Tag Archives: reading

What summer is for.

Do you know how hard it is to pick up just one book at the library? I managed to do it twice this week and I felt my self-control as a great freedom; I didn’t even go into the used bookstore that is off the lobby. But since then everything has changed.d76bf-beefromside

“People can lose their lives in libraries. They ought to be warned.” –Saul Bellow

When I was a child we lived ten miles from the nearest public library, and I never visited it until high school. I had lovely hours in the library in Berkeley when in the summers I visited my grandmother, and she would leave my sisters and me there for a while, and come back later when we had picked out a stack to take home. I remember checking out Anna Pavlova and Little Men when I was ten, and lying outdoors on a cot in the afternoons, in the mountains with Grandma at the Berkeley City Camp. When not at Grandma’s, our summers were too hot to manage much activity, so I sat indoors in an easy chair and read a book every day in those carefree days of youth, supplied by the bookmobile.

I think one of the books I read then was Seventeen by Booth Tarkington. When Bellezza wrote recently about Seventeenth Summer by Maureen Daly, I thought that was it, and I bought a used paperback and have been reading it, but it’s not what I remember. So I hopefully borrowed Booth Tarkington’s Seventeen from the library (closed stacks), and it’s waiting for me now. In no time at all I should be getting to it, because the Daly book is hard to put down. How can that be?

The backdrop of the story is the most luscious and lazy summer imaginable, evoked very effectively by the author’s prose. But when I’m reading it at night I don’t fall asleep, and one morning when I was still in recovery mode (She says, wondering if she will ever again not be in recovery mode…) I picked it up from my nightstand and read for an hour before getting out of bed. It is a book that makes me feel something of the leisure of my youth, when there was no need to hurry. Absolutely no need.14110-beeonflowerfrted

The worst way to read, he said, is with the thought that you do not have enough time. The only way to read is in the knowledge that there is an infinite amount of time stretching ahead, and that if one wishes to taste only a few sentences per day one is free to do so. –Gabriel Josipovici, Moo Pak

Last week on my way home from visiting my children I listened to Mary Norris reading her own Between You and Me, a book that has made me laugh out loud countless times, all by myself in the car. I’m so glad she narrated her own book, and I love her voice and her humor. She reminds me of the women in my father’s family. I could not be content, though, to only listen to it — I must have my own print copy. So I ordered one online. But I could not be content to wait for that to be shipped, and I discovered that the local library had a copy, so that was the first book I picked up.

Two days later Seventeen became available, so I went back for it. Today a dear person sent me a link to a Naomi Shihab Nye poem, “Different Ways to Pray,” and reading it confirmed in me the feeling I’ve had that I need to calm myself and sink into some poetry. I began to read more about Nye and her books. I saw that my local library had a couple of collections by her, and I also ran across this that she said:

There is a Thai saying: ‘Life is so short, we must move very slowly,’ ….Being busy has become our calling card, our sign of success, our obsession—but poetry doesn’t want us to be busy. When you live in a rapidly moving swirl, you can only view your surroundings with a glance. Poetry requires us to slow down, to take time to pause.

So I hurried over to the library and found 4c80e-gjreadhobbitwo27dellcrpthe one children’s book by Nye that I wanted…. and then I found a few more children’s poetry books to take with me; that’s probably the level that I am most likely to access currently.

Then on to the adult non-fiction and another book by Nye… but I could not make myself leave as quickly as I’d come. There I was with shelves of poetry and literature towering on either side of me, and I had to scan some titles, and take a few books down, and notice that a couple of my favorite poets were not even there! The armload I carried to my car included Robert Bly and W.S. Merwin.

Now, will I manage to sink in and let the poetry teach me to move. very. slowly…? I am finding it difficult to quiet down today; it seems that the effort to truly rest is wearing me out. Maybe that’s because I was awake past midnight reading about Angie, whose life before cordless phones and TV served up a flavor of time that we can hardly remember the taste of. Angie speaks of doing “leisurely things like ironing or peeling potatoes for dinner.” (Hinting at an attitude among teens that also may have become extinct soon after this book was written.) If she hadn’t recently fallen in love she’d probably be reading on the porch swing in the warm afternoons, too.

After all this rambling around the subject, I feel I must leave you with at least a little piece of a poem. So here are some lines from Nye’s children’s poetry collection titled Honeybee. They are from the poem “Girls, Girls”:8ec4e-beeinshadowlambsears

When a honeybee is alone–rare, very rare–
It tastes the sweetness
It lives inside all the time.

