books I already have, without adding more.
So I only browsed, and it is pretty interesting, about designing buildings for the way people live and behave, the sort of “animal” that humans are. One example is, that people in cities are known to like to walk or congregate on the edges of open spaces or streets, near buildings or walls, so that the buildings “have their backs.” But not so much if the building is turned in on itself and doesn’t seem open to the people, with low windows, for example, for easy window shopping. An example of a space not conducive to this protected and friendly feeling is the Boston City Hall Plaza, which is known as an unloved space and is up for renovation:
It is known that people prefer not to climb stairs if they can avoid it. I know that doesn’t apply to toddlers. This is my neighbor Grace who was enjoying going up and down my front steps this afternoon.
Many of the other points of human-centered design were not new to me. I had learned a lot from De Botton’s book, and I also have this one that Pippin gave me, in which I can browse actual buildings and their architects, which is more appropriate for me, who am not considering a career in design.
I wonder if I have other books I could write about without having read them, and in that way get some satisfaction from my failures…? I’ve enjoyed making use of this one to organize the Architecture compartment of my mind, and I found a pleasing poem in it as well:
THINGS
What happened is, we grew lonely living among the things, so we gave the clock a face, the chair a back, the table four stout legs which will never suffer fatigue.
We fitted our shoes with tongues as smooth as our own and hung tongues inside bells so we could listen to their emotional language, and because we loved graceful profiles the pitcher received a lip, the bottle a long, slender neck.
Even what was beyond us was recast in our image; we gave the country a heart, the storm an eye, the cave a mouth so we could pass into safety.