Tag Archives: re-post

He was a divinely good person.

On the Feast of Saint Nicholas, I give you once more the words of Fr. Thomas Hopko from The Winter Pascha:

“The extraordinary thing about the image of St. Nicholas in the Church is that he is not known for anything extraordinary. He was not a theologian and never wrote a word, yet he is famous in the memory of believers as a zealot for orthodoxy, allegedly accosting the heretic Arius at the first ecumenical council in Nicaea for denying the divinity of God’s son. He was not an ascetic and did no outstanding feats of fasting and vigils, yet he is praised for his possession of the “fruit of the Holy Spirit…love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control” (Gal. 5:22-23). He was not a mystic in our present meaning of the term but he lived daily with the Lord and was godly in all his words and deeds. He was not a prophet in the technical sense, yet he proclaimed the Word of God, exposed the sins of the wicked, defended the rights of the oppressed and afflicted, and battled against every form of injustice with supernatural compassion and mercy. In a word, he was a good pastor, father, and bishop to his flock, known especially for his love and care for the poor. Most simply put, he was a divinely good person.”

Happy Saint Nicholas Day!

St. Nicholas Orthodox Church in San Anselmo, California

He drops by a silken thread.

More than one reviewer of Richard Wilbur’s late collection of poems noticed that after his wife died, the poet wrote more about death, as in this example below. That would be a natural response, of course, for someone 90 years old, even if he hadn’t been recently widowed.

I know it’s recommended that people of all ages live with awareness of the shortness of our lives, as in Psalm 90: “Teach us to number our days, that we may gain a heart of wisdom.” Or as another translation goes, “Teach us to realize the brevity of life….”

If our dearest friends and family have departed, it could exacerbate any feeling of weariness we already had with this earthly existence. In the same Psalm the poet mentions the less-than-thrilling aspects of life: “The days of our years are threescore years and ten; and if by reason of strength they be fourscore years, yet is their strength labour and sorrow; for it is soon cut off, and we fly away.”

A MEASURING WORM

This yellow striped green
Caterpillar, climbing up
The steep window screen,

Constantly (for lack
Of a full set of legs) keeps
Humping up his back.

It’s as if he sent
By a sort of semaphore
Dark omegas meant

To warn of Last Things.
Although he doesn’t know it,
He will soon have wings,

And I, too, don’t know
Toward what undreamt condition
Inch by inch I go.

~ Richard Wilbur

Richard Wilbur was a lot smarter than an inchworm, so I like to think he had this verse from I Corinthians in mind when he wrote those last lines: “But as it is written, Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him.”

Because the Preparer is Love, our Last Things, though unimaginable, will be the best.


I first shared this poem of Wilbur’s ten years ago, before he had passed over, into what we might think of as the pupa stage; today I read this about the inchworm:

“After the larva hatches, he feeds on leaves for about a month before he drops to the ground via a silken thread. In late spring or early summer, the larva burrows up to 4 inches into the ground, spins his cocoon and pupates. If he’s a fall worm, he’ll emerge in the fall, usually between November and early December. If he’s a spring worm, he’ll wait until the next late winter to emerge.”

At the time of Wilbur’s death I posted one article written about him for the occasion, but just now I found another tribute in USA Today, in which the journalist remarks on the unusual quality of happiness in this poet, and quotes Wilbur:

“I think many people associate happiness with shallowness,” Wilbur told the AP. “What people don’t want is someone who is complacent. And I know that I am not a complacent man.”

Richard Wilbur was the farthest from complacent that I can imagine. He spent his life being attentive to the world around him and pursuing love and beauty. I hope that in his present state he knows even more what C.S. Lewis meant when he said:

“Joy is the serious business of Heaven.”

Geometer inchworm moth – Scopula Decorata or Middle Lace Borer

Apples and apples and a book.

From the book Apples, by Roger Yepsen.