What pollen are we gathering, anyway?
Bees take naps, too….

Attention to gnats and devils.

pig IMG_5528One of the books that Richard Wilbur wrote for children is Pig in the Spigot, which any lover of words should enjoy, whether you are a child or not. I can see reading it with a child who is well on the way to reading, but when I was homeschooling I often would introduce material “too early,” and that can work, too. If used with a notepad and pencil, I bet I could make this book serve as reading/phonics lessons for at least a week.

One of my favorite elementary school assignments was when the teacher would write a word on the blackboard, and tell us students to make as many more words as we could, using those letters. I always won this contest! Wilbur’s exercise is more stringent, but that only gives him the chance to show his poet’s skill in imagining the logical ramifications should the words within words become literal.

The illustrator must have had fun coming up with the sometimes-wacky pictures to go with the stories that one can create with this kind of activity. Here are a few of the examples of fun verses that often carry some even deeper implications.

The Devil is at home, as you can see,
In Mandeville, Louisiana, but he
Is often on the road, and in the line
Of work he visits both your town and mine.

Some tiny insects make a seething sound,
And swarm and jitter furiously around,
Which seems to me sufficient explanation
Of why there is a gnat in indignation.

pig IMG_5523

Moms weep when children don’t do as they say.
That’s why there is a sob in disobey.

I just noticed that the mother in this last picture is wearing a cross. There are many other interesting details to be explored in the images, but it’s the language of words that I get excited about. Anything that helps children slow down and pay attention to the details of letters and sounds will help them to be good readers and writers — and spellers!

But I don’t want to sound too pragmatic, even if the level of literacy in the country is dismal. John Holt said that it is not good methods but good books that make good readers, and here is an example of what he was talking about. What makes me happy is the knowledge that good readers will read more because they enjoy it, and if they keep reading good books their inner worlds will grow ever larger. They are more likely to become good writers and thinkers, and maybe they will write some more good books for children that are fun for me to read.

I take a longish Sunday drive.

P1130357In my last post I told you about Mr. Glad’s 40th day of repose in the Lord. On the 41st day I drove north in response to the invitation from a granddaughter to be present at the exhibit of her photography. If it hadn’t been for the request of my presence on a specific date, I’d probably have put off traveling a few weeks longer, but I took it as a gentle prod from Heaven.

In spite of many episodes of homesickness, the excursion turned out, as I knew it would, to be full of fun, beauty, and love – all good things for someone in my situation.

Sundial 5-3-15
Sundial Bridge

 

The first day’s drive took me about eight hours, which is too long, in my mind, to be reasonable and healthy, even if I did stop a few times and even took pictures at my favorite rest area among the olive groves. In the future I hope I can break up car trips so that no one leg of a journey keeps me behind the wheel more than half that long.

It shouldn’t be hard, because I have friends and family all over the place who can make an overnight stay worth the pause in getting to whatever place where I might sojourn longer.

In the car I listened to the radio when I could get a good classical or jazz station, and also to some more of The Big Read book introductions from the National Endowment for the Arts. I told you previously about that program and two of the recordings in this post.

The disks I found at the library for this trip were introductions to:

Housekeeping by Marilynne Robinson
The Death of Ivan Illyich by Leo Tolstoy
Old School by Tobias Wolff
The Heart is a Lonely Hunter by Carson McCullers
To Kill a Mockingbird by Harper Lee

This batHeart - McCullersch of recordings were produced between 2006 and 2008. For each one you get to hear some passages read from the book; background on the author or how the book came to be written, often from the author herself speaking; interesting music that seems to have been carefully chosen to go with the tone or setting; and many sound bites of other people’s responses to the story. Even if you have read the books — perhaps especially if you have read the books — it is very enriching to delve into them this way.

Robert Duvall, whose film debut was as Boo Radley in “To Kill a Mockingbird,” tells us his feelings about that story and the experience of acting in what is considered one of the truest film adaptations of a novel you can find. Elizabeth Spencer is a southern writer who also contributes quite a bit to the To Kill a Mockingbird intro. She sounds like someone who might have lived in the fictional town of the novel, and I found her very appealing, for both the sound of her voice and for her comments such as, “This is a book that hits the bulls-eye, and that bulls-eye is the heart. Too few books have a basis in love.”Old School Wolff

Tobias Wolff is himself one of the commentators on the intro to his book, which is somewhat autobiographical, about a prep school in which all the boys want to be writers. Marilynne Robinson also speaks on the recording about her book, musing on the process of writing Housekeeping, and how she came up with the name of Fingerbone.

I am so impressed with the artistry that goes into these audio presentations, and even more appreciative of them at this time, when I can’Sundial & water 5-3-15t seem to engage with a whole novel in the deep way I am used to. I’m afraid I am somewhat apathetic right now about vicarious experiences and fictional characters, but I really enjoyed these Big Read introductions.

My route up Highway 5 to southern Oregon took me through the town of Redding, and the cramped feeling in my legs by that time was demanding more than a brief stop at a rest area. It made sense to visit the relatively new Sundial Bridge that spans the Sacramento there very close to the freeway, with the lovely and leisurely Riverfront Park paths on either side. I think my visit last week was my third, to this bridge that is only for pedestrians and bicycles, and I had come on a perfect spring day. I was still wearing long sleeves, having started out in cool temps at noon, but all the walkers and cyclists were in tank tops and shorts.

I walked along the trail on one side of the river and followed some goslings with thesundial 5-15 geese byir parents, until they went under the bank and out of sight. Then I crossed the bridge with its watery blue-green glass bricks, to the path on the north shore. I bought a mango Italian ice, to lick as I walked briefly through an uninspired perennial garden, and then back to the bridge for a few more photos.

My little walk along the river was very therapeutic I guess, because I arrived at my destination without any of the aches and pains I often would have after sitting and driving so long. After visiting with Pathfinder’s tribe I fell into bed so I’d be ready for the next day’s fun.

Sundial horiz 5-3-15

Ántonia’s apple orchard

Willa Cather’s novel My Ántonia holds a special place in the hearts of both Mr. Glad and me, perhaps in our conjugal heart ? by reason of our sharing the story together more than once, and reading it on our own as well. When I’ve read it aloud it’s not uncommon for me to start sobbing at places in the narrative where the pathos hits home.

I was surprised to read recently a review in which the reader did not enjoy Cather’s writing, saying it was dry and lacking emotion. Those qualities might be why I appreciate her skill at capturing the story and drawing us in. Cather gives us the perspective of Jim, and we experience with him as narrator the various levels on which he is in love with our heroine and all that she represents, and he makes us fall in love with her, too.

Our differing response from the reviewer above probably has something to do with what we bring to the story. Though we haven’t lived in Nebraska or known any Bohemians, perhaps we are like Jim (and Willa Cather) in our grieving for the past, for the lifestyle of the pioneers and their farm life, for the good hardworking people we have lost; as I understand it, that was a theme that reappears in many of her works, but she accomplishes it without what might be called “emotional” prose. Mr. Glad and I both have farming in our roots, and our love for nature and the outdoors (and for people) is only encouraged and expanded by reading books like this.

I thought to transcribe some passages from the book on my blog, representative snatches for my own enjoyment and yours, as a way to savor again some moments from my reading experience, and perhaps introduce people who haven’t yet made friends with these characters and their world.

In the novel, there is no question but that Jim must leave the country life and go away to school and to city life. The passage below is from the last part of the book when he returns many years later for a visit, and I appreciate the way it conveys something of Ántonia’s character and also the mood of this season of the year.

“At some distance behind the house were an ash grove and two orchards: a cherry orchard, with gooseberry and currant bushes between the rows, and an apple orchard, sheltered by a high hedge from the hot winds. The older children turned back when we reached the hedge, but Jan and Nina and Lucie crept through it by a hole known only to themselves and hid under the low-branching mulberry bushes.

“As we walked through the apple orchard, grown up in tall bluegrass, Ántonia kept stopping to tell me about one tree and another. ‘I love them as if they were people,’ she said, rubbing her hand over the bark. ‘There wasn’t a tree here when we first came. We planted every one, and used to carry water for them, too — after we’d been working in the fields all day. Anton, he was a city man, and he used to get discouraged. But I couldn’t feel so tired that I wouldn’t fret about these trees when there was a dry time. They were on my mind like children. Many a night after he was asleep I’ve got up and come out and carried water to the poor things. And now, you see, we have the good of them. My man worked in the orange groves in Florida, and he knows all about grafting. There ain’t one of our neighbors has an orchard that bears like ours.’

“…The afternoon sun poured down on us through the drying grape leaves. The orchard seemed full of sun, like a cup, and we could smell the ripe apples on the trees. The crabs hung on the branches as thick as beads on a string, purple-red, with a thin silvery glaze over them. Some hens and ducks had crept through the hedge and were pecking at the fallen apples.”

–Willa Cather