From George MacDonald’s year-long Diary, a few stanzas from the section “September”:
4. In the low mood, the mere man acts alone,
Moved by impulses which, if from within,
Yet far outside the centre man begin;
But in the grand mood, every softest tone
Comes from the living God at very heart—
From thee who infinite core of being art,
Thee who didst call our names ere ever we could sin.
8. Poor am I, God knows, poor as withered leaf;
Poorer or richer than, I dare not ask.
To love aright, for me were hopeless task,
Eternities too high to comprehend.
But shall I tear my heart in hopeless grief,
Or rise and climb, and run and kneel, and bend,
And drink the primal love—so love in chief?
25. Lord, loosen in me the hold of visible things;
Help me to walk by faith and not by sight;
I would, through thickest veils and coverings,
See into the chambers of the living light.
Lord, in the land of things that swell and seem,
Help me to walk by the other light supreme,
Which shows thy facts behind man’s vaguely hinting dream.
-George MacDonald, from A Book of Strife in the Form of The Diary of an Old Soul
Lo! I am come to autumn,
When all the leaves are gold;
Grey hairs and golden leaves cry out
The year and I are old.
In youth I sought the prince of men,
Captain in cosmic wars,
Our Titan, even the weeds would show
Defiant, to the stars.
But now a great thing in the street
Seems any human nod,
Where shift in strange democracy
The million masks of God.
In youth I sought the golden flower
Hidden in wood or wold,
But I am come to autumn,
When all the leaves are gold.
Gilbert Keith Chesterton died on June 14, 1936. This poem about the autumn of his life perhaps spanned several seasons in his consciousness before he died in springtime. I haven’t found out when it was written.
Pippin and I visited Chesterton’s humble grave when we were in England in 2005.
I was so sorry to hear a couple of weeks after the event that the poet Richard Wilbur had fallen asleep in death. It’s interesting to read about the ambivalence within the community of literary critics regarding his work throughout his career and now at his passing.
The New York Times quotes its own reviewer David Orr who mused that “Mr. Wilbur had ‘spent most of his career being alternately praised and condemned for the same three things’ — for his formal virtuosity; for his being, ‘depending on your preference, courtly or cautious, civilized or old-fashioned, reasonable or kind of dull’; and finally for his resisting a tendency in American poetry toward ‘conspicuous self-dramatization.’”
Might it be that one’s opinion about Wilbur’s poetry has something to do with whether you appreciate his perspective on things? If when you read his poems you find they quicken your own love for life and the cosmos? In another quote from the New York Times: “’I feel that the universe is full of glorious energy,’ he said in an interview with The Paris Review, ‘that the energy tends to take pattern and shape, and that the ultimate character of things is comely and good.'” My favorite not-so-recent article on Wilbur draws attention to his Christian vision and is found in First Things.
Over the life of my blog many of Wilbur’s poems have shown up here — which you might find by putting his name in the search box on the right — and I’ve been wanting to post his poem “Worlds” for a year or more now. I first read it when David Bentley Hart’s book The Experience of God was fresher in my mind, and I had some brilliant idea that linked the two philosophers… that thought has dimmed to the vanishing point. Now I offer the poem as a picture of two ways of looking at the world, represented by Alexander the Great and Isaac Newton. If Richard Wilbur imagined himself in this poem, I’m sure he would hope to be found serenely playing alongside Newton, another man of faith and great vision. May God grant him the Kingdom.
For Alexander there was no Far East,
because he thought the Asian continent
ended with India.
Free Cathay at least
did not contribute to his discontent.
But Newton, who had grasped all space, was more serene.
To him it seemed that he’d but played
With a few shells and pebbles on the shore
Of that profundity he had not made.
– Richard Wilbur