Category Archives: nature

The Tide in the River

March 18, 2014nature, poetryEleanor FarjeonGretchenJoanna

A short verse stuck in my mind over 20 years ago, and has been playing there off and on out of a proper context. I’m pretty sure it came to me in a book of poems for children, and somewhere along the way I incorrectly connected it with Longfellow; when recently I searched around online for a while I found that the author is Eleanor Farjeon.

Only once that I can remember did the meaning fit with the situation, when I was with my dear husband on a short getaway to celebrate our wedding anniversary. We were staying in the company town of Scotia in way-northern California, where the sawmill is built near the Eel River.

After dinner we walked in the dark around the village of Rio Dell close by, and on our way back to the hotel stopped on the bridge to lean over the rail; we listened to the quiet flowing noise and could barely make out the stream down below. Here was the right time and place, and the verse very nimbly popped into my mind, and I recited:

The tide in the river,
The tide in the river,
The tide in the river runs deep.
I saw a shiver
Pass over the river
As the tide turned in its sleep.

–Eleanor Farejon

Now we’re celebrating that blessed day once more, but we’re driving to California’s Central Coast this time for our little vacation, to the town of Cambria where we spent part of our honeymoon and which we haven’t visited since. Maybe we’ll go to the beach this time. Let me see, do I know any beach-y verse I could get ready?

A breathing.

March 14, 2014nature, poetrychildhood memories, Denise Levertov, Elizabeth Twiddy, fog, sleepGretchenJoanna

THE END OF SLEEP

The eyes are about to open.
Through fog, Sleep crosses the great water—
See how it sails in the little boat?
Slowly, such a long journey,
Bits of light
Catch colors in the mirrored hull.
Beneath the glassy surface, a glimpse
Of your dreams: the lake, the boat, with you
In it. Now a shadow
Falls over you: above the surface,
The figure of Sleep
Has leaned over its boat.
Hear Sleep’s feet plop in the shallows—
It pulls the boat to shore.

— Elizabeth Twiddy

This morning as I neared the shore of full consciousness, what I saw through the fog was myself, getting dressed and going to church for a Presanctified Liturgy. I was full of happy anticipation. Then I pulled the blinds open and was surprised to see, not the sunny and warm skies of the last few days, but thick and cold white fog.

I’ve read many people who say they love the fog, and I thought of them right away, wondering why I couldn’t be like them. Then I remembered the foggy days of my childhood when in the winter the damp cold would settle over California’s Central Valley like a perverse blanket. Not your normal blanket that makes you cozy, but something more like a conduit of chill. My fifth-grade teacher Mrs. Wicks, who came from South Dakota, said she was never so miserable in the dry winters of her youth as she was in our “temperate” weather that froze her to the bone.

The natural and normal tule fog that emerges from the ground after the first winter rains became a dangerous foe once I learned to drive and became aware of all the car crashes on the highways that are a frequent accompaniment to the season. I became familiar with the stiff neck you get peering intently through the wall of white trying not to run into something.

But this morning in March, all of that is far behind me, and for the Valley-dwellers it is likely passed as well by this time of year. So I thought I would look for a poem by one of those fog-lovers. The fog that’s outside my window is still a little too cold for my old bones to thoroughly enjoy, but I’m working on it. After all, it’s another part of our earthly home that is filled with the breath of God.

THE BREATHING

An absolute
patience.
Trees stand
up to their knees in
fog. The fog
slowly flows
uphill.
White
cobwebs, the grass
leaning where deer
have looked for apples.
The woods
from brook to where
the top of the hill looks
over the fog send up
not one bird.
So absolute, it is
no other than
happiness itself, a breathing
too quiet to hear.

~ Denise Levertov

A little dancing sister.

February 27, 2014my garden, nature, quoteschickweed, G.K. Chesterton, St. Francis, weedsGretchenJoanna

…Nature is not our mother: Nature is our sister. We can be proud of her beauty, since we have the same father; but she has no authority over us; we have to admire, but not to imitate. This gives to the typically Christian pleasure in this earth a strange touch of lightness that is almost frivolity. Nature was a solemn mother to the worshipers of Isis and Cybele. Nature was a solemn mother to Wordsworth or to Emerson. But Nature is not solemn to Francis of Assisi or to George Herbert. To St. Francis, Nature is a sister, and even a younger sister: a little, dancing sister, to be laughed at as well as loved. -G.K. Chesterton

I’ve been enjoying my little sister in the garden this week. It started with a long weeding session, during which I rescued the sweet peas from a weed of which I don’t know the name. Does one of you know it?

It’s been growing taller than the peas, and even though I made some nice trellising for them, they have been confused by these weeds and are trying to climb on them instead.

The green and trailing weed is also flowering before the sweet peas bloom, and is not in any way an unpleasant weed to deal with.

How about this weed? Maybe someone can tell me its real name. We call it The Scattery Weed, because before the seeds are obviously ripe, when the plant still looks small and innocent, it waits with secret menace for the gardener to stroll by and brush it with her shoe or hand, then !!explosion!! of seeds in a several-foot radius.

I probably shouldn’t use the word menace when talking about my little sister. In this case she is only doing what is in her nature, and doing a good job of bearing many children for next year’s springtime.

I found more signs of spring while I was out there, like this oxalis blooming among the violets…

…plum blossoms decorating violets, and the violets springing up tall to decorate an irrigation head.

Above is a field of manzanita blossoms fallen from the bush to make way for berries, and hanging over them are snowdrops, truly looking like little sisters dancing in their pretty spring petticoats.

I finished my garden work just ahead of the steady rain we’ve been getting today. God is watering the earth and sending His rain “on the just and the unjust.” Thank You, Lord!

Linking up to Weekends With Chesterton.

RFC considers blood and sacrifice.

February 16, 2014books, church, food and cooking, nature, poetry, quotesdeath, Robert Farrar CaponGretchenJoanna

I owe you something more, however — something darker — on the subject of meat: The minor leads inexorably to the monumental. Lamb has set our feet in a large room indeed. Man not only dines: he also kills and sacrifices. The room in which he relishes the animal orders lies between slaughterhouse and temple. There are death’s heads at each end of the table of the world.

In The Supper of the Lamb: A Culinary Reflection Robert Farrar Capon introduces what is perhaps the most poetic chapter with this paragraph. He explores our human proclivity to hunting and butchering and the Jewish temple sacrifices in a long poem that I mostly didn’t have the patience for, though I liked its division into sections named for the categories of the car game:

Animal, Vegetable, Mineral;
Testing the textures of creation,
savoring the styles of its coinherence.

After describing the neat and clean Mineral parts of our world, he moves on to the Vegetable, “the kingdom of seed, birth, life….And for the first time,/ the reek of death.” But

Onions die quietly,
Cabbages shed no blood;
All plants forgive:
By the waters that comprise them
They wash man’s hands
And let him walk away.

Eating vegetables is so innocent. But Capon doesn’t want to ignore the reality of our place as carnivores, so he unapologetically moves on to the Animal kingdom

each man owning the honest interchange by which he steals his livelihood; each woman’s hand intimate with the crack of wrung neck and severed spine….

It is not possible or even desirable to distill the writer’s poem into a fully satisfying theology, but I wanted my readers to know that he does satisfy himself with the mysteries of God’s plan of salvation, of which the temple sacrifices were a foreshadowing of Christ’s sacrifice on the cross.