My kitchen and both refrigerators are overflowing with apples right now, as I recently made my annual visit to the apple farm I am so fond of. I’ve made jars and jars of applesauce to put in the freezer, at this point mostly from unpeeled Jonathans, which after it has cooked down and been put into pint jars, makes as pretty and pink a picture as I have ever had a hand in painting. It’s a good time to revisit as well this passage from a favorite novel, which I first shared ten years ago:

             – – – – – – – – – – – – – – – – – – – – – –

Willa Cather’s novel My Ántonia held a special place in the hearts of both my late husband and me, perhaps in our conjugal heart ? by reason of our sharing the story together more than once, and reading it on our own as well. When I’ve read it aloud it’s not uncommon for me to start sobbing at places in the narrative where the pathos hits home.

I was surprised to see recently a review in which the reader did not enjoy Cather’s writing, saying it was dry and lacking emotion. Those qualities might be why I appreciate her skill at capturing the story and drawing us in. Cather gives us the perspective of Jim, and we experience with him as narrator the various levels on which he is in love with our heroine and all that she represents, and he makes us fall in love with her, too.

Our differing response from the reviewer above probably has something to do with what we bring to the story. Though we haven’t lived in Nebraska or known any Bohemians, perhaps we are like Jim (and Willa Cather) in our grieving for the past, for the lifestyle of the pioneers and their farm life, for the good hardworking people we have lost; as I understand it, that was a theme that reappears in many of her works, but she accomplishes it without what might be called “emotional” prose. Mr. Glad and I both have farming in our roots, and our love for nature and the outdoors (and for people) is only encouraged and expanded by reading books like this.

I thought to transcribe some passages from the book on my blog, representative snatches for my own enjoyment and yours, as a way to savor again some moments from my reading experience, and perhaps introduce people who haven’t yet made friends with these characters and their world.

In the novel, there is no question but that Jim must leave the country life and go away to school and to city life. The passage below is from the last part of the book when he returns many years later for a visit, and I appreciate the way it conveys something of Ántonia’s character and also the mood of this season of the year.

At some distance behind the house were an ash grove and two orchards: a cherry orchard, with gooseberry and currant bushes between the rows, and an apple orchard, sheltered by a high hedge from the hot winds. The older children turned back when we reached the hedge, but Jan and Nina and Lucie crept through it by a hole known only to themselves and hid under the low-branching mulberry bushes.

“As we walked through the apple orchard, grown up in tall bluegrass, Ántonia kept stopping to tell me about one tree and another. ‘I love them as if they were people,’ she said, rubbing her hand over the bark. ‘There wasn’t a tree here when we first came. We planted every one, and used to carry water for them, too — after we’d been working in the fields all day. Anton, he was a city man, and he used to get discouraged. But I couldn’t feel so tired that I wouldn’t fret about these trees when there was a dry time. They were on my mind like children. Many a night after he was asleep I’ve got up and come out and carried water to the poor things. And now, you see, we have the good of them. My man worked in the orange groves in Florida, and he knows all about grafting. There ain’t one of our neighbors has an orchard that bears like ours.’

“…The afternoon sun poured down on us through the drying grape leaves. The orchard seemed full of sun, like a cup, and we could smell the ripe apples on the trees. The crabs hung on the branches as thick as beads on a string, purple-red, with a thin silvery glaze over them. Some hens and ducks had crept through the hedge and were pecking at the fallen apples.”

–Willa Cather

Orchardside by Richard Thorn

Threads strung across everything.

“Time marched on. Each day seemed long, each week short. It was already autumn. What is the salient characteristic of autumn? The spiders’ threads in the early morning frost. I am not thinking much of the circular networks, marvellous as these are, hung along the gate, but rather the threads that are strung across everything, so that if you bend down till your eye is level with the field you can see a white veil over the whole expanse. They are everywhere, on everything. ‘Do they drape the cannons in France?’ asked Mr Ralph Wightman, true poet, in a striking image, the other day. To look down at these things is like looking up at the stars — we are baffled by quantity.”

John Stewart Collis in The Worm Forgives the Plough

(photo credit)