RFC makes one of nature’s marvels.

In the chapter titled “Living Water” in The Supper of the Lamb, in which we learn how to make Brown Stock and White Stock, Robert Farrar Capon continues, “…you are now ready for the really astonishing part of the exercise.” It’s the lead-in to another of the recipes that are scattered throughout the first two-thirds of The Supper of the Lamb, with more of them concentrated in the recipe section at the back.

Many of the recipes seem a little outdated now, but I doubt I’d have taken to the foods featured in Supper even in 1969 when it was first published, because I was just learning to live on my own and to eat rice and vegetables. Our ferial eating in those days was sparser of meat and wine than RFC could have imagined, and Diet for a Small Planet was the go-to cookbook. It would be another ten or fifteen years before I bought my first leg of lamb.

Nowadays I am well supplied with recipes for most everything I could possibly want to cook, but Capon’s next suggestion sounds so strange and appealing that I think I will have to try it eventually. If I had to choose between meat and butter, two foods at the top of my list of culinary loves, I guess I’m just sensible enough to choose meat, and when RFC tells me I can capture its “heart and soul” in my kitchen, I can’t resist his encouragement to create something of which he also claims, “…you will find yourself whittling off little pieces to dissolve on your tongue at odd times of the day.”

I’ll just give you the whole recipe here, because though we no doubt can find a version online, I naturally like the style of this one. It will be my last “meaty” post on this book, because in my church we are beginning our Lenten fast from meat very soon, and it’s time for me to turn the page.

HOMEMADE MEAT GLAZE
(Meat Extract)

Take the strainerful of bones and scraps [from which you have made the stock] and put them back into the stockpot. Add any scraps of meat you have around: poultry, pork, veal — even leftover hamburger — just stay away from lamb and ham. Meat extract can, of course, be made from the used bones alone, but anything that brings more natural gelatin to the pot is welcome. Cover everything deeply with cold water, adding no salt at all, and boil for two or three hours more.

That done, strain once again, this time into a large saucepan. Discard the bones. (They have been worked to death. Even the dog will look down his nose at them now.)

Boil the contents of the pan hard, skimming the froth from the top now and then, until the liquid is drastically reduced. When it is down to about a pint, transfer it to a smaller pan and boil on, over slightly reduced heat. Continue boiling until it reaches the consistency of a thick, blackish-brown syrup (half a cup, give or take a little). Pour this into a heatproof jar, cool, and refrigerate.

You now have, perhaps for the first time in your life, real meat extract — one of nature’s marvels. It is, of course, highly concentrated gelatin, but it has been imbued with the heart and soul of meat. Its taste is beautiful. Moreover, in spite of the fact that no speck of salt went into all those quarts of water the second time around, it is salted to perfection. Its consistency is, admittedly, a little forbidding; It is not unlike a young and tender shoe heel. Refrigerated, it will keep in this state for weeks; but, obligingly enough, it melts at the temperature of the mouth. If you are any lover of food at all, you will find yourself whittling off little pieces to dissolve on your tongue at odd times of the day.

Use it ad lib. Its general effect is to give a sauce soul and substance without overpowering the proper flavor of the dish. Experiment. It improves almost anything. A tablespoonful melted in warm Hollandaise imparts a certain roundness and resonance to what is sometimes an excessively light and lemony sauce. A piece dropped on top of a hot fried egg (plus a dash of Tabasco, if you are up to it) is delightful. And in the form of Colbert Butter, it is the perfect accompaniment to steaks, chops, fish, or poultry — not to mention a piece of matzoh at three in the afternoon.

RFC considers blood and sacrifice.

I owe you something more, however — something darker — on the subject of meat: The minor leads inexorably to the monumental. Lamb has set our feet in a large room indeed. Man not only dines: he also kills and sacrifices. The room in which he relishes the animal orders lies between slaughterhouse and temple. There are death’s heads at each end of the table of the world.

In The Supper of the Lamb: A Culinary Reflection Robert Farrar Capon introduces what is perhaps the most poetic chapter with this paragraph. He explores our human proclivity to hunting and butchering and the Jewish temple sacrifices in a long poem that I mostly didn’t have the patience for, though I liked its division into sections named for the categories of the car game:

Animal, Vegetable, Mineral;
Testing the textures of creation,
savoring the styles of its coinherence.

After describing the neat and clean Mineral parts of our world, he moves on to the Vegetable, “the kingdom of seed, birth, life….And for the first time,/ the reek of death.” But

Onions die quietly,
Cabbages shed no blood;
All plants forgive:
By the waters that comprise them
They wash man’s hands
And let him walk away.

Eating vegetables is so innocent. But Capon doesn’t want to ignore the reality of our place as carnivores, so he unapologetically moves on to the Animal kingdom

each man owning the honest interchange by which he steals his livelihood; each woman’s hand intimate with the crack of wrung neck and severed spine….

It is not possible or even desirable to distill the writer’s poem into a fully satisfying theology, but I wanted my readers to know that he does satisfy himself with the mysteries of God’s plan of salvation, of which the temple sacrifices were a foreshadowing of Christ’s sacrifice on the cross.

The world awaits
The unimaginable union
By which the Lion lifts Himself Lamb slain
And, Priest and Victim,
Brings
The City
Home.

Other posts in this series are:
RFC is the man we need.
RFC begins with the meat.

Always looking for someone to devour.

In a Valentine’s Day e-mail letter, Touchstone Magazine editor James Kushiner comments on the news from Belgium. After the general greeting for the day, here is the rest of the letter:

…we live in time when the love of many has grown cold. How else to explain what has happened in the West? Most have heard that Belgium has passed a law [updated link 2023] allowing the ‘euthanization’ of children. With their kind permission, of course. We wish we did not have live in such times. But we do.

Many have seen such things coming, for decades. But warnings, debates, arguments have been to no avail. Books will continue to be written on why it has come to this and how to argue against the slide down the slippery slope (is there any doubt that this slide has been going on?).

Maybe it’s time to recognize that one cannot argue rationally with a demonic spirit. In the United States, some 55,000,000 children in utero have been murdered under the inspiration of this spirit–over the past 41 years, a biblical generation of death in the wilderness. There is no Promised Land waiting for this unrepentant generation. We’ve been killing children without their permission already. Now, Belgium wants to kill adolescents if they are persuaded it would be better for them to go to sleep and never wake up.

I write to name this as the spirit of iniquity that it is. I am reminded of a scene in one of the greatest American films, “The Night of the Hunter.” Two young children, John and Pearl, are running for their lives from a deranged and murderous false preacher, Harry Powell (played by Robert Mitchum). Escaping down the Ohio River, the exhausted children spend part of a night in a barn, but they are awakened by the approaching sounds of Powell on horseback. John says to his sister, “Don’t he ever sleep?”

Exactly. The devil stalking in our midst is a ravenous adversary, always looking for someone to devour. He does not sleep. And his staunch ally, Molech, has devoured little children since biblical times.

The Lord Jesus Christ, to whom all authority in heaven and on earth belongs, has said, “Woe to them who cause these little ones to stumble. It would be better for him to have a great millstone fastened to his neck and be cast into the depths of the sea.” Woe to the nation that does these things. One does not have to be a prophet to see this. God will not be mocked.

In the film, a courageous witness to the Lord delivers the children from death. She is a magnificent heroine, played by Lillian Gish. She loves truly, without fear, with courageous compassion. We must continue to shine the light, like the magnificent witness Valentine